- The official press release from AMS.
- The Seattlest’s Jeremy Barker focuses on the effect on Seattle presses.
- Matt Wagner suggests that consolidation may not be good for small presses, even if PGW’s huge volume allowed for independent presses to get into big-box stores.
- Sarah points to the Canadian impact.
- At The Beat, comics publisher Actionopolis/Komikwerks offers a response. Shannon Eric Denton and Patrick Coyle relay their attorney’s thoughts: AMS is looking for a buyer, but that a “fresh start” will enable any new company not to take on the debt. So they may be more attractive now than they were before the bankruptcy filing.
- Dean Haspiel: “BOTTOM LINE: in order to succeed, the author has to become the publisher and the publicist and, sometimes, the printer, too.”
- Time Out New York is looking into the story.
- At the Engine, Heidi MacDonald asks people how the AMS bankruptcy will affect them. Among some of the highlights: Warren Ellis insists that HarperCollins will not get the advance back for his second novel and Comic Relief owner Rory Root pointed out, as Soft Skull’s Richard Nash suggested in the first AMS post here, that pennies on the dollar is the likeliest prospect for the creditors.
- Colleen Doran suggests that Dark Horse was expecting big money from Frank Miller’s 300. [UPDATE: In the interests of accuracy, it remains uncertain what degree of output Dark Horse had with AMS, but hopefully we'll have more information on this soon.]
- Unrelated to all of this, but perhaps indicative of the current publishing climate is the Independent Press Association ceasing operations. (Thanks, Dan Wickett, for the link.)
AMS Bankruptcy Fallout
– January 4, 2007Posted in: AMS Bankruptcy
The Call by Yannick Murphy: The always interesting author of Here They Come and Signed, Mata Hari returns with a novel that whips up a worldview from a rather quirky set of limitations: namely, the call logs that a veterinarian maintains as his son is unexpectedly put into a coma and an unforgiving economy denies him work. What emerges is a surprisingly optimistic, often funny, and very moving account on how one family uses acceptance and forgiveness as a way to atone for hard knocks. (
Birds of Paradise by Diana Abu-Jaber: Forget Franzen and Eugenides. If you're looking for a social novel that counts, Diana Abu-Jaber is the author you're looking for. Building from the free-form exploration of consciousness and identity in Crescent and the gripping procedural structure of Origin, Abu-Jaber's latest novel is her finest, equally fluent with gutterpunk culture and smarmy real estate men. It has been suggested by The Washington Post's Ron Charles that you will likely gain some pounds while reading this novel. This is certainly true. Abu-Jaber's description of food is so precise that it often made me want to do more cooking. But I very much admired the way in which Abu-Jaber presents all her characters as unwitting victims of rough capitalism, which permits them some dignity even as they perform terrible acts.
The Last of the Live Nude Girls by Sheila McClear: This memoir isn't so much about the decline of the Times Square peepshow, as it is about one young woman's efforts to pull herself up by by her bootstraps when presented with few economic options. Filled with self-introspective candor and a quiet dignity, McClear's story is one that might befall any of us in these volatile times. While McClear does get back on her feet, her book leads one contemplating the terrible fates of other young women now moving to New York and falling into deadlier vocations. (