George: No diary entry today? Come on, pal. I know you’ve been taking some flack because of your concern for weather and blackberries. And I know that I’m not the only one waiting around here to see just how the blackberries will redden or how you will describe other garden snakes and the like. But your diary entry encourages me to produce my own. And when you don’t write, what am I to do? Guess I’ll have to do the work for us. Somewhat hot, with an insinuation of autumn cool. Am currently hacking away at Segundo shows I need to get in the mail, reducing them to 58 minute installments. Hard and often painful job, but if someone has to make the cut, it may as well be me. Future of Segundo uncertain and may have to pull the plug after all. Future on freelancing also uncertain. But then you’re well aware of that uncertainty. Uncertainty seems to be the new certainty. But if I have to pack it in, at least I had a good run. 235 shows over three years is nothing to complain about. Nor was the newspaper work. Just wasn’t good enough to stay alive doing this. That’s capitalism for you. Or maybe social Darwinism. Of course, once one has tasted the nectar of the gods, it’s a bit difficult to go back to tepid tap water. Which was probably why I drank so heavily last night. Still, I remain pro-active, hoping for an eleventh hour reprieve stemming not from fortune or coincidence, but my own industry. We’ll see.
Responding to Orwell: August 13
– August 13, 2008Posted in: orwell-george
The Call by Yannick Murphy: The always interesting author of Here They Come and Signed, Mata Hari returns with a novel that whips up a worldview from a rather quirky set of limitations: namely, the call logs that a veterinarian maintains as his son is unexpectedly put into a coma and an unforgiving economy denies him work. What emerges is a surprisingly optimistic, often funny, and very moving account on how one family uses acceptance and forgiveness as a way to atone for hard knocks. (
Birds of Paradise by Diana Abu-Jaber: Forget Franzen and Eugenides. If you're looking for a social novel that counts, Diana Abu-Jaber is the author you're looking for. Building from the free-form exploration of consciousness and identity in Crescent and the gripping procedural structure of Origin, Abu-Jaber's latest novel is her finest, equally fluent with gutterpunk culture and smarmy real estate men. It has been suggested by The Washington Post's Ron Charles that you will likely gain some pounds while reading this novel. This is certainly true. Abu-Jaber's description of food is so precise that it often made me want to do more cooking. But I very much admired the way in which Abu-Jaber presents all her characters as unwitting victims of rough capitalism, which permits them some dignity even as they perform terrible acts.
The Last of the Live Nude Girls by Sheila McClear: This memoir isn't so much about the decline of the Times Square peepshow, as it is about one young woman's efforts to pull herself up by by her bootstraps when presented with few economic options. Filled with self-introspective candor and a quiet dignity, McClear's story is one that might befall any of us in these volatile times. While McClear does get back on her feet, her book leads one contemplating the terrible fates of other young women now moving to New York and falling into deadlier vocations. (