The Red Badge of Experiential Courage
Written byPosted on February 3, 2006
Filed Under Vollmann, William
Ocracoke Post compares Vollmann and Stephen Crane, noting that their respective work falls into adventure journalism. J.M. Tyree offers some fascinating comparisons (both authors were attracted to prostitutes in their early fiction), pointing out that the books that critics have singled out “historical fiction” as their greatest accomplishments (Europe Central and The Red Badge of Courage).
I’d venture one further comparison. Both authors plunged themselves hard into exotic settings before writing about them. And yet with these two books, one might argue that they are the most imagined. Vollmann, of course, did not observe World War II, save through the copious books at his disposal. Crane never observed a single battle.
In fact, what makes EC such an interesting departure from previous Vollmann novels is the way that EC’s “narrator as guide,” a stylistic device found to varying degrees in nearly all of Vollmann’s work, is even more imagined this time around. The “narrator” often serves as a proletariat who seems to know all the inside and intimate dirt about top Party officials and the like, often referring to the reader as “comrade.”
It would seem that the early real-world obsessions that both Vollmann and Crane essentially gave them license to invent the world of danger in their later ficiton.
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Beyond Heaving Bosoms by Sarah Wendell and Candy Tan. The famed writers behind
Alice Fantastic by Maggie Estep. This wild and highly enjoyable narrative involves two sisters (presumably, the third one was still being rented out by Chekhov), a hippie ex-junkie mother who lives with seventeen dogs, a murder, gambling, and libidinous Hollywood actresses who live in Woodstock. But this is the wonderful Maggie Estep we're talking here. And what seems at first like a quirky yarn becomes something unexpectedly moving about connectivity. What I love about Estep's work is the way that she'll juxtapose an extremely astute observation (now that you mention it, why do cab drivers always have somebody to talk with on the phone past midnight?) with an often outrageous story development.
Generosity by Richard Powers. It doesn't come out until September 29th, but Richard Powers's latest will have anyone committed to books reconsidering their literary fervor. I foresee some animosity from the vanilla critics hostile to idea-driven novels, but book bloggers, YouTube chroniclers, and MFAs would do well to plunge into this chance-taking narrative, which introduces vital questions about what the reader's relationship is with media, scientific dissection, and "creative nonfiction." Are we rats fleeing to happy cities? Or can we find the humanism within the purported plague?
Pieces for the Left Hand by J. Robert Lennon. Lennon is one of the most underrated fiction writers working today. Much as On the Night Plain proved that Lennon had a lot more in the toolbox than heartfelt (and often very funny) suburban satire, this slim but fascinating volume juxtaposes 100 small-town anecdotes -- arranged by category -- in a manner that reads, at times, like Nicholson Baker's passions for minutiae and, at other times, Stewart O'Nan's concern for psychological detail. The result is fiction that makes us wonder about whether one person's subjective view of particulars can entirely be trusted. This book never found a publisher in 2005. But thankfully, Graywolf has released it in the United States, along with Lennon's latest novel, The Castle.
Wonderful World by Javier Calvo. This wonderfully raucous volume has been completely ignored by the Washington Post, the New York Times, and the Los Angeles Times. But it's probably one of the most delightful reading experiences I've had this year. Calvo cavalierly mashes up multiple genres and manages to mix up familial subtext with larger-than-life, almost cartoonish characters. (Indeed, one might argue that one mobster's penis is a character of its own in this sprawling novel.). This is not an easy thing to pull off, but Calvo makes it work. And it's helped immeasurably by Mara Faye Lethem's idiom-specific translation. (
The Means of Reproduction, Michelle Goldberg This thoughtful book tackles the complicated (and little discussed) subject of reproductive rights from numerous angles, which includes a number of unpleasant but necessary ones. The upshot is that there isn't a quick fix solution for declining birth rates and fundamentalist abuses. Just about every political faction has contributed to the friction. But you'll want to read this book anyway to refamiliarize yourself with the topic, but also to understand just what's occurred during the past several decades to get us where we are today. (
A difference is that, while I am really enjoying reading Europe Central now, I hated Red Badge of Courge in HS. Though I did love his poetry:
—
In the desert I saw a creature, naked, bestial,
who, squatting upon the ground,
Held his heart in his hands,
And ate of it.
I said, “Is it good, friend?”
“It is bitter — bitter,” he answered;
“But I like it
Because it is bitter,
And because it is my heart.”
—
So strange! It didn’t seem good to me at the time, but I liked it. Maybe I should try him again.
i only noticed today, after many, many visits, that you have the vollmann club listed to the right and down. my god. i’ve been needing such a resource for months now. a group of people that will make me make it happen. force me to track down that insanely expensive volume that i keep shying away from and read it once and for all. it seems, ed, you were created by design for my specific needs. excellent.
this post reminds me of the dfw mention about vollmann and his desire to “experience” his fiction before writing it…immersing himself in danger (or perhaps pseudo danger?) to get to the next level.
and finally, thanks for posting a bit of my post. consider me humbled-smitten-humbled by DFW no longer…but by a certain blogger named ed.