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  1. From the Onion AV Club’s recent interview with Moore:

    “The way that we worked on Lost Girls was actually different than the way I’ve worked on any other comic I’ve done. I’m known for turning out book-sized scripts with detailed written descriptions of each panel and all the dialogue and captions and sound effects. But Melinda had never worked with a scriptwriter before, so she looked at these enormous scripts I’d written for the first four or five episodes, and I think it crushed her spirit. She wasn’t comfortable, and she suggested that maybe I could do thumbnails, which is something I haven’t really done for other artists because I’m so lousy at drawing thumbnails. I have to write pages of explanation to tell them that this little blob down in the right-hand corner is actually the leading character’s head and shoulders. But Melinda, since she was living up here, I could talk her through all the breakdowns. She’d take my rough thumbnails and a pep talk and would go and turn out these lovely pages. Then I would do the dialoguing after the artwork was done, so that I could have a look at the expression that Melinda brought to the work. I could fine-tune the dialogue for the images so everything was much more synchronized. Lost Girls probably marks the closest that I’ve worked with an artist on a comic, perhaps unsurprisingly. With the nature of the material, it more or less demands an intimate relationship between the creators. Not just intimate in the usual physical sense, but also intimate in a mental and creative sense.”

    http://www.avclub.com/content/node/51180

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