Author / Edward Champion

Posts by Edward Champion

Edward Champion is the Managing Editor of Reluctant Habits.
by Edward Champion

More Thoughts on Virginia Tech

My emotions are high.

What nobody has observed (at least as far as I can tell) is that this is the first American mass murder along these lines (at least that I know of) in which there was absolutely no ego involved. This madman did not want to be recognized. He didn’t carry an ID. Didn’t carry a cell phone. He willfully disfigured his face. He was not Charles Whitman shooting from a tower, knowing full well that his handiwork was going to be discovered. He was not Eric and Dylan getting vocal revenge on classmates. There was no ego.

And beyond the family and friends of the victims and the wholesale incompetence of the Virginia Tech Campus Police, who had jurisdiction here, to call in city, county and state police to contain this situation, that’s what creeps me out the most about this. There is absolutely no human component to this. This guy went in and, as far as we know, just started shooting the shit out of people. There is nothing that we can empathize with here. Not a common grievance that saner humans can identify.

I’m still sifting through the information, stunned that this happened and trying to find some trigger effect. But there’s nothing. I’m wondering if there was some kind of personal connection between the shooter and his victims. But the more articles I read, the more it looks like this was a carefully calculated plan of evil upon the human race.

And that’s what scares the hell out of me. That a person walking this earth would be incapable of even the tiniest sliver of good. That a person would butcher so many without even a warning. That the blood of this killer may very well be colder than a year in Eureka, Nanavut.

by Edward Champion

Pulitzer Winners

This year’s Pulitzer winners have been announced. On the literary front, Cormac McCarthy’s The Road has won for fiction, Gene Roberts and Hank Klibanoff’s The Race Beat: The Press, the Civil Rights Struggle and the Awakening of a Nation has won for history, David Lindsay-Abaire’s Rabbit Hole has won for drama, Natasha Trethewey’s Native Guard for poetry, Debby Applegate’s The Most Famous Man in America: The Biography of Henry Ward Beecher for biography, and Lawrence Wright’s The Looming Tower: Al-Qaeda and the Road to 9/11 for general nonfiction.

by Edward Champion

BSS #109: William T. Vollmann II

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Condition of Mr. Segundo: Distancing himself from emus.

Author: William T. Vollmann

Subjects Discussed: The relationship between The Atlas and Poor People, the dimensions of poverty vs. the moral compass, I.A. Richards’ poetic experiments, photographs, the problems with objective solutions to poverty, “More aid, better directed,” poverty based on psychological makeup vs. poverty based on environmental circumstances, the exploitation of people as a result of Kazakhstan oil, ethical choices and poverty, Vollmann revealing personal flaws in his text, Kurt Eichenwald, and why Vollmann pays his interview subjects.

EXCERPT FROM SHOW:

Vollmann: I think that one of the mistakes that we have made with so many problems — including drugs, poverty, illegal immigration, sexual conduct that we don’t agree with — is that there is a technocratic solution, or even a one size fits all solution. Alcohol is clearly bad and it’s addictive. It’s dangerous. Fine. Let’s prohibit alcohol. Well, that didn’t work so well. And of course it didn’t stop people from doing the exact same thing with drugs and we’re just beginning to sense that maybe that’s not going to work so well either. It’s not working so well with immigration. And we haven’t made a lot of progress with poverty either. And one of the reasons is that people talk about some kind of objective solution. We throw a certain amount of money at the problem. If people are in bad housing projects, let’s tear them down and put them into new housing projects. Maybe some of those things might have useful effects. Maybe not. But they’ll only go a certain degree in addressing the problem. Because poverty is a state of being. It’s the way somebody feels. And if somebody feels that he doesn’t have enough. Maybe he has enough to eat, enough to sleep on, whatever. But he has so much less than the people around him that he feels humiliation and rage, and yet he’s above the minimal monetary standard for poverty, let’s say, then what solution do we have for him? So it’s a problem like so many of these social problems that involve communication skills and particularly require the ability to listen and individualize on the part of the prospective benefactor. And that’s something that we’re not good at.

Listen: Play in new window | Download

by Edward Champion

Don’t Say Goodbye Quite Yet

Terrene Rafferty: “But what Altman does in ‘The Long Goodbye’ goes way beyond simply stating the idea that the private eye’s day was over. Instead of trying to correct, or ignore, the creeping vagueness of the landscape in which his lonely hero is a figure, he actually emphasizes those qualities. The images captured by his cinematographer, Vilmos Zsigmond, are as un-noirish as they can be: sun-bleached, unstable, heat-shimmery as mirages. And the camera moves constantly, always slowly, and just enough to keep every shot from settling into anything fixed or too easily readable.” (via Sarah)

I’ve always thought The Long Goodbye to be the most underrated of Altman’s films. Even more so than 3 Women.