Sarah’s put up a thoughtful post regarding hearing voices when she reads. I can relate to this because, although my own inner ear parses text differently, I sympathize with the notion of those voices inside the book that tell me to do things.
Whole chapters of Ian McEwan, Alex Garland and David Peace have encouraged me to wash my hands more. Because when I’m reading a farrago of brisk one-to-two word sentences (“Fuck,” “Noon,” “My arse.”), I feel as if I’m channeling the spirit of Howard Hughes. If I’m, say, reading part of the Red Riding Quartet, chances are you’ll find me in the restroom, washing all of those evil smelly life-destroying molecules that CLUTTER one’s existence and otherwise INTERFERE with the precious bodily fluids have you ever seen a Russian drink anything other than vodka? that do me end and PREVENT me from living greatness, must keep the people happy and prevent the germs from spreading UP UP & AWAY flowing through my veins and arteries like some infernal beast, parasites that can only be seen under a microscope…
But I digress.
Conversely, when I am reading a paragraph-long sentence (a la badly translated Dostoevsky or W.G. Sebald), I suddenly find myself talking too much during a conversation. These austere paragraph-slingers wish me to expatiate and I must honor their wishes, for I too have something dreadfully important to say, so important that it must be framed within the context of a sentence with endless verbs, commas and wends that convey the Sense of Importance. Never mind that the people who listen are trapped there, wishing to be polite, hoping that the blathering fool who is recycling some heavy-handed Marxian metaphor will stop.
So, yeah, the short answer is that I hear voices too. And while I come from a family that is very musical, it takes me about an hour or two to sight-read a sheet of music. Largely because I have been too indolent to learn how to do it in real time (to use the technological parlance of our time) and because all I know how to play on my guitar are pentatonic scales and chords. O such a wasted existence! If only I had shown more initiative! If only I had known that more practice with an instrument would result in vaguely edible fruit!
But at least there’s karaoke to offer such a dubious surrogate. And at least there are the voices which assure me that reading is good and keep the deviant at bay so I can function in America’s troubling capitalistic system.
Magic Hours by Tom Bissell: This marvelous collection of essays chronicles everything from film shoots to novelists rescued from oblivion. (The essay on the Underground Literary Alliance, with its portrait of raucous factions, unexpectedly reveals how soft today's literary world has become.) But if you peer between the cracks of these smart pieces, you may very well see how cultural lives are formed from the most unexpected life choices. And as we follow Bissell's development as a writer over the years, that goes for Bissell as well. (
Angelmaker by Nick Harkaway: Harkaway's latest novel greatly improves on his previous book, The Gone-Away World, which I'm already on record as praising. Angelmaker adopts genre elements without ever feeling like a genre book, and it leads me to believe that Harkaway is well on his way to a narrative grace close to China Miéville's. Yet inexplicably this very fun book, which includes an eightysomething badass named Edie Banister, a mysterious mechanical object that may destroy the world, farcical scenarios involving lawyers and the police, and some unexpectedly moving moments about fatherhood, doesn't appear to be getting much attention in American newspapers. Nothing from the snobs at The New York Times Book Review, nothing from The Washington Post. And since I can't get Harkaway on Bat Segundo, I hope this Jump Up and Down mention gets you hopping as well.
The Age of Insight by Eric Kandel: Unless you're really pressed for time, forget Jonah Lehrer. If you want to understand creativity and its relationship to neuroscience, then the bowtie-wearing Nobel laureate is your man. In addition to being a physically beautiful book (you will drool over many of the paintings), there are helpful overviews on optical illusions, science, biographical backgrounds, and many vital figures from the Vienna Secession. Kandel's enthusiasm (and his call for greater unity between the humanities and science) is contagious.