Mashup of Drafts (With Annotations)

I cannot be bothered to write anything of importance at the present time. Therefore, I offer the following post composed entirely of random sentences from other posts that I started in 2009, and I never finished, and that I have no real intention of finishing (with pertinent annotations):

I am in Midtown Manhattan, where the streets have no name. [1] Thanks to the dependable rage and knee-jerk regularities of the big crunching boot known as the Internet, Billy Bob Thornton has, in the past four days, been widely derided for his boorish appearance on a CBC radio program. [2] We make drinking within the realm of financial possibility while we tax the fuck out of cigarettes. So let’s take this oxidized sportster out for a spin, shall we? There is a part of me that might feel like one of those hokey magicians playing a PTA meeting for $75, the type who attempts to pass off that all-too-simple trick of squeezing water behind your elbow as cutting-edge.[3] Some figure who genuinely wallows in the suffering of others. Some savage soul who wants to kick in the teeth of anyone really. But I’m sure they’ll both choke on their free foie gras at some junket later in the year.[4] Never mind that I offered counsel and empathy when his personal life was falling apart. There is nothing entertaining, thoughtful, funny, literary, or striking about any of the material that is regularly posted here.[5] Last night, as I rested my freshly pedicured feet on my manservant’s lithe and writhing back, I found myself exceptionally alarmed. Our team of researchers, using the finest investigative techniques that microfiche has to offer, have located an essay written in 1983 by a hotheaded young man, who reportedly beat an Apple IIe with a baseball bat just after banging out the deranged essay reprinted for our readership below.[6] The box, the simple box, the box that rhymes with fox, the box you get back from the bagel shop that has your lox, may be the art form of the 21st century.[7]

[1] Careful readers of op-ed columns in a certain newspaper will likely see what I was satirizing. One common quality of these abandoned drafts is the fixation I have on the New York Times. This says more about me than the New York Times.

[2] I have been building up to an enormous essay about masculinity that I need to get out of my system. The theme has recurred in numerous drafts over the past eighteen months and there have been pitches to numerous outlets. Alas, nobody is really interested in the topic. Except that they are interested, as the near two million people who watched that YouTube video demonstrates.

[3] This metaphor was rooted in personal experience. And I’m going to have to figure out another applicable essay to get it in. When I was a boy, I would often attend Parents Without Partners outings with my then single mother, who was looking to get lucky and who, as it turned out, was extremely miserable. While adults gathered together for mediocre potluck dishes, I was left to wander the floors of some meeting room with frayed beige walls — the kind you found quite often in the mid-1980s that was often turned into a makeshift dance hall but that had not been architecturally designed for that purpose. But everybody knew that all the single parents were pinching pennies, with varying results and outright poor children with holes in their shirts and unwashed shorts pretending to be middle-class. There, I’d talk with other nervous kids, who were all likewise abandoned by their parents and were in need of a sad social fix. The adults often hired a cheap magician: someone who needed some pocket money, but who had certainly not made professional magic a full-time job. The kids didn’t care to be condescended to. And for some reason, they often looked to me. Because I tended to have a very loud voice and say things that apparently you weren’t allowed to say. (Or so many adults frequently told me. There was one particularly pious gentleman who took my mother aside outside of a church and said, “There’s something of the devil in that boy.” These days, it’s more or less the same thing. Except that the adults take other adults aside to talk shit about me and use four-letter words to describe how terrible I am. And it’s all a bit awkward because I’m now an adult.)

Anyway, I would often raise my hand when the magician asked for a volunteer. And if he was ever a bit condescending to my fellow kids, I would then expose all of his trickery to the audience, pointing specifically to the sponge behind my elbow and exposing the mechanisms of his act during the course of the show. I was truly a little asshole. But one such magician took me aside after his act, and he was very kind to me. And he asked me if everything was okay at home. I told him no. And he said I should perform magic shows because the other kids were very amused by my antics. And I remember that magician’s kindness any time I see some troubled kid trying to figure shit out, and I try and do something about it.

[4] This seemed a particularly vicious thing to say. One often writes in the moment and is astonished to see what one has written later.

[5] This sentence was written during the morose early days of quitting smoking.

[6] A chasm of memories I haven’t thought about in years have provoked ancillary imagery. It is no accident that violence remains a constant motif.

[7] I don’t believe any writer should be hindered by singsong prose. Some “literary” authors would be better off writing children’s books and rediscovering why they enjoy writing in the first place. It is very sad to have seen them deteriorate.

Viral Marketing

ellroyfacebook

As Sarah Weinman reports, in a signed note on the back of the forthcoming James Ellroy novel, Blood’s a Rover, the Demon Dog of Crime Fiction is urging all of his readers to find him on Facebook. This may very well be the most brazen Web 2.0 pitch in the history of book industry marketing. And the last thing I want to do is kick a Demon Dog when he’s down. So go to Facebook, find James Ellroy, and lift this great writer’s spirits for the benefit of arts and letters! Perhaps by befriending Mr. Ellroy in this manner, he might be tempted to write even stranger novels for the joys and pleasures of readers around the world! (That is, when he’s not being poked by people he barely knows, given virtual gifts, or being chatted up by bored 15-year-olds.) Now if only we can convince Mr. Ellroy to get on Twitter and Tumblr, then we may very well make Mr. Ellroy the Demon Dog of All Media.

The Hard Quit

There’s presently a wild perceptive dust floating about in lieu of the daily smoke. It’s a mad balance that comes from giving up one terrible extenuating habit formed in my twenties, committed to (and quit) with varying degrees of government-sanctioned addiction over the past twelve years, and kicked at by the impromptu hooves bucking at salubrity at this present day — just a few years beyond thirty. There have been abject side effects. Sentences unpacked and deployed from my noggin like mad rivets dutifully dipping from a dribbling drill now take thrice as long to squeeze and bounce about my brain and bang into some coherence. All this is frustrating and very disheartening to say the least. I have even misted a bit at not having my apparent chops, but I know that it will come back. I am a stubborn bastard. Precise memories have become foggier, yet incidents that I haven’t given much thought to in several decades shout like mad banshees in the middle of the night, beckoning attention and disrupting my dreams. Minor moments from my first thirteen years have clung like surprise barnacles to the galleon I am presently retrofitting. Why they should come now remains a mystery. I am hardly purer than I was. I suspect that I am much worse.

I can apparently still do interviews quite well, and have done about five since I kicked the habit in anger. And while I can’t wolf down a book in one day (my appetite seems committed elsewhere, I’m afraid; to reduce the inevitable pounds, I have taken to fruit like a ravenous rhesus monkey), I can now read about 150 to 200 pages before my head rattles into the pillow. I can sound coherent on the phone and am apparently semi-erudite in person. (Nobody has yet suggested that I have turned autistic, but it certainly does seem that way at times. I am the worst judge, as many have kindly reminded.) I tend to be angrier over particularly stupid topics and resist all urges to give in completely to this unwholesome fury. Which is not to suggest that I’ve abandoned righteous indignation. Being mad, after all, is an important visceral scenario to countenance from time to time. But I am very aware that I am becoming emotionally and physically cognizant of the individual I hid behind the cigarettes: not the greatest person, but not a bad guy; someone, however, certainly afraid to be adorably crazy. I have, as a result of this, made myself socially scarce and only emerged when called or beckoned. A different kind of disguise, but not as bad as my previous mask of embarrassment that came with the occasional cancer stick I puffed at odd hours and let get out of hand. And it didn’t help that the price went up, and that the heartless bastards who contrived this tax didn’t think of the addicts who needed the frequent tugs and what it really meant to throw it all way.

The upshot is that this has been exceptionally difficult, and the difficulties of quitting are something we aren’t allowed to talk about. But it’s been just about three weeks. And it gets easier. I stay positive and remain active. The associations subside and reform, as does the hiding. I find a surprising new self to know who is perhaps a bit frightening, but who will live better than he did before. And if that sounds like a needlessly boastful statement, then you have never known what it is to be an addict.

RIP J.G. Ballard

Jeff VanderMeer is reporting that J.G. Ballard is dead. If that last sentence doesn’t cause your heart to sink to your feet, then get thee to a bookstore or a library and check the man’s work out immediately. Ballard was one of the greats: an imaginative giant, a profoundly erudite iconoclast, one of those rare talents who came up with a warped concept that needed to be wild while providing the speculative heft needed to keep a thought experiment going. And I hope to have more to say about the man as soon as I can collect my thoughts more coherently.

[UPDATE: Joanne McNeil, Jacket Copy, the AP, Tributes from the Guardian, even Gawker and Entertainment Weekly. But nothing from the New York Times or the Washington Post, who I presume are both too vanilla to appreciate a genius.]

[UPDATE 2: The New York Times and the Washington Post merely ran the AP obit off the wires. So John Updike gets independent coverage. But Ballard, being a mere “speculative” writer, does not.]