Amateur Hour at Studio 360
Written by Edward ChampionPosted on May 30, 2008
Filed Under Andersen, Kurt, Ellison, Harlan, Radio
Kurt Andersen has offered the uncut version of his conversation with Harlan Ellison. But what is particularly astonishing is just how much of an ignoramus Andersen comes across as. He constantly interrupts Ellison. At around the 26:30 mark, Andersen cannot get Dreams with Sharp Teeth director Erik Nelson’s name right and must utter the intro again. An embarrassing suggestion that Ellison wrote “Paladin of the Lost Hour” for the original Twilight Zone is there. In short, Studio 360 is a program that is made almost entirely in the editing room and certainly not from the conversation itself. And if this uncut interview serves as a representative rough version of what the editors have to play with, then I wonder just how much Andersen is relying on his editors to salvage the show and make it sound “professional.”
For the record, while there is some editing on The Bat Segundo Show (mostly to boost levels, remove coughs and popped plosives, make people sound a bit sexier, and the like), what you hear on these shows is 98% of the conversation. If I make a referential mistake, I leave it in. If there’s a strange tangent, I leave it in. If a guest and I get kicked out or something strange happens because of a third party, I leave it in. But I compensate for these fallacies by actually knowing the material: reading the book in full, wading through other interviews to ensure that I don’t ask the same questions, making sure I pronounce the author’s name, the book’s title, and the book’s characters correctly (although there have been a few minor slip-ups; nobody’s perfect). I’m determined to get as much of this right in my conversation because it means less editing time for me. And I only have so much time to commit. Perhaps this “one take” sensibility comes from my theatrical background. But apparently Andersen (or his writers) cannot do this.
Just think of all the man-hours that have been expended towards correct Andersen’s mistakes. Consider the labor costs that might have been avoided had Andersen actually bothered to pay attention to his goddam subject.
But what do I know? I’m just some hapless podcaster.
(Incidentally, at the 30 minute mark, it’s also quite funny to hear Harlan Ellison skewer Andersen’s stereotypical remarks about Los Angeles.)
Comments
5 Responses to “Amateur Hour at Studio 360”
Leave a Reply
Books To Jump Up and Down Over
Beyond Heaving Bosoms by Sarah Wendell and Candy Tan. The famed writers behind Smart Bitches, Trashy Books have written a very funny and thoughtful volume about romances, both Old Skool and New Skool. Here is a book that any smug and humorless literary manboy beating his flabby passive chest over Banville or Bolano should probably read pronto, if only for the distant possibility that he might get over himself. While the Choose Your Own Adventure segment at the end caused me to have a very disturbing dream involving Shelley Long (don't ask), Sarah and Candy did have me rethinking many of my own misperceptions when I wasn't busy laughing. They're not afraid to take on the New York Times Bok Review or even the groupthink within certain sectors of the romance community.
Alice Fantastic by Maggie Estep. This wild and highly enjoyable narrative involves two sisters (presumably, the third one was still being rented out by Chekhov), a hippie ex-junkie mother who lives with seventeen dogs, a murder, gambling, and libidinous Hollywood actresses who live in Woodstock. But this is the wonderful Maggie Estep we're talking here. And what seems at first like a quirky yarn becomes something unexpectedly moving about connectivity. What I love about Estep's work is the way that she'll juxtapose an extremely astute observation (now that you mention it, why do cab drivers always have somebody to talk with on the phone past midnight?) with an often outrageous story development.
Generosity by Richard Powers. It doesn't come out until September 29th, but Richard Powers's latest will have anyone committed to books reconsidering their literary fervor. I foresee some animosity from the vanilla critics hostile to idea-driven novels, but book bloggers, YouTube chroniclers, and MFAs would do well to plunge into this chance-taking narrative, which introduces vital questions about what the reader's relationship is with media, scientific dissection, and "creative nonfiction." Are we rats fleeing to happy cities? Or can we find the humanism within the purported plague?
Pieces for the Left Hand by J. Robert Lennon. Lennon is one of the most underrated fiction writers working today. Much as On the Night Plain proved that Lennon had a lot more in the toolbox than heartfelt (and often very funny) suburban satire, this slim but fascinating volume juxtaposes 100 small-town anecdotes -- arranged by category -- in a manner that reads, at times, like Nicholson Baker's passions for minutiae and, at other times, Stewart O'Nan's concern for psychological detail. The result is fiction that makes us wonder about whether one person's subjective view of particulars can entirely be trusted. This book never found a publisher in 2005. But thankfully, Graywolf has released it in the United States, along with Lennon's latest novel, The Castle.
Wonderful World by Javier Calvo. This wonderfully raucous volume has been completely ignored by the Washington Post, the New York Times, and the Los Angeles Times. But it's probably one of the most delightful reading experiences I've had this year. Calvo cavalierly mashes up multiple genres and manages to mix up familial subtext with larger-than-life, almost cartoonish characters. (Indeed, one might argue that one mobster's penis is a character of its own in this sprawling novel.). This is not an easy thing to pull off, but Calvo makes it work. And it's helped immeasurably by Mara Faye Lethem's idiom-specific translation. (See longer post.)
The Means of Reproduction, Michelle Goldberg This thoughtful book tackles the complicated (and little discussed) subject of reproductive rights from numerous angles, which includes a number of unpleasant but necessary ones. The upshot is that there isn't a quick fix solution for declining birth rates and fundamentalist abuses. Just about every political faction has contributed to the friction. But you'll want to read this book anyway to refamiliarize yourself with the topic, but also to understand just what's occurred during the past several decades to get us where we are today. (See also podcast interview with Goldberg.)
Or send materials to:
315 Flatbush Avenue, #231
Brooklyn, NY 11217
- The Possibilities of Small
- Ben Macintyre: The Latest Sourpuss to Run Away From Possibilities
- Untapped Currency
- Reminder: Live Conversation with Sarah Hall on Tuesday!
- Five Three Oh
- The Bat Segundo Show: Marjorie Rosen
- When Parody Replaces Opportunity
- The Benefits of Notebooks
- Hate Mail Dramatic Reading Project #8
- Slowdown
This makes me appreciate Bob Costas’ late-night show even more. At least he could string a few sentences together, and had enough sense to let people like Mel Brooks take over his show when they’re running hot.
I don’t know exactly why, but even the edited versions of Studio 360 kind of rub me the wrong way. I’ve heard some good and some bad, but Andersen’s demeanor, his manner of speaking always sounds like he’s a little too aware of his audience. Perhaps because his part of the conversation is rehearsed and re-recorded?
I’ve got “Heyday” on my to-be-read pile of books; maybe he’ll come across better in print. (I hope so, at least.)
Yikes. I really, really liked Heyday, but having read about Andersen and his other novel I’ve tried to stay away.
Harlan Ellison! The man responsible for the scary depths of my adolescent imagination! It’s a cruelly qualified love I still feel for his oeuvre (as in: Paladin’s a bit hokey, to be frank, no?), but, still. Reading “Deathbird” and then DV1, DV2 at a young age made all the difference. Can’t believe anyone in the room (or on the planet) with Harlan had the nerve to irk him… must check this out…
Someone needs to create a phrase like “inside the beltway” as it applies to members of the political establishment to decribe someonw like Andersen and the media-entertainment-publishing sphere. I used to listen to Radio 360 when it was scheduled in the afternoon on one of the NPR stations in Los Anfgeles and never heard one thing that was provocative or challenging.
Thanks, however, for making me aware of the interview.