Janet Maslin is a good critic, but any doubts that she’s been ghettoized by the Times as the “pop lit gal” should be removed. In fact, considered with this unfortunate headline, part of me suspects an anti-Maslin conspiracy.
Students now spend an average of $828 per year on academic books. A new study reports that the average textbook costs over $100, and that the cost has risen from $650 in 1996-1997. In related news, sales of Top Ramen have risen along the same exponential curve.
And you thought the David Denby coverage was bad? When I think about who to ask about sex, Steven Bochco is probably the last guy in line.
The lower your testosterone, the greater your chance of developing Alzheimer’s. Scientific proof that Ronald Reagan and Charlton Heston were never men’s men.
Donald Trump has a new book out in April, How to Be Rich. Random House will be paying Trump close “a lot more than a million dollars” with sizable royalties. Guess the folks at Random House didn’t learn from the book, did they?
The Sunday Times claims that Pete Dexter is the most injury-prone writer in the world and then, because the writer of the article doesn’t believe his own thesis, he offers a long expose of Dexter’s physical condition. What next? A 2,000 word essay on Saul Bellow’s hair?
Pay no attention to the title. Vintage Didion is not a Slouching/White repackage, but represents Didion’s work in the Reagan era.
Norman Mailer turns 81 on Saturday and the Scotsman tries to examine why he isn’t considered “America’s greatest living writer.” Without, of course, asking anyone here why.
Is the Pittsburgh Post-Gazette appropriating Crooked Timber’s Books I Did Not Read This Year idea?
Sarah compares the TMFTML imbroglio with Moonlighting.
And cool enough that Yardley champions A.J. Liebling, a guy I’ve been meaning to read, but Teachout’s there too.
Magic Hours by Tom Bissell: This marvelous collection of essays chronicles everything from film shoots to novelists rescued from oblivion. (The essay on the Underground Literary Alliance, with its portrait of raucous factions, unexpectedly reveals how soft today's literary world has become.) But if you peer between the cracks of these smart pieces, you may very well see how cultural lives are formed from the most unexpected life choices. And as we follow Bissell's development as a writer over the years, that goes for Bissell as well. (
Angelmaker by Nick Harkaway: Harkaway's latest novel greatly improves on his previous book, The Gone-Away World, which I'm already on record as praising. Angelmaker adopts genre elements without ever feeling like a genre book, and it leads me to believe that Harkaway is well on his way to a narrative grace close to China Miéville's. Yet inexplicably this very fun book, which includes an eightysomething badass named Edie Banister, a mysterious mechanical object that may destroy the world, farcical scenarios involving lawyers and the police, and some unexpectedly moving moments about fatherhood, doesn't appear to be getting much attention in American newspapers. Nothing from the snobs at The New York Times Book Review, nothing from The Washington Post. And since I can't get Harkaway on Bat Segundo, I hope this Jump Up and Down mention gets you hopping as well.
The Age of Insight by Eric Kandel: Unless you're really pressed for time, forget Jonah Lehrer. If you want to understand creativity and its relationship to neuroscience, then the bowtie-wearing Nobel laureate is your man. In addition to being a physically beautiful book (you will drool over many of the paintings), there are helpful overviews on optical illusions, science, biographical backgrounds, and many vital figures from the Vienna Secession. Kandel's enthusiasm (and his call for greater unity between the humanities and science) is contagious.
Hey, I almost called him “the 12 tone or serialist blogger in an age of tonality” but thought better of it. Because frankly, it didn’t make any sense then or now.