
Category / New York Times
The Times: What Is To Be Done
Folks, folks, folks, folks, folks, folks.
It’s terrible news, yes. But it hasn’t happened. It ain’t a fait accompli. Here is what we must do. In order to prevent this horrible thing from happening, we must take action. We cannot just sit back and allow Bill Keller and his puppet NTYBR editor to have their way. We must let the Times know that such a move will destroy the Sunday Times reading experience. We must flood Keller with letters, with phone calls, tell this bonehead that he is eviscerating an institution and that he will face hard consequences if he tampers with something that ain’t that broke to begin with.
For one thing, I’m sure you all have subscriptions that the Times counts upon for revenue. I can tell Keller for a fact that if literary fiction reviews are removed from the Book Review, then I will cancel my subscription, and not even the allure of the crossword or Randy Cohen’s smug columns will bring me back. And I will encourage all of my book-reading friends to do the same.
So let’s hit this Philistine fucker where it hurts. Let’s pick a day and deluge the Times not with emails, but letters, phone calls, faxes, hard things to lodge into their mailboxes, a tangible protest to spell out just why this is a bad idea. Let’s take a stand right now and stop the Times from killing a vital hub for tomorrow’s writers. Nip the fuckers off at the bud and stop giving them any kind of revenue. If it goes down, cancel your subscriptions. Refuse to buy the paper. If fiction is to go, then I’m bolting over to the Post or the L.A. Times for my Sunday newspaper experience.
The Internet was used to give Howard Dean a sizable war chest. It’s been used to draw attention to things that otherwise would have remain ignored. It is a medium that’s been used to polarize. So I’m suggesting that the book blogs, and the journalists, and anyone who cares put their passion where their mouths are.
We can’t allow this to go down without a fight. And even if Keller kills the NYTBR, at least we can say we didn’t try to stop the gorgon.
So who’s with me?
Who Needs Those Two-Page DeLillo Reviews When You’ve Got John Grisham?
Horrible news about the NYTBR‘s change in direction:
Well, if you write non-fiction, review non-fiction, or prefer to read non-fiction, break out the champagne. “The most compelling ideas tend to be in the non-fiction world,” Keller says. “Because we are a newspaper, we should be more skewed toward non-fiction.”
What’s more, if you’re perplexed or simply bored with what passes for smart fiction these days, the Times feels your pain. More attention will be paid to the potboilers, we’re told. After all, says Keller, somebody’s got to tell you what book to choose at the airport.
Personally, I’d rather suffer through Laura Miller’s columns every once in a while than see the Gray Lady cave like this.
(via Old Hag)
Hey, Chip, You Rock My World!
Well, since folks are either making confessionals or unabashedly whoring, I’m more than happy to join the collective hue and cry. In fact, Chip, send me a book and I’ll wash your windows in a garter strap! Not a pretty sight, I know. But if that fails to quell the current cries of sexism, then I’ll legally change my name to “Pia Zadora.”
[1/23/06 UPDATE: Two years and countless criticisms of Sam Tanenhaus later, I haven’t been called by the NYTBR. Not so much as a thank you note for the brownies I sent Sam Tanenhaus. My pitches to my own hometown newspaper have fallen on deaf ears. (Never mind that they have taken out-of-town litbloggers for their pages.) The newspapers don’t want me, either because I come across as too volatile or I simply can’t write. As a man who has been on staff for a magazine, I’d like to think it’s the former. I don’t mean for this update to sound as if I’m throwing a pity party or to imply that I’m bitter or anything. I still plan to go on writing, even if it means most of my words being deposited here. But this is a telltale warning to all you whipper-snappers out there. The fresher, the more distinct and the more original you are, the less likely the mainstream media will want you. At least that seems to be my experience.]
The Un-Ethicist #2


What’s the real story, Lil Miss Anonymous? Do you want to play ball or don’t you? Life’s a bitch, ain’t it? One minute, you’re lying flat on your ass eating Cheetos and faxing resumes, not getting a single interview. The next minute, bang, a job lands in your lap with all the gainful ardor of a chihuahua with a bladder problem.
Your altruism is commendable, if more than a little suspect in a capitalist republic that favors a ruthless dog-eat-dog mentality — to give you a specific analogy, it’s a bit like lapdogs and chihuhuas taking bites out of each other beneath a sneezeguard at a Vegas buffet with a broad culinary swath. First off, did your friend know about this specific ad? The great thing about the help wanted section is how some of these painfully cheery recruiters try to disguise their ads by giving you a private fax number for a specific venue (though tracking the telephonic prefixes and the general language used can easily keep you ahead of the game), or don’t give you any information at all (“Apply: Position #342”), or offer you very strange instructions on how to apply (“Please arrive on Wednesday at 9:30 a.m. Prepare for further application procedures. Bring dungarees.”).
My brother Randy mentioned Samuel Beckett when answering this question, and I have to say that, despite his complacency and attempts to be down with the liberal arts crowd, he’s onto something. If you feel the need to throw in the towel (because your friend will find out), keep in mind that the employment world is so hopelessly Byzantine that with any “Luke, I am your father” revelation to your friend, there’s probably a million variables you can fall back on.
After working for a radio show with a well-known host, I wrote an essay about it, without naming the host or show, although anybody who’d heard the show could have identified both. I did not vilify the host but characterized him with amused detachment. When I mentioned the essay to a friend who works for an organization associated with a show, he implied, without reading it, that publishing it would be wrong. Would it? A.B.S., NEW YORK.
When William Goldman wrote about his experiences (Adventures in the Screen Trade), he had no problem dishing the dirt. He characterized several stars and directors as utter buffoons — in a few cases, outright avaricious ones. You could make the case that Goldman was trying to sabotage his own career. He was, after all, around 51 when he wrote it. So a case could be made that the hostile chronicling arose from a mid-life crisis. But something very strange happened. The book became a bestseller and is often referenced in film classes. And Goldman still has a career, albeit writing crap like Dreamcatcher.
What do you really want to do, A.B.S.? That’s the real question here. Obviously, you have a hankering to publish this puppy (assuming it bears enough merit to be published). But why the hell are you writing to Randy? If you’re not prepared to make a hard decision between your job security and your desire to emulate Rex Reed, then I’d say that you need to put some more complications into your life. Publish it. Accept the consequences. Take a fucking risk for once, you chicken. The fact is, A.B.S., that you’re just too passive-minded for my time. So if you want me (or Randy) to make a decision for you, then I’d favor the harder choice. If only to get these silly journalistic urges out of your system and put a little hair on your chest.
Jesus, the radio business turns people into a bunch of wishy-washy bores, doesn’t it?