What’s Happening?
Written by Edward ChampionPosted on June 17, 2008
Filed Under Film
Christopher Orr: “The snatches of televised commentary we see at the end of the film declare that this murderous act of nature was a warning; everyone seems to assume the obvious lesson to take is that we’d better treat nature nicer lest it decide to start wiping us out again. Allow me to suggest, contrarily, that if millions of Americans were killed by some tree-originated pathogen that could be released again at any time, the immediate result would not be a renewed enthusiasm for peaceful coexistence, but rather a program of deforestation so aggressive it’d make the Brazilian lumber industry look like tree huggers. If anyone were to take this film as seriously as it would like to be taken (and it’s hard to imagine anyone will), the clear imperative wouldn’t be to buy a Prius, but to chop down the red oak in the back yard. Because something like this could really happen. Really.”
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Beyond Heaving Bosoms by Sarah Wendell and Candy Tan. The famed writers behind
Alice Fantastic by Maggie Estep. This wild and highly enjoyable narrative involves two sisters (presumably, the third one was still being rented out by Chekhov), a hippie ex-junkie mother who lives with seventeen dogs, a murder, gambling, and libidinous Hollywood actresses who live in Woodstock. But this is the wonderful Maggie Estep we're talking here. And what seems at first like a quirky yarn becomes something unexpectedly moving about connectivity. What I love about Estep's work is the way that she'll juxtapose an extremely astute observation (now that you mention it, why do cab drivers always have somebody to talk with on the phone past midnight?) with an often outrageous story development.
Generosity by Richard Powers. It doesn't come out until September 29th, but Richard Powers's latest will have anyone committed to books reconsidering their literary fervor. I foresee some animosity from the vanilla critics hostile to idea-driven novels, but book bloggers, YouTube chroniclers, and MFAs would do well to plunge into this chance-taking narrative, which introduces vital questions about what the reader's relationship is with media, scientific dissection, and "creative nonfiction." Are we rats fleeing to happy cities? Or can we find the humanism within the purported plague?
Pieces for the Left Hand by J. Robert Lennon. Lennon is one of the most underrated fiction writers working today. Much as On the Night Plain proved that Lennon had a lot more in the toolbox than heartfelt (and often very funny) suburban satire, this slim but fascinating volume juxtaposes 100 small-town anecdotes -- arranged by category -- in a manner that reads, at times, like Nicholson Baker's passions for minutiae and, at other times, Stewart O'Nan's concern for psychological detail. The result is fiction that makes us wonder about whether one person's subjective view of particulars can entirely be trusted. This book never found a publisher in 2005. But thankfully, Graywolf has released it in the United States, along with Lennon's latest novel, The Castle.
Wonderful World by Javier Calvo. This wonderfully raucous volume has been completely ignored by the Washington Post, the New York Times, and the Los Angeles Times. But it's probably one of the most delightful reading experiences I've had this year. Calvo cavalierly mashes up multiple genres and manages to mix up familial subtext with larger-than-life, almost cartoonish characters. (Indeed, one might argue that one mobster's penis is a character of its own in this sprawling novel.). This is not an easy thing to pull off, but Calvo makes it work. And it's helped immeasurably by Mara Faye Lethem's idiom-specific translation. (
The Means of Reproduction, Michelle Goldberg This thoughtful book tackles the complicated (and little discussed) subject of reproductive rights from numerous angles, which includes a number of unpleasant but necessary ones. The upshot is that there isn't a quick fix solution for declining birth rates and fundamentalist abuses. Just about every political faction has contributed to the friction. But you'll want to read this book anyway to refamiliarize yourself with the topic, but also to understand just what's occurred during the past several decades to get us where we are today. (
There is unrest in the forest, there is trouble with the trees…
My girlfriend and I rented a DVD of The Village (featuring his adolescent home movies as an extra) way back when and alternated rapidly between rolling on the floor in agonies of counter-indicated mirth, or just giving each other WTF-looks of such profundity that we hurt facial muscles we never knew we had. If Shyamalan isn’t F.F. Coppola’s great-grand nephew twice removed, he must be an extraordinarily gifted fella(tor).