Roundup
Written byPosted on November 1, 2007
Filed Under Roundup
- Recovering from many martinis.
- An effort now, a day after the lovely holiday, to atone for the lack of literary news. Of late, this place has been an unapologetic dumping ground for YouTube videos and decidedly non-literary subjects. The most recent Segundo podcasts have tilted towards more nonfiction authors. I leave loyal readers to speculate as to whether this represents a certain fatigue towards fiction on the part of the proprietor or merely an effort to stretch out. If the former conclusion stands, permit me to register my dutiful plaudits for Jess Walter’s excellent novel, Citizen Vince, which was accidentally purchased a year ago instead of The Zero, thanks to a certain devious bookish person who led me astray in the right way. Vince has lived up to its accidental promise. (Let this be a lesson for all of us. Too often we are mired in the latest contemporary titles and the collective foci views “contemporary” as “the last six months.” But there are plenty of great titles extending well before!)
- With Halloween in mind, I had intended to offer an audio reading of H.P. Lovecraft’s “The Rats in the Walls.” Alas, time and deadlines got the better of me, and I was unable to finish this in time for October 31. Nevertheless, in considering the many horror writers who have thrilled and tingled, you can do no better than this archive of H.P. Lovecraft’s work a day later and a fun-size Snickers bar short.
- Scott is correct to point out that the latest issue of the NYRB has only one fiction title under review (unless you count Eugene O’Neill) and that it is — yawn, he yawned — Alice Sebold’s latest title. That one of our most seemingly august publications would abdicate its fiction coverage for wonky wankage, obvious choices, and, to douse the bleeding mess with copious salt, hire the perspicacious Larry McMurty to squander his acumen on an eccentric Hollywood actress’s photography is indeed a sign that the NYRB is, at least with this issue, neither seeming nor august. If this is the NYRB’s new way, then it would seem that Bob Silvers may be an even greater fiction-reviewing offender than Sam Tanenhaus in running a publication with both “New York” and “Books” in the title. Further, one must ask where all the women are? Eighteen pieces here and only two women. It seems that Tanenhaus isn’t the only one interested in stag clubs. Okay, Silvers, you’re now on watch.
- As the good Orthofer notes, there ain’t no fiction coverage in the New Republic these days. (And that sentence could be worse. I stop at double negatives. Others go further.)
- Jim Thompson’s lost Hollywood years. Let us not forget that it was Jim Thompson’s ear for dialogue that helped Kubrick immensely in his early days. Thompson was the co-writer of the great films, The Killing and Paths of Glory. The latter film isn’t often associated with Thompson, but I have a feeling that it wouldn’t be hailed as a classic without Thompson’s input. Aside from the story structure devised by Thompson, consider the line: “See that cockroach? Tomorrow morning, we’ll be dead and it’ll be alive. It’ll have more contact with my wife and child than I will. I’ll be nothing, and it’ll be alive.” Can you imagine anyone but Thompson writing that? (via Sarah)
- A hot new issue of Hot Metal Bridge. At auspicious times like this, I wish I were a sexy woman with a white Marilyn-like flowing skirt strutting my sinuous legs dangerously across a metal bridge to draw greater attention to the offerings inside. Alas, I’m merely a balding thirtysomething in Brooklyn with an odd voice. Of course, if someone can offer a sufficient argument that me wearing a white Marilyn-like flowing skirt will draw greater attention to Hot Metal Bridge, I might be persuaded go forward. Halloween may be over, but that won’t stop me from dressing up. Although I’d need an hour to get the lipstick right.
- Speaking of one the parties involved with the last item, Carolyn points to this inside dirt involving the Quills. Yes, indeed, Ann Curry cares too much. I can feel her solicitude strangling me from beyond the screen. Then again, when you’re a homophobic anchor, perhaps “caring too much” involves not really caring much at all.
- Joshua Glenn has a toothpick conspiracy involving Henry James and thankfully he isn’t snobbish about the toothpick.
- And your pal the Rake wonders whether Denis Johnson talks real talk. I’ll have to agree with the Rake that the quoted exchange sounds like a bunch of macho types planning to contemplate a foot massage. I likewise don’t mind stylized dialogue along these lines. But I will say that Johnson’s dialogue is more real than the breathless dialogue (thank you, Aaron Fucking Sorkin, for spawning this regrettable trend!) that one encounters on television with troubling frequency these days, which leads me wondering if the real-life antecedents for these characters are cokeheads, chowderheads, or people terrified of revealing their mistakes or insecurities. You know, the way real people do. But I have every faith that the beats will go on. One of these days.
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Beyond Heaving Bosoms by Sarah Wendell and Candy Tan. The famed writers behind
Alice Fantastic by Maggie Estep. This wild and highly enjoyable narrative involves two sisters (presumably, the third one was still being rented out by Chekhov), a hippie ex-junkie mother who lives with seventeen dogs, a murder, gambling, and libidinous Hollywood actresses who live in Woodstock. But this is the wonderful Maggie Estep we're talking here. And what seems at first like a quirky yarn becomes something unexpectedly moving about connectivity. What I love about Estep's work is the way that she'll juxtapose an extremely astute observation (now that you mention it, why do cab drivers always have somebody to talk with on the phone past midnight?) with an often outrageous story development.
Generosity by Richard Powers. It doesn't come out until September 29th, but Richard Powers's latest will have anyone committed to books reconsidering their literary fervor. I foresee some animosity from the vanilla critics hostile to idea-driven novels, but book bloggers, YouTube chroniclers, and MFAs would do well to plunge into this chance-taking narrative, which introduces vital questions about what the reader's relationship is with media, scientific dissection, and "creative nonfiction." Are we rats fleeing to happy cities? Or can we find the humanism within the purported plague?
Pieces for the Left Hand by J. Robert Lennon. Lennon is one of the most underrated fiction writers working today. Much as On the Night Plain proved that Lennon had a lot more in the toolbox than heartfelt (and often very funny) suburban satire, this slim but fascinating volume juxtaposes 100 small-town anecdotes -- arranged by category -- in a manner that reads, at times, like Nicholson Baker's passions for minutiae and, at other times, Stewart O'Nan's concern for psychological detail. The result is fiction that makes us wonder about whether one person's subjective view of particulars can entirely be trusted. This book never found a publisher in 2005. But thankfully, Graywolf has released it in the United States, along with Lennon's latest novel, The Castle.
Wonderful World by Javier Calvo. This wonderfully raucous volume has been completely ignored by the Washington Post, the New York Times, and the Los Angeles Times. But it's probably one of the most delightful reading experiences I've had this year. Calvo cavalierly mashes up multiple genres and manages to mix up familial subtext with larger-than-life, almost cartoonish characters. (Indeed, one might argue that one mobster's penis is a character of its own in this sprawling novel.). This is not an easy thing to pull off, but Calvo makes it work. And it's helped immeasurably by Mara Faye Lethem's idiom-specific translation. (
The Means of Reproduction, Michelle Goldberg This thoughtful book tackles the complicated (and little discussed) subject of reproductive rights from numerous angles, which includes a number of unpleasant but necessary ones. The upshot is that there isn't a quick fix solution for declining birth rates and fundamentalist abuses. Just about every political faction has contributed to the friction. But you'll want to read this book anyway to refamiliarize yourself with the topic, but also to understand just what's occurred during the past several decades to get us where we are today. (
I’m…not getting homophobia from Ann Curry. I think she was responding to the crazygonuts quality of Hardaway’s comments. It was all kinds of breathtaking — from “I hate gay people” to “I’m homophobic.”
Maybe there are other clips somewhere showing Curry to be homophobic. That clip isn’t one of them.
Well, uh.
The question, I suppose, is what are we really talking about when we talk about real talk? (Answer: Getting sucked into hearing the same ol’ tired saws about the primacy of realism, so-called.)
As is my custom, I submit that any description of dialogue of “real” is (really) silly. What DJ’s doing is DJ-doing-dialogue and I like it just fine, even if he gets a little Tarantino-esque in the passage quoted.
You know what they call a Denis Johnson novel with cheese in France, Rake?
In Madrid, I believe it’s the Real With Cheese.