Roundup
Written by Edward ChampionPosted on December 10, 2008
Filed Under Roundup
- Bookbrunch is reporting that, contrary to Robert McCrum’s insistence that the literary lunch is dead, recently sacked Telegraph literary editor Sam Leith was indeed taken out to lunch by Bloomsbury and commissioned to write a comic novel called The Coincidence Engine. By the way, if anybody wants to take me out to lunch and talk to me about my novel-in-progress, let me know.
- It seems that on Facebook, happiness isn’t really a warm gun, but it can be found through a friend you add. My own tendency is to pretty much say yes to anybody on Facebook. The other day, Anne Rice, whom I do not know and whose books I have stopped reading, asked me to be your Facebook friend. Now if Anne were a real friend, we’d hang out and have mojitos during happy hour. She’d tell me her latest troubles over the phone. I’d offer a shoulder to cry on. We’d have a number of exciting adventures with other friends. But since this was Facebook, this typical friendship was probably not going to happen. Nevertheless, I figured, why not? Maybe Anne’s lonely. Maybe if she’s Facebook friends with me, this will make her happier. Then again, maybe “happiness” is being confused with an opportunistic marketing move. Is it really Anne Rice at the other end or some young and savvy publicist who wants to use the latest technology to get hip with the kids? I am sometimes suspicious of authors who add me as Facebook friends only a few months before one of their books is published. There have been a few instances in which I’ve run into an author in person, an author who added me as a Facebook friend and who initiated the step, but who did not recognize me. Presumably, their gesture for friendship was somewhat phony or motivated by something else. But since adding a Facebook friend hurts nobody, why not add them? It’s the virtual equivalent of cheering up a stranger in the elevator!
- Ingrid van Vliet has a very interesting way of answering questions.
- Benjamin Black profiled at The Elegant Variation: Part One, Part Two, and Part Three. What you may not know is this: Jim Ruland just happens to be a pen name for Mark Sarvas.
- Tina, Dahling, if you’re serious about it, dahling, why don’t your Daily Beast editors return emails?
- If you’re a struggling freelancer who doesn’t have a Y chromosome, consider donating eggs to make ends meet. (We men get a mere $100 to donate sperm. You know, it’s very humbling to know that your mojo has as much value as a pretty decent Strand haul.)
- And I’m with Timothy Egan: the time has come to beat the shit out of Joe the Plumber.
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Beyond Heaving Bosoms by Sarah Wendell and Candy Tan. The famed writers behind
Alice Fantastic by Maggie Estep. This wild and highly enjoyable narrative involves two sisters (presumably, the third one was still being rented out by Chekhov), a hippie ex-junkie mother who lives with seventeen dogs, a murder, gambling, and libidinous Hollywood actresses who live in Woodstock. But this is the wonderful Maggie Estep we're talking here. And what seems at first like a quirky yarn becomes something unexpectedly moving about connectivity. What I love about Estep's work is the way that she'll juxtapose an extremely astute observation (now that you mention it, why do cab drivers always have somebody to talk with on the phone past midnight?) with an often outrageous story development.
Generosity by Richard Powers. It doesn't come out until September 29th, but Richard Powers's latest will have anyone committed to books reconsidering their literary fervor. I foresee some animosity from the vanilla critics hostile to idea-driven novels, but book bloggers, YouTube chroniclers, and MFAs would do well to plunge into this chance-taking narrative, which introduces vital questions about what the reader's relationship is with media, scientific dissection, and "creative nonfiction." Are we rats fleeing to happy cities? Or can we find the humanism within the purported plague?
Pieces for the Left Hand by J. Robert Lennon. Lennon is one of the most underrated fiction writers working today. Much as On the Night Plain proved that Lennon had a lot more in the toolbox than heartfelt (and often very funny) suburban satire, this slim but fascinating volume juxtaposes 100 small-town anecdotes -- arranged by category -- in a manner that reads, at times, like Nicholson Baker's passions for minutiae and, at other times, Stewart O'Nan's concern for psychological detail. The result is fiction that makes us wonder about whether one person's subjective view of particulars can entirely be trusted. This book never found a publisher in 2005. But thankfully, Graywolf has released it in the United States, along with Lennon's latest novel, The Castle.
Wonderful World by Javier Calvo. This wonderfully raucous volume has been completely ignored by the Washington Post, the New York Times, and the Los Angeles Times. But it's probably one of the most delightful reading experiences I've had this year. Calvo cavalierly mashes up multiple genres and manages to mix up familial subtext with larger-than-life, almost cartoonish characters. (Indeed, one might argue that one mobster's penis is a character of its own in this sprawling novel.). This is not an easy thing to pull off, but Calvo makes it work. And it's helped immeasurably by Mara Faye Lethem's idiom-specific translation. (
The Means of Reproduction, Michelle Goldberg This thoughtful book tackles the complicated (and little discussed) subject of reproductive rights from numerous angles, which includes a number of unpleasant but necessary ones. The upshot is that there isn't a quick fix solution for declining birth rates and fundamentalist abuses. Just about every political faction has contributed to the friction. But you'll want to read this book anyway to refamiliarize yourself with the topic, but also to understand just what's occurred during the past several decades to get us where we are today. (
Ruland and Sarvas the same? For real?