Snaps
Written byPosted on December 29, 2003
Filed Under Ripoffs, Roundup
No less an authority than University of Wisconsin professor Barbara Chatton has revealed that the film form is bad for Dr. Seuss. Chatton notes that the predictable rhymes make the Seuss books encouraging for beginning readers and points out that kids tend to resist the tacked-on morals Hollywood insists upon. Next year is the 100th anniversary of Mr. Geisel’s birth.
The Boston Globe profiles thriller writer Derek Raymond. All of his books are out of print in the States. Also in the Globe is an interview with Marion Cunningham, a lady interested in bringing back the family dinner hour. She points out that some people have never seen other people cooking. But what does this really mean? Will we see an upsurge in kitchens with mirrors (to add to the many reflective surfaces)? I envision a sudden wave of kitchen narcissism, of lonely people cooking alone, admiring themselves in the mirror, standing naked save for a “Kiss the Cook” apron, and swinging a brand new garlic press like they mean business. Not much of an identity, I know. But if I was pressed to predict a trend for 2004, this would be it.
Aniruddha Bahal is pleased as punch. As you may recall, Bahal won the Bad Sex Award earlier this month. He says book sales have spiked and notes that, “A lot of people actually thought it was a good piece of writing.” This from the man who wrote of breasts that were “placards for the endomorphically endowed.”
The Atlanta Journal-Constitution has an update on the island in The Egg and I.
And the latest person to sue Disney is French author Franck le Calvez, who claims that Nemo is a ripoff of a character he created named Pierrot.
Beyond Heaving Bosoms by Sarah Wendell and Candy Tan. The famed writers behind
Alice Fantastic by Maggie Estep. This wild and highly enjoyable narrative involves two sisters (presumably, the third one was still being rented out by Chekhov), a hippie ex-junkie mother who lives with seventeen dogs, a murder, gambling, and libidinous Hollywood actresses who live in Woodstock. But this is the wonderful Maggie Estep we're talking here. And what seems at first like a quirky yarn becomes something unexpectedly moving about connectivity. What I love about Estep's work is the way that she'll juxtapose an extremely astute observation (now that you mention it, why do cab drivers always have somebody to talk with on the phone past midnight?) with an often outrageous story development.
Generosity by Richard Powers. It doesn't come out until September 29th, but Richard Powers's latest will have anyone committed to books reconsidering their literary fervor. I foresee some animosity from the vanilla critics hostile to idea-driven novels, but book bloggers, YouTube chroniclers, and MFAs would do well to plunge into this chance-taking narrative, which introduces vital questions about what the reader's relationship is with media, scientific dissection, and "creative nonfiction." Are we rats fleeing to happy cities? Or can we find the humanism within the purported plague?
Pieces for the Left Hand by J. Robert Lennon. Lennon is one of the most underrated fiction writers working today. Much as On the Night Plain proved that Lennon had a lot more in the toolbox than heartfelt (and often very funny) suburban satire, this slim but fascinating volume juxtaposes 100 small-town anecdotes -- arranged by category -- in a manner that reads, at times, like Nicholson Baker's passions for minutiae and, at other times, Stewart O'Nan's concern for psychological detail. The result is fiction that makes us wonder about whether one person's subjective view of particulars can entirely be trusted. This book never found a publisher in 2005. But thankfully, Graywolf has released it in the United States, along with Lennon's latest novel, The Castle.
Wonderful World by Javier Calvo. This wonderfully raucous volume has been completely ignored by the Washington Post, the New York Times, and the Los Angeles Times. But it's probably one of the most delightful reading experiences I've had this year. Calvo cavalierly mashes up multiple genres and manages to mix up familial subtext with larger-than-life, almost cartoonish characters. (Indeed, one might argue that one mobster's penis is a character of its own in this sprawling novel.). This is not an easy thing to pull off, but Calvo makes it work. And it's helped immeasurably by Mara Faye Lethem's idiom-specific translation. (
The Means of Reproduction, Michelle Goldberg This thoughtful book tackles the complicated (and little discussed) subject of reproductive rights from numerous angles, which includes a number of unpleasant but necessary ones. The upshot is that there isn't a quick fix solution for declining birth rates and fundamentalist abuses. Just about every political faction has contributed to the friction. But you'll want to read this book anyway to refamiliarize yourself with the topic, but also to understand just what's occurred during the past several decades to get us where we are today. (