I Am an APEman

My bag bulges with comics. I lost track of the number of people I talked with after #15. And I went over my spending limit, um…just a tad. What I can say is this: unlike last year, there will be no written report. But there will be a three-part Bat Segundo podcast: two parts interviews on the floor, including an unexpected interview with Daniel Clowes (whose last name I badly mispronounced) along with many people who you likely don’t know about and who have some interesting ideas about comics. Some of the interviews are thoughtful. Some of them are batshit crazy. (Wait until you hear the interview with the people from Hot Gay Comics.) But all are quite entertaining and should give you a sense of just how much fun Alternative Press Expo is. To all the cartoonists I passed over, I am sorry. I’m just one guy and I can’t talk with everyone.

I also tracked down Top Shelf’s Chris Staros (with help from Alex Robinson, who I’m pleased to report is as nice a guy as they come) and got the inside track on Alan Moore & Melinda Gebbie’s upcoming Lost Girls, which I’ll report here later. For now, I have a party to attend and a panel to prepare for tomorrow afternoon at 3:30 PM. If you can’t make it, that will be Part 3 of the APE Podcast Trilogy. But rest assured, for those thinking they won’t get something live that they can’t get from a download, we will have a visual component in place. The producer tells me that Mr. Segundo is miffed at having to be employed more frequently than usual.

The Bat Segundo Show #29

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[AUDIO NOTE: At one point, the conversation was interrupted by a vacuum. It only appears for about a minute and we’ve filtered most of it out. But just so you know.]

Author: Jay McInerney

Condition of Mr. Segundo: Furious and defensive, defending himself against the acrimonious charges from Miss Snark

Subjects Discussed: The Bretster and the Jayster, Lunar Park, McInerney’s notion of “the upper class,” the culterati, on writing about 9/11 in less than ten years, the three-act structure, genteel prose, F. Scott Fitzgerald, John P. Marquand, James Gould Cozzens, bestsellers, the publishing industry, public life vs. literary respectability, credibility in light of the Warren St. John article, responding to Blake Bailey’s review, satire vs. love story, investment bankers as human beings, the lack of thematic elements in The Good Life, the burden of plot, bodies washing bodies.

The Bat Segundo Show #28

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[NOTE: This podcast includes a free book giveaway of Spiotta’s Eat the Document. Listen to the podcast for details.]

Author: Dana Spiotta

Condition of Bat Segundo: Self-important and sleep-deprived, but surprisingly generous.

Subjects Discussed: Katherine Ann Power as inspiration, the ambiguities of terrorism, comparisons and similarities between Eat the Document and Lightning Field, witty political activists, the Billboard Liberation Front, cinematic influences, Don DeLillo, plotting, reader expectations, on stopping just short of September 11th, justifying pop cultural references, food as a Balzacian character indicator, the Beach Boys, literary influences, dialogue, how people talk in restaurants, the rise in contemporary novels dealing with 1960s & 1970s activism, innocence, and unanswered questions for the reader.

The Bat Segundo Show #27

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Author: Ron Hogan

Condition of Bat Segundo: Frightened of the 1970s, abdicating his position to a maniac.

Subjects Discussed: David Frum’s How We Got Here, Peter Bogdonavich, how filmmakers and actors are responsible for their own legacies, Karen Black, the accidental nature of casting, whether or not the 1970s is the Great American Movie Decade, Peter Biskind, “one for them, one for me,” George Clooney, David Kipen’s The Schreiber Theory, movies as business vs. movies as art, Hal Ashby, Roger Corman, Brian De Palma, The Muppet Movie as Joseph Campbell-Candide epic and the film’s influences, what Ron did while crashing at Mark’s, the problems of post-1970 photographic film, coffee table book vs. chronicle of 1970s cinema, the influence of film critics, Shaft Goes to Africa, film against instantaneous culture, the culture of scrutiny, television shows on DVD, and a good deal of idle speculation.