#9 — what now?

The champagne is gone, the whiskey is a go-going down my throat, and it appears that Mr. B himself has, at long last, entered the fray. After writing that linoleum story, I’ve been staring at the hardwood floors with some uncertainty.

1. I should note that the Burgess beverage has caused me to burp quite a lot. I’m not really in the habit of burping, but if anyone should seriously consider this noxious beverage as a drink of choice, they may wish to know this.

2. I looked out the window about ten minutes ago and saw that some folks across the street were moving. The house with the interesting pink glasswork on the windows. Seeing them, I went outside and asked them if they needed any help. Foolishly, they assented. I carried two boxes and when they noticed that I was stumbling with the box, they asked me to leave. It’s a fair cop. The last thing you need when you’re moving on a Saturday night is some drunken stranger stumbling about with your possessions. I asked them if they wanted any of the stout and they insisted that I leave. So much for public community.

3. There is a noticeable misstep in my gait.

4. I’m wondering if should hie to my neighborhood bar.

5. I haven’t really been thinking about sexual possibilities. I wonder what’s wrong. Have I become resigned?

6. Battle Royale II has been on pause now for two hours. I’m thinking it’s not worth it.

7. I had intended to write about Mike Leigh’s films, but I’m not sure if I’m pellucid enough.

8. Ideas here are always welcome.

9. There is a lot of water in the fridge, come what may.

#7 — a story

The divine Ms. Frye has challenged me to write a story with the following terms: “Christopher Cross,” “champagne,” “linoleum,” “Etruscan sculpture,” “werewolf” and “Australia cricket.”

So here goes:

STORY:

Chris stared at the kitchen linoleum. It looked quite sparkling and amazing after about two bottles of champagne. Of course, to appreciate linoleum, it helped to be as close to the surface as possible. But Chris was at an advantage here, given that the champagne had essentially stopped him from standing, knocking his ass quite savagely onto the floor.

It occurred to Chris, as his tongue licked the tile while he waited for the feeling to return to his arms and legs (anything to stave off boredom), that he had not yet seen an Etruscan sculpture. Clearly, there was a disadvantage to being an agarophobic. He’d hit Italy one day, if he could find the appropriate specialist who might be able to help him understand the outside world. Assuming he could even make it into the outside world.

He’d obtained the champagne by calling a friend. He had to celebrate the New Year somehow. And he figured that he couldn’t handle Dick Clark on the teevee without ingesting some kind of substance. So he would need champagne to cope as he heard the screams outside of people enjoying themselves.

But what Chris didn’t know was that his friend was a werewolf. The primary reason his friend had moved to Pacifica was because it was foggy most of the time and there was no chance that he’d turn into a werewolf anytime soon, given that the fog would occlude great Helios. Sure, there had been a stint in Sydney, where he’d become a devout participant in Australian cricket. And he’d been very good. But the minute that they had shifted to night games, Chris’s friend had reneged on his dependability, given that he was a furry monster hoping to mawl some insignificant human — ideally, a human resources manger or some other person who didn’t contribute all that much to society at large.

Nevertheless, the champagne was had without bloodshed. For the fog had once again protected Chris’s best friend.

Chris had made the mistake of leaving the FM radio on. At the precise moment when Chris was prepared to fall asleep in a particularly shameful and ridiculous locale, Christopher Cross began to sing on the radio. This disturbed Chris, as Chris didn’t particularly trust anyone who shared his Christian name.

But with great endurance, Chris was able to survive the terrible Christopher Cross music. And he soon settled to sleep onto the kitchen linoleum.

Unfortunately, when Chris caught a bit of alcohol-induced shuteye, during stage one, the fog had lifted from the town. And it was a full moon. And his friend, unable to control his urges, found himself a meal. What Chris hadn’t known is that his friend had been the famed singer Chrisopher Cross all along.

If there was a winner in this tragic tale, it was the linoleum. For when the appropriate authorities had cleaned the place up, the linoleum had demonstrated to the landlord its remarkable resilience. For all the blood, spilled champagne, and other odd fluids gracing its surface, the linoleum could endure. And the tenant who moved into Chris’s apartment was as impressed with the linoleum as the previous occupants, even if this tenant had not known its grisly history.

#6 — champagne

Folks, explain to me the following mystery. And it comes to me because champagne right now is the order of the evening. (Good Christ, is the bottle almost finished?) Sure, Arthur‘s a fine movie. One of the great comedies featuring an alcoholic with a good performance by Dudley Moore. But who was the “genius” who thought that Christopher Cross’ falsetto ballad “Best That You Can Do” was somehow apposite for the film? It can be thoroughly argued that Christopher Cross contributed absolutely nothing to popular music during his career. Even if there were a few misguided souls who thought that Cross’ falsettos projected a certain sensitive male aura, one could argue that Cross’s variety of sensitivity was not only utterly inappropriate, but quite detractive from the plight of the film’s ironic character.

Even Cross’ lyrics leave little to be desired for anyone who cares for the written word:

If you get caught between the moon and New York City
I know it’s crazy but it’s true
If you get caught between the moon and New York City
The best that you can do,
The best that you can do is fall in love

Come on, Cross! These are shallow metaphors. Even if we were to accept the strange locale of “between the moon and New York City,” there are other interesting things that one can do, such as develop an ability to fly or breathe in the vacuum of space. This in itself might be “the best that you can do,” given that it would have very positive results for humankind.

In fact, Cross’s music continues to be accepted to this very day. Even the hipsters at All Music Guide have given his debut album four and a half out of five stars.

If “Walking in Avalon” doesn’t horrify you the way that it horrifies me, I seriously want to know why. Sure, I can understand the appeal of Bread and Supertramp. But Cross was without a doubt the Phil Collins of his time, specializing in shallow lyrics and vapid song structures. By what stretch of the imagination should he be seriously considered?