Roundup

Sam Tanenhaus: You’ll Like Our Translation Pick Or Else!

Languagehat unearths a hilarious online expose involving Sam Tanenhaus’s failure to dictate to the masses. It seems that Tanenhaus attempted to strong-arm his readership into loving the Richard Peevar and Larissa Volokhonsky translation of War and Peace and his readers, begging to differ, express their preference for other translations. Peevar then shows up, defends his translation, is then humiliated, and then comes back again with a whiny defensive rejoinder. And Sammy Boy just can’t stand it! How dare the readers think for themselves? How dare they fail to recognize the Grand Importance of the New York Times Book Review?

Needless to say, I don’t have to analyze this week’s issue or dig up the Brownie Watch to tell you that this kind of hubris from Tanenhaus, his inability to listen to readers and his colossal misunderstanding of dissent among the blogosphere, deserves no brownies.

No brownies for you, Sam! Not this week, or for the next four weeks! Maybe if you considered that the people who read the New York Times actually have brains inside their heads, you might do better.

(Thanks, Kári!)

Tomorrow’s Great American Novelists

James Tata reconsiders that particular strata known as the mid-career (b. 1960 or thereabouts) Great American Novelist. It is, of course, most regrettable that Age should matter, but with so many GANs dropping off of late (Vonnegut, Mailer, et al.), one wonders who will be taught in tomorrow’s classrooms. The current crop identified by Mr. Tata do in part fall into a certain rubric of, as he suggests, “nothing more than comic book characters and escapist fantasy,” which suggests a new concern for the next hopeful pantheon. But this “hopeful” qualifier presumes that these writers care about being listed in syllabi, much less proscribing their concerns for what is Important Literature by writing Serious Novels. So I put forth the question to the peanut gallery: Who, born between the years of 1960 and 1970, has a shot at being tomorrow’s Great American Novelist? Is the list that Tata offers the True List? Or is it too early to tell? Has literature become something too specialized to make such a judgment call? (I respond “yes” to the last rhetorical question, but I don’t necessarily think that this is a bad thing.)