George: I must again commend you on your succinctness. “Fine, not very hot. One egg” likewise describes many sad Sunday mornings in my twenties. There was a period in which I would wake up alone in my San Francisco hovel after a night of unsuccessful carousing, realizing that it was “not very hot” in both the literal and figurative senses. I would then walk to the refrigerator, ponder breakfast, and observe that there was one lone egg in a cardboard carton. (Which in turn reminds me of my crazed attempt to soundproof a basement at the age of nineteen. But that’s another story, George, for another one of your dutiful diary entries!) I had developed a strange habit of cooking many eggs on Saturday morning, but had not yet developed the dexterity to cook a decent omelette. But I was more ashamed by my failure to count the eggs. Looking at the sad shelled elliptic leftover, it seemed somewhat futile to whip up some scrambled eggs from one yolk. “Scrambled egg” was the more accurate breakfast appellation, but it sounded like a 75 cent side item on a dive menu. You could have the “scrambled egg” if you had were a bum with change jangling in your pocket. But real men ordered “scrambled eggs, sausage and toast” for $4.99. Regrettably, I was often too lazy to walk to the convenience store down the street. It was an altogether different walk of shame from me — a bachelor who couldn’t keep track of his eggs, much less perform shopping with any reasonable frequency. And so I would cook the one egg, sometimes singing a Ray Davies song to tap into some irony that really wasn’t applicable, consume the scrambled concoction and realize that it wasn’t what you might call a reasonable breakfast. Fine, not very hot. One egg.
Responding to Orwell: October 30
– October 30, 2008Posted in: orwell-george
The Call by Yannick Murphy: The always interesting author of Here They Come and Signed, Mata Hari returns with a novel that whips up a worldview from a rather quirky set of limitations: namely, the call logs that a veterinarian maintains as his son is unexpectedly put into a coma and an unforgiving economy denies him work. What emerges is a surprisingly optimistic, often funny, and very moving account on how one family uses acceptance and forgiveness as a way to atone for hard knocks. (
Birds of Paradise by Diana Abu-Jaber: Forget Franzen and Eugenides. If you're looking for a social novel that counts, Diana Abu-Jaber is the author you're looking for. Building from the free-form exploration of consciousness and identity in Crescent and the gripping procedural structure of Origin, Abu-Jaber's latest novel is her finest, equally fluent with gutterpunk culture and smarmy real estate men. It has been suggested by The Washington Post's Ron Charles that you will likely gain some pounds while reading this novel. This is certainly true. Abu-Jaber's description of food is so precise that it often made me want to do more cooking. But I very much admired the way in which Abu-Jaber presents all her characters as unwitting victims of rough capitalism, which permits them some dignity even as they perform terrible acts.
The Last of the Live Nude Girls by Sheila McClear: This memoir isn't so much about the decline of the Times Square peepshow, as it is about one young woman's efforts to pull herself up by by her bootstraps when presented with few economic options. Filled with self-introspective candor and a quiet dignity, McClear's story is one that might befall any of us in these volatile times. While McClear does get back on her feet, her book leads one contemplating the terrible fates of other young women now moving to New York and falling into deadlier vocations. (