Hey kids!
It’s your pal the Rake here to disrupt this delightful huggermugger with yet another Cormac McCarthy-themed post. (Thank me later.) In my experience, your college profs and blogger types seem to favor McCarthy’s Blood Meridian, but down-home Southern writers go for Suttree or Child of God. Here’s an article about the relationship between Mr. McCarthy and East Tennessee (Knoxville in particular):
The trick shop is gone now, its charlatan’s props and trinkets and frivolous parlor games long removed, half-witted relics given over to vulgar oblivion. So too are the pool halls, their beer-varnished countertops and oaken floors and rag-topped pool tables absent, replaced now by a prosaic sprawl of yellow weeds and crab-grass at the corner of Church Avenue and Gay Street. The yellow-green sprinkling of slight foliage, withered, huddles noontime in the muscular shadow of the decidedly modern Centre Square building and its bronze frontispiece, the statue of a lone oarsmen laboring desperately to right his scuttled craft.
There’s a rumor, unconfirmed, that the boatpilot is meant to be Cornelius Suttree, the disinherited blue-blood roustabout who is the hero of the forenamed book.
And gone is the man who would be Gene Harrogate—John Sheddan, scholar, schemer, hustler, melon paramour. He died in recent years, at age 62, purchased by the ravages of his own excess. Gone are the Roxy Theatre and the Gold Sun Cafe and the motley vendors who every weekend peopled Market Square, ghosts of mid-century Knoxville held forever in the attitudes of the living in the pages of Cormac McCarthy’s Suttree.
See also Searching for Suttree.
Magic Hours by Tom Bissell: This marvelous collection of essays chronicles everything from film shoots to novelists rescued from oblivion. (The essay on the Underground Literary Alliance, with its portrait of raucous factions, unexpectedly reveals how soft today's literary world has become.) But if you peer between the cracks of these smart pieces, you may very well see how cultural lives are formed from the most unexpected life choices. And as we follow Bissell's development as a writer over the years, that goes for Bissell as well. (
Angelmaker by Nick Harkaway: Harkaway's latest novel greatly improves on his previous book, The Gone-Away World, which I'm already on record as praising. Angelmaker adopts genre elements without ever feeling like a genre book, and it leads me to believe that Harkaway is well on his way to a narrative grace close to China Miéville's. Yet inexplicably this very fun book, which includes an eightysomething badass named Edie Banister, a mysterious mechanical object that may destroy the world, farcical scenarios involving lawyers and the police, and some unexpectedly moving moments about fatherhood, doesn't appear to be getting much attention in American newspapers. Nothing from the snobs at The New York Times Book Review, nothing from The Washington Post. And since I can't get Harkaway on Bat Segundo, I hope this Jump Up and Down mention gets you hopping as well.
The Age of Insight by Eric Kandel: Unless you're really pressed for time, forget Jonah Lehrer. If you want to understand creativity and its relationship to neuroscience, then the bowtie-wearing Nobel laureate is your man. In addition to being a physically beautiful book (you will drool over many of the paintings), there are helpful overviews on optical illusions, science, biographical backgrounds, and many vital figures from the Vienna Secession. Kandel's enthusiasm (and his call for greater unity between the humanities and science) is contagious.
OK, I get it. Blogging on your own site and somebody else’s is the new black.
What’s for dinner?
Crypto-meatloaf.