The September/October 2007 issue of Poets and Writers includes an interview with Teresa Weaver, in which she is asked about the future of book reviewing and gives this answer:
I have to say I don’t feel optimistic about it, as far as newspapers go. I think magazines are going to have to step in and pick up some of that slack. A lot of it is a resource problem: Newspapers are struggling right now, they’re redefining themselves, and there’s a lot of discussion going on everywhere about what direction they should take. I line up with the school of thought that newspapers should consist of more opinion, commentary, and analysis that people can’t get anywhere else, rather than trying to compete with the Internet on breaking news.
Beyond my concern that the two “sides” of this battle are on opposite ends of the fence (So we’re competitors now, eh? As someone who writes for both online and print, I’m wondering if I should cut myself in half or something.), I must say that Weaver comes across as decidedly ungrateful about the very medium — and its concomitant petition — that was used to generate awareness about the Atlanta Journal-Constitution‘s books section.

Angelmaker by Nick Harkaway: Harkaway's latest novel greatly improves on his previous book, The Gone-Away World, which I'm already on record as praising. Angelmaker adopts genre elements without ever feeling like a genre book, and it leads me to believe that Harkaway is well on his way to a narrative grace close to China MiƩville's. Yet inexplicably this very fun book, which includes an eightysomething badass named Edie Banister, a mysterious mechanical object that may destroy the world, farcical scenarios involving lawyers and the police, and some unexpectedly moving moments about fatherhood, doesn't appear to be getting much attention in American newspapers. Nothing from the snobs at The New York Times Book Review, nothing from The Washington Post. And since I can't get Harkaway on Bat Segundo, I hope this Jump Up and Down mention gets you hopping as well.
The Age of Insight by Eric Kandel: Unless you're really pressed for time, forget Jonah Lehrer. If you want to understand creativity and its relationship to neuroscience, then the bowtie-wearing Nobel laureate is your man. In addition to being a physically beautiful book (you will drool over many of the paintings), there are helpful overviews on optical illusions, science, biographical backgrounds, and many vital figures from the Vienna Secession. Kandel's enthusiasm (and his call for greater unity between the humanities and science) is contagious.