A newbie guest blogger attempts to post something

Immense thanks to Ed for letting me guest-blog, and I ask for your patience with someone new to this. Although the number of us over 55 seems limited among lit-bloggers (there’s Frank Wilson at Books, Inq., Lynne W. Scanlon at The Publishing Contrarian and Michael Allen at Grumpy Old Bookman — if there are more, please let me know) and I find myself more and more playing the old man card to excuse all my failings, I’ll try not to do so here.

On the other hand, blogs, like the daily newspaper, tend to focus relentlessly on the present. Having graduated from an MFA program over 30 years ago and published my first book in the 1970s (when even my astute copy editor did not catch my error of referring to a “silicone [sic] chip”), I probably can’t add that much that’s unique to most discussions of what’s going on now in literature, so I figured I’d write about stuff from the past.

Like I wanted to write something about my friend Scott Sommer, who was my age and whom I met in 1979, the year our hardcover fiction books were published by the same publisher and edited by the same editor. He died in 1993, of a sudden heart attack, at only 42. Writing in The New York Times Book Review 22 years ago, Ed’s good friend Sam Tanenhaus said that Scott “displayed a unique comic voice, at once acerbic and melancholy, as if Holden Caulfield had teamed up with the young Samuel Beckett to recite the woes of lovelorn hipsters lost in a daze of Quaaludes and Kierkegaard.”

Yeah, there were hipsters in 1985, too.

No Ed, per Dan…

…and yet in the absence of Ed there is another Ed: your humble narrator, Ed P., occasionally referred to on this blog as East Coast Ed.

There are so few Eds roaming the landscape that we need to band together. (So it is written in the Ed Manifesto.) It’s a strange name—Edward‘s not strange, but Ed is so abrupt. And yet I like it, Ed C. likes it—there is the idea that you are getting the maximum possible impact from two letters.

To kick things off, I want to share my favorite recent blurb: Sarah Manguso on poet Jennifer Knox’s forthcoming Drunk By Noon (Bloof Books). The blurb itself is like a poem!:

Since Knox favors premise over conclusion, her poems simply speak—they do not explain. In this way they are not entirely unlike scripture. The part that is unlike scripture is the one that’s like “Wait, I was reading these poems and laughing but my hearing aid fell out and then my face just kind of blew off in a beautiful rainbow spray of bullshit-dissolving napalm.”

While he’s away…..listen

So. No Ed for two weeks. We’re forced to rely on guests for ranting these next fourteen days or so.

If you’ve not yet done so, I highly recommend you take this time where Ed won’t be posting, and listen to some of the Bat Segundo podcasts. I’ve not listened to them all, but if I were going to suggest a few:

21. Monson, Crane, Jones and Magee
28. Dana Spiotta
48. Colson Whitehead
59. Jeff VanDemeer
60. Robert Birnbaum
82. Kelly Link

Behold the Guest Bloggers!

Due to current existential circumstances, I will be taking a break from this blog for the next two weeks. Don’t worry. All is well. And I’ll have more to say about all this later. I’m only sorry that I wasn’t able to turn out more podcasts, but I’m doing the best I can.

A number of people have kindly volunteered to guest blog in my absence. If you’re interested, email me. But I can’t guarantee that I’ll get to your email immediately.

Their crazed musings should start to appear here tomorrow.

In the meantime, take a walk around your block with your slippers on and hug someone who needs it.

BSS #116: Alan DeNiro & Carolyn Kellogg

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Condition of Mr. Segundo: Procrastinating at the last minute.

Guests: Carolyn Kellogg and Alan DeNiro

Subjects Discussed: Small Beer Press, genres, Jim Monroe, on being a post-science fiction author, picking from years of fabulism, on being a genre agnostic, weaving between genres, literary fiction, creepiness, letter-writing action, wordplay, Dungeons & Dragons, absurdity, contemporary income disparities, dread, footnotes in fiction, jolts of emotion, reversing polarity between poetry and fiction, the rust belt, and the loneliness of Wal-Mart.

EXCERPT FROM SHOW:

DeNiro: I’ve always kind of considered myself science-fiction influenced. Or another way I’ve kind of thought of it as — and I don’t know if adding “post-” anything is really vain or pretentious or whatever — but almost kind of a post-science fiction, of kind of looking at the whole field of hundreds of years of fantastic literature and definitely being within that larger tradition of fabulism and the like.

(A co-production of the LBC, Pinky’s Paperhaus and The Bat Segundo Show.)