Law of Averages
Written by Edward ChampionPosted on February 7, 2008
Filed Under Charles Baxter, Edward Champion, Reading
I hope to find more time to write at length about Charles Baxter’s extraordinary novel, The Soul Thief. Beyond Baxter nailing the relationship of “God Only Knows” to Brian Wilson’s personal development as an artist, one is tempted to read Nathaniel’s relationship with his parents in the context of this interesting essay (in which Baxter’s son offers annotated responses in relation to remembered anecdotes) contained in this month’s issue of The Believer.
There is also this striking passage, to be considered in the same context as Philip Roth’s American Pastoral moment and Richard Russo’s “wrong end of the telescope” speech from Bridge of Sighs:
But sometimes it happens that we enter a public place and find that, for once, the law of averages has broken down. We step gingerly into the darkened movie theater, the film starts, and we are the only ones in attendance, the only spectators to laugh or scream or yawn in the otherwise empty and silent rows of seats. We drive for miles and see no one coming in the other direction, the road for once being ours alone. Our high beams stay on. Where is everybody? The earth has been emptied except for us as we make our stuttering progress through the dark. We take each turn expecting that someone will appear out of nowhere to keep us company for a moment. In the doctor’s anteroom, no one else is waiting and fidgeting with nerves, and the receptionist has vanished; or we find ourselves alone in the fun-house at the seedy carnival, where, because of our solitude, there will be no fun no matter what we do; or we enter the restaurant where no one else is dining, though the candles have all been lit and the place settings have been nicely arranged. The waitstaff has collectively decamped to some other bistro even though they have left the lights on in this one. The water boiling in the kitchen sends up a cloud of steam. The maitre d’ has abandoned his station; we sit anywhere we please. The outward-bound commuter train starts, but no one sits in the car, and no conductor ambles down the aisle to punch a hole in our ticket. In the drugstore no one is behind the cash register, and the druggist has left the prescription medications unmonitored on their assorted shelves. We enter the church for the funeral, and we are the first to arrive, and we must sit without the help of the ushers. Where are they? No sound, not a single note or a chord or a melody line from the organ loft, consoles and sustains us.
Such occasions are so rare that when they occur, we often think I don’t belong here, something is wrong or Why didn’t they inform me? or Let there be someone, anyone, else. But for the duration, when the law of averages no longer applies, we are the sole survivors, the only audience for what reality wishes to show us. This may be what the prophets once felt, this ultimate final aloneness.
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Beyond Heaving Bosoms by Sarah Wendell and Candy Tan. The famed writers behind
Alice Fantastic by Maggie Estep. This wild and highly enjoyable narrative involves two sisters (presumably, the third one was still being rented out by Chekhov), a hippie ex-junkie mother who lives with seventeen dogs, a murder, gambling, and libidinous Hollywood actresses who live in Woodstock. But this is the wonderful Maggie Estep we're talking here. And what seems at first like a quirky yarn becomes something unexpectedly moving about connectivity. What I love about Estep's work is the way that she'll juxtapose an extremely astute observation (now that you mention it, why do cab drivers always have somebody to talk with on the phone past midnight?) with an often outrageous story development.
Generosity by Richard Powers. It doesn't come out until September 29th, but Richard Powers's latest will have anyone committed to books reconsidering their literary fervor. I foresee some animosity from the vanilla critics hostile to idea-driven novels, but book bloggers, YouTube chroniclers, and MFAs would do well to plunge into this chance-taking narrative, which introduces vital questions about what the reader's relationship is with media, scientific dissection, and "creative nonfiction." Are we rats fleeing to happy cities? Or can we find the humanism within the purported plague?
Pieces for the Left Hand by J. Robert Lennon. Lennon is one of the most underrated fiction writers working today. Much as On the Night Plain proved that Lennon had a lot more in the toolbox than heartfelt (and often very funny) suburban satire, this slim but fascinating volume juxtaposes 100 small-town anecdotes -- arranged by category -- in a manner that reads, at times, like Nicholson Baker's passions for minutiae and, at other times, Stewart O'Nan's concern for psychological detail. The result is fiction that makes us wonder about whether one person's subjective view of particulars can entirely be trusted. This book never found a publisher in 2005. But thankfully, Graywolf has released it in the United States, along with Lennon's latest novel, The Castle.
Wonderful World by Javier Calvo. This wonderfully raucous volume has been completely ignored by the Washington Post, the New York Times, and the Los Angeles Times. But it's probably one of the most delightful reading experiences I've had this year. Calvo cavalierly mashes up multiple genres and manages to mix up familial subtext with larger-than-life, almost cartoonish characters. (Indeed, one might argue that one mobster's penis is a character of its own in this sprawling novel.). This is not an easy thing to pull off, but Calvo makes it work. And it's helped immeasurably by Mara Faye Lethem's idiom-specific translation. (
The Means of Reproduction, Michelle Goldberg This thoughtful book tackles the complicated (and little discussed) subject of reproductive rights from numerous angles, which includes a number of unpleasant but necessary ones. The upshot is that there isn't a quick fix solution for declining birth rates and fundamentalist abuses. Just about every political faction has contributed to the friction. But you'll want to read this book anyway to refamiliarize yourself with the topic, but also to understand just what's occurred during the past several decades to get us where we are today. (
I call them Mary Celeste moments.
A very good passage, that puts the finger on a common everyday, yet sublime and haunting experience.
It’s even creepier once you know the twist, which I won’t give away.