Every once in a while, there’s a novel that’s been inexplicably ignored. Ignored in the way that a band or a movie could have been a hit, had it been released five years before or after, but that has the misfortune of being dumped into an uncomprehending crowd like a kewpie doll in a gated community. A book so giddy and nuts that you find yourself slowing down just to savor the madness. A book that causes you to get so lost in its warped world that you laugh loudly on a crowded subway and you are asked by a martinet-faced septuagenarian to “not enjoy yourself so much.” (Yes, this actually happened to me.)
The book came by accident. But I recognized the translator: Mara Faye Lethem, who also translated Albert Sanchez Pinol’s excellent book, Pandora in the Congo (which I reviewed here). And I thought I’d give it a whirl. Turns out I whirled very right.
The book is Javier Calvo’s Wonderful World. It’s been out for over a month in the States, and only two newspapers have deigned to review it: the Dallas Morning News and The Chicago Sun-Times. Not a peep from the Washington Post, the New York Times, the Los Angeles Times, or any of those ostensible organs intended to serve as our tastemakers. And you’ll certainly hear nothing from the Bookforum snobs or The New York Review of Books. This book is beyond them. And I mean that in the best sense.
Well, I’m here to tell you that this book is the real deal. This is an extremely fun book. The kind of novel I find myself jumping up and down over. The kind of book that one would hope all the litblogs would go crazy about. The same way they went crazy over David Mitchell’s Cloud Atlas, Sam Lipsyte’s Home Land, Scarlett Thomas’s The End of Mr. Y, and numerous others. I mean, I’m enjoying the book that much. This is one of those books for us. How often do you read a book with a Russian thug with dreads who is attempting to cling to his peaceful Rastafarian philosophy as he is about to be tortured by a maniac named Donald Duck? Or a novel constantly obsessed with characters who are “sprawled out” on chairs? Or a mysterious father with a weird fear of windows? Or a completely fabricated Stephen King novel? Or a man wondering why people complain about eating ice cream in the winter as a hooker services him?
If you ask me, the Chicago Sun-Times missed the boat on this. To call this book merely “satirical” or “two-dimensional” is to ignore what a slightly heightened truth can say about the world around us. I should also probably note that Calvo has translated David Foster Wallace. And there are some modest stylistic similarities. But I think the DFW Brigade will be pleasantly surprised by how distinct Calvo is with his odd and wonderfully circumlocutory descriptions (“The way they are consulting the maps and whispering to each other is not so much genuinely conspiratorial. It’s more like the way someone whispers theatrically, giggling and rubbing their hands together, when they want to make abundantly clear to any spectator that they’re conspiring.”)
This is not a book for the stiffs. This is not a book for people who can’t enjoy themselves. And I don’t think I could possibly recommend it to anyone who agrees with James Wood more than 50% of the time. But I can recommend it to anyone who could really use a fun read in this time of shaky economics and swine flu. The kind of punch to the stomach that reminds us that books can, and should, be fun and involving. If only we’d loosen our inhibitions every now and then.
The Call by Yannick Murphy: The always interesting author of Here They Come and Signed, Mata Hari returns with a novel that whips up a worldview from a rather quirky set of limitations: namely, the call logs that a veterinarian maintains as his son is unexpectedly put into a coma and an unforgiving economy denies him work. What emerges is a surprisingly optimistic, often funny, and very moving account on how one family uses acceptance and forgiveness as a way to atone for hard knocks. (
Birds of Paradise by Diana Abu-Jaber: Forget Franzen and Eugenides. If you're looking for a social novel that counts, Diana Abu-Jaber is the author you're looking for. Building from the free-form exploration of consciousness and identity in Crescent and the gripping procedural structure of Origin, Abu-Jaber's latest novel is her finest, equally fluent with gutterpunk culture and smarmy real estate men. It has been suggested by The Washington Post's Ron Charles that you will likely gain some pounds while reading this novel. This is certainly true. Abu-Jaber's description of food is so precise that it often made me want to do more cooking. But I very much admired the way in which Abu-Jaber presents all her characters as unwitting victims of rough capitalism, which permits them some dignity even as they perform terrible acts.
The Last of the Live Nude Girls by Sheila McClear: This memoir isn't so much about the decline of the Times Square peepshow, as it is about one young woman's efforts to pull herself up by by her bootstraps when presented with few economic options. Filled with self-introspective candor and a quiet dignity, McClear's story is one that might befall any of us in these volatile times. While McClear does get back on her feet, her book leads one contemplating the terrible fates of other young women now moving to New York and falling into deadlier vocations. (
Alright, Champion, I’ll read the thing. And it better be good.
Thanks for the rec, Ed, sounds like something I’d like.
Ditto – off to look for it this afternoon.
I loved “Cloud Atlas” and this sounds interesting as well. Thanks for the heads up.
Don’t hold your breath waiting for a rev. in the WashPost; they’ve done away with a separate Book Review section. All that’s left is a couple of pages squeezed in on Sunday and a smattering of articles during the week.
At least the NY Times reviewed the new Jay McInerny book. That was relevant of them if it was 1988.