George! You’re back. Was getting a little worried. Had figured that the weather, which you were dutifully recording over the days, had at long last taken the wind out of you. But here you are with not one, but two diary entries. I don’t know if your thoughts on barley represent some insight into Animal Farm. Was reading Daniel Levitin’s The World in Six Songs the other day, and I was struck by his observation about Paul McCartney (we don’t have newspaper cuttings here on the Internet, George, so I hope this blockquote is semi-tantamount to your prudent applique):
Similarly, Paul McCartney seemed to be trying to capture both the sound and the aesthetic essence of a forties dance-hall tune in a string of songs beginning with “When I’m Sixty-Four” (written in 1958, recorded in 1967), “Your Mother Should Know” (1967), and “Honey Pie” (1968). With each one, he got a little closer, until 1976, when he released “You Gave Me the Answer,” with production and orchestration sounding almost exactly like a Fred Astaire record. McCartney never attempted a dance hall-style song after this, and so I assume that he finally met his artistic goal and moved on to other experiments and other challenges.
I’m wondering how your current concerns about wood and barley fit in with this observation. Maybe you’ll be pursuing this question in your diary in the years to come, but to what degree, George, does your diary represent continued efforts to pinpoint the precise book you have to write? And since you expired so young, I’m hoping that your eyes didn’t close with too many regrets along these lines.
I’m sorry to report that greenheart wood (aka Chlorocardium rodiei) is now redlisted by the IUCN as a threatened species. The folks at the Orwell Estate don’t wish to point this out, but I think it’s important to place your enthusiasm in some context. I may be experiencing certain joys and pleasures that, sixty years from now, will be unthinkable. It is for this reason that I consider almost every day blessed in some sense.
I’m glad to hear that some of the blackberries have ripened and that the elder-berries have begun to grow purple! This may seem the kind of routine observation to be mocked, but I suspect those who have ridiculed your efforts fail to understand the pleasure of flora and fauna unfurling and adapting at a slow and leisurely clip.
When I get around to trying out my own efforts with lumber (sometime this year), maybe the two of us will swap some notes. Obviously, it won’t be greenheart. But I do plan to build a few bookcases. Just need to take some measurements of the apartment and draw up plans.
And thank you for referencing the Sardinian mouflon sheep on August 16. It’s a bit embarrassing, but I love the way that phrase rolls off the tip of my tongue and have uttered it a few times to ensure that it is indeed a mellifluous marvel.
Lots of work here, George, but let’s check in with each other.
The Call by Yannick Murphy: The always interesting author of Here They Come and Signed, Mata Hari returns with a novel that whips up a worldview from a rather quirky set of limitations: namely, the call logs that a veterinarian maintains as his son is unexpectedly put into a coma and an unforgiving economy denies him work. What emerges is a surprisingly optimistic, often funny, and very moving account on how one family uses acceptance and forgiveness as a way to atone for hard knocks. (
Birds of Paradise by Diana Abu-Jaber: Forget Franzen and Eugenides. If you're looking for a social novel that counts, Diana Abu-Jaber is the author you're looking for. Building from the free-form exploration of consciousness and identity in Crescent and the gripping procedural structure of Origin, Abu-Jaber's latest novel is her finest, equally fluent with gutterpunk culture and smarmy real estate men. It has been suggested by The Washington Post's Ron Charles that you will likely gain some pounds while reading this novel. This is certainly true. Abu-Jaber's description of food is so precise that it often made me want to do more cooking. But I very much admired the way in which Abu-Jaber presents all her characters as unwitting victims of rough capitalism, which permits them some dignity even as they perform terrible acts.
The Last of the Live Nude Girls by Sheila McClear: This memoir isn't so much about the decline of the Times Square peepshow, as it is about one young woman's efforts to pull herself up by by her bootstraps when presented with few economic options. Filled with self-introspective candor and a quiet dignity, McClear's story is one that might befall any of us in these volatile times. While McClear does get back on her feet, her book leads one contemplating the terrible fates of other young women now moving to New York and falling into deadlier vocations. (
The weather had taken the wind out of you? Haha.