The Times-Picayune must be commended for their remarkable journalism under the circumstances. Remarkable photos, first-hand accounts and solid information to draw conclusions from. These folks are still putting out a newspaper despite having to capitulate their building and despite a paper edition precluded by the rising waters. In today’s edition, there are the following details:
- Terry Ebert, director of New Orleans Homeland Security: “Truth to tell, we’re not too far from filling in the bowl.”
- The waters are rising at about 3 inches per hour.
- There are apparently gangs of armed men moving around the city, having obtained their weapons stock from a brand new Wal-Mart in the Lower Garden District.
- The silver lining of a slow surge is that the death toll is considerably lesser than what might have happened, had the eye passed directly over New Orleans.
- Plans are in place to stop the flooding through 800 tons of concrete. There are about 108 15,000 pound concrete barriers that the Army Corps of Engineers hopes to drop into place by air.

Angelmaker by Nick Harkaway: Harkaway's latest novel greatly improves on his previous book, The Gone-Away World, which I'm already on record as praising. Angelmaker adopts genre elements without ever feeling like a genre book, and it leads me to believe that Harkaway is well on his way to a narrative grace close to China MiƩville's. Yet inexplicably this very fun book, which includes an eightysomething badass named Edie Banister, a mysterious mechanical object that may destroy the world, farcical scenarios involving lawyers and the police, and some unexpectedly moving moments about fatherhood, doesn't appear to be getting much attention in American newspapers. Nothing from the snobs at The New York Times Book Review, nothing from The Washington Post. And since I can't get Harkaway on Bat Segundo, I hope this Jump Up and Down mention gets you hopping as well.
The Age of Insight by Eric Kandel: Unless you're really pressed for time, forget Jonah Lehrer. If you want to understand creativity and its relationship to neuroscience, then the bowtie-wearing Nobel laureate is your man. In addition to being a physically beautiful book (you will drool over many of the paintings), there are helpful overviews on optical illusions, science, biographical backgrounds, and many vital figures from the Vienna Secession. Kandel's enthusiasm (and his call for greater unity between the humanities and science) is contagious.