At the risk of postulating neuroses writ large, I have slept seven and a half of the past seventy-two hours. As I snoozed during five of these hours, Windows Update decided to restart my machine (without giving me an opportunity to save my work) and didn’t bother to ask me about my feelings on the matter♠, which meant that I lost a good deal of the work I had done on this week’s LBC podcast. The Heti interview will have to wait until next week. I suspect that a good pal hated the band we saw the other night♣ and, if so, I feel guilty♥ that he blew some bucks on a band I had been dying to see live since 2003.
Much of these thoughts and feelings have, of course, been shaped through a rather incredible confluence of exhaustion, overwork, and, most of all, a failure to account for my own limitations. Of course, if I had to do it all again, I’d sacrifice sleep and fall on my face again. That’s what it says to do in the government-issued manual♦.
Aside from all this, things are positive, happening and toe-tapping. And I shall scribe again for public consumption on Tuesday — hopefully, with clean hands and composure. Do have yourselves a fantastic weekend!
♠ — Maybe I’m alone in this, but I feel that, aside from informing you just how they intend to cripple your system resources, operating systems should ask you how you feel from time to time. It would certainly advance the relationship chasm between humans and computers.
♣ — The Quasi show at Cafe du Nord wasn’t bad, but was seriously impaired by the terrible sound afforded to Sam Coomes’ keys, which did a gross injustice to Coomes’ propensity to slam on the ivory like a mad musician. The minute Coomes (now sporting a beard) took up the axe, things improved greatly — in large part because he was dishelved, looked somewhat bemused and had a rather joyfully spastic stage presence. Also, Janet Weiss is a solid drummer. But if you’re a Sleater-Kinney fan, you already know this.
♥ — Guilty because said pal attended a previous show with me that he didn’t care for. I’m not adverse to going to shows that he suggests, but I’ve apparently been the vocal party in this “Do you wanna go see a show?” business and feel horribly solipsistic as a result.
♦ — You got the same thing in your 1040 booklets as I did, didn’t you?
The Call by Yannick Murphy: The always interesting author of Here They Come and Signed, Mata Hari returns with a novel that whips up a worldview from a rather quirky set of limitations: namely, the call logs that a veterinarian maintains as his son is unexpectedly put into a coma and an unforgiving economy denies him work. What emerges is a surprisingly optimistic, often funny, and very moving account on how one family uses acceptance and forgiveness as a way to atone for hard knocks. (
Birds of Paradise by Diana Abu-Jaber: Forget Franzen and Eugenides. If you're looking for a social novel that counts, Diana Abu-Jaber is the author you're looking for. Building from the free-form exploration of consciousness and identity in Crescent and the gripping procedural structure of Origin, Abu-Jaber's latest novel is her finest, equally fluent with gutterpunk culture and smarmy real estate men. It has been suggested by The Washington Post's Ron Charles that you will likely gain some pounds while reading this novel. This is certainly true. Abu-Jaber's description of food is so precise that it often made me want to do more cooking. But I very much admired the way in which Abu-Jaber presents all her characters as unwitting victims of rough capitalism, which permits them some dignity even as they perform terrible acts.
The Last of the Live Nude Girls by Sheila McClear: This memoir isn't so much about the decline of the Times Square peepshow, as it is about one young woman's efforts to pull herself up by by her bootstraps when presented with few economic options. Filled with self-introspective candor and a quiet dignity, McClear's story is one that might befall any of us in these volatile times. While McClear does get back on her feet, her book leads one contemplating the terrible fates of other young women now moving to New York and falling into deadlier vocations. (
au contrere mon frer ? … quasi was to quote “FANTASTIC” … merely require more zzzzz’s than you (got up at 5:30 the next am for my drive to socal….we ain’t all settin’ with the jets…