Russell T. Davies: The Hack Who Cried “Bad Wolf”

This season’s penultimate episode of Doctor Who, “The Stolen Earth,” was a big fuck you to the fans, giving them everything they seemed to want, or that writer Russell T. Davies seemed to think that they wanted. It featured cheeky nods to Torchwood and The Sarah Jane Adventures, the return of Davros (with a ridiculous explanation for how he escaped death), a Richard Dawkins cameo, more holes than a porous street neglected for a decade by a bankrupt city maintenance department, Rose running around Earth with a preposterously gargantuan gun (still no explanation for how she escaped her universe), and an insulting cliffhanger suggesting that we’re getting yet another “it didn’t happen” two-part finale*. Davies even manged to name check Facebook. What next for next week? The Doctor stepping out of the shower, revealing that his real Gallifreyan name is Bobby Ewing, and gallivanting off through time and space with Rose?

I think it’s quite clear that most of us have had enough of Russell T. Davies. The biggest question now is just how much Davies will screw up the show before he hands it off to Steven Moffatt. Keep in mind that we still have a Christmas special and three additional 2009 specials. And every single one of these is to be written by Russell T. Davies.

Yes, I’ll keep watching this train wreck. But between “The Stolen Earth” and this year’s disappointing season of Battlestar, the latter redeemed somewhat by a Planet of the Apes cliffhanger, I’m wondering why I bother. It’s a bit like waiting for George Bush to leave office. With Doctor Who, there’s the hope that the regime change will result in additional intelligence. With Battlestar (new episodes a good year away), it’s hoping that Ronald D. Moore will somehow figure everything out and go out with a bang. But in the meantime, one must sift through a good deal of interstitial dreck. Guess it’s time to dust off the Blake’s 7 and Red Dwarf tapes.

* — I don’t want to reveal what the cliffhanger is for those who haven’t seen it, but if it goes the way I think it will, then it will make Graham Williams’s infamous “let’s try out new bodies” scene for Romana look like Moliere.

[UPDATE: Charlie Anders offers her thought on this fantastic travesty, pointing out, “Since each finale has to top the last, I’m guessing next year would involve a magic virus that turns everyone in the universe into a Sontaran, including Rose, and then the Cybermen from 29 different universes fight with the Gelth, with exploding ribbons! Spoilers for what actually did happen ahead.” Indeed. I must confess that I have a morbid curiosity as to just how much of a mess RTD is going to make for Moffatt. It’s almost as if the man is determined to create a massive continuity clusterfuck that will take at least three seasons to sort out. As for the heartbeat that Donna hears, am I the only one who thinks that this is actually the Dalek heartbeat? I mean, the heartbeat in question had the same intonation and everything. Seemed like this was a foreshadowing to Donna transforming into a Dalek and her character being killed off the show. That’s my prediction at any rate.]

Roundup

  • Within blocks of my apartment, there is a dumpster serving as a veritable buffet for vermin. Last night, while walking home, I observed the most corpulent rat I have ever seen. It was nearly the size of a medium-sized cat with a swirling tail nearly a foot long. Its belly was so large that it could not even scamper properly. It was reduced to a slight kangaroo hop on its hind legs. Its gait reminded me of Leroy Anderson’s “Plink, Plank, Plunk.” A typical New York sight. But what amused me was the unknowing film crew that had set up a craft services table within five feet of this dumpster the next afternoon. Someone — presumably the property owner — had cleaned up this rat haven in the morning, making it look as if the trash was picked up nightly. I also know that a restaurant operates almost adjacent to this dumpster. Nice folks, but they’ve told me that they don’t have insurance. And I am understandably reluctant to eat there. This question of proximity has me pondering just how much we might be sharing our meals with the rats in this fantastic filthy city.
  • Tao Lin wants his next novel to be like a 10-piece chicken nugget meal. There are two novels I’m working on right now. It is now quite a race to see which one will cross the finish line first. If I had to offer a dining metaphor for my own work, one is like a series of hastily made peanut butter sandwiches that are wolfed down under trying circumstances in the middle of the night, with the fridge light flickering and the possibility of the gas being shut off. The other is a collection of variegated brunches that I hope will cause the diners to appreciate the food they’re enjoying and the circumstances they were prepared under.
  • Ian Rankin, what a dick. (via Bookninja)
  • It seems that Jon Krakauer has cracked over his forthcoming book, The Hero. Unhappy with the manuscript, Krakauer is holding onto it, sleeping with it, feeding in formula, waiting for the words to goo-goo back at him and comfort him in the middle of the night. I won’t let you go! We’ll be together FOREVER! I’ll protect you from those foster parents at Doubleday! You won’t end up a latch key kid, manuscript. I’ll be the bestest daddy you ever had! Let the state try and take you away! They’ll throw me in jail before I relinquish you, my darling darling manuscript!
  • It’s fascinating to see that Richard Eder’s review of Albert Camus’s most recently translated final notebook — something you’d think was a shoe-in for the Sunday section — can now only find life in the daily New York Times.
  • If Ian McEwan’s recent outburst is an effort to deflect blows from buddy Martin Amis, it’s a disastrous tactic.
  • There’s an intriguing-looking BBC1 documentary attempting to search for Murakami. But it wasn’t much of a search. Murakami showed up rather quickly and didn’t scamper away. I feel cheated and I haven’t even seen the film. Considering the promise, one hopes for a diligent search, an overturning of rocks, an unexpected insight into the man in question. Could it be that the majority of BBC1 arts producers wish to make the literary equivalent of a hunt for lost keys the stuff of dubious import?
  • The self-published author J.D. Sousa has an odd plan. If he gets his book into Blockbuster stores, enough people will buy it. By some strange magic, it will be turned into a Hollywood movie. I don’t know if Sousa is fully informed of the shift in the last few years to VOD and DVD rentals by mail. And do Hollywood producers really hang out in Blockbuster? But he is selling one or two books a day at various stores. Sousa’s march may not have the gangbusters quality of a Starbucks Book Tour, but I can certainly see a future in which authors and publishers initiate more exclusive chain store distribution methods.
  • Fritz Lanham seems convinced that Hitchen’s thesis about funny women is wrong in Texas.
  • I haven’t read Michael Ian Black’s book, but I’m almost ready to support his campaign to defeat David Sedaris. Sedaris no longer has any interesting personal experiences to mine for his essays, and he hasn’t been funny in years. What prevents me from full partisanship here is Black playing things too safe. I want devastating vivisections of Sedaris’s prose. I want pugilism. If Black wants to do this, then he needs to go whole hog. He needs to earn this. Lukewarm challenges might win points at the PTA meeting. But this is New York, dammit. And if Black must pull his punches, to evoke Axl Rose’s immortal wisdom, get in the ring motherfucker and I’ll kick your bitchy little ass.

Kanye West Balances His Checkbook

I am sick of negative people who just sit around trying 2 plot my downfall… Why???? I understand if people don’t worship me because I worship me or if people think balancing my checkbook look gay or people say I carry my 1s to much, But this Bank of America checkbook is the worst insult I’ve ever had in my life. Who make this thing? Its the 21st century! This is the most offended I’ve ever been… this is the maddest I ever will be. I thought my accountants were supposed to balance my checkbook for me! I had to open this fucking thing up and actually use a pen! I’m typing so fucking hard I might break my fucking Mac book and my boy didn’t install Quicken for me Air!!!!!!!! Call me anything you want…. bad with money, unable to live without a personal assistant, fag whatever you can think of…. BUT NEVER SAY I DIDN’T GIVE MY ALL! NEVER SAY I DIDN’T GIVE MY ALL! I SPEND HOURS TRY TO ADD SIX AND NINE! HOURS FINDING OVERDRAFT FEES! THIS SHOWS NO MATTER HOW HARD YOU TRY TO BE GOOD AT SOMETHING THERE WILL BE BANKS TO LIE ABOUT YOU AND BRING YOU DOWN! I’M FUCKING HURT BY THIS ONE. ALL I CARE ABOUT ARE BALANCING MY BOOKS. JUST SAY THIS OUT LOUD IN A ROOM FULL OF PEOPLE, “KANYE NEED CALCULATOR FOR TWO NUMBERS.” CAN ANYONE HONESTLY SAY THAT ????????? HAS ANYONE EVEN TAKEN THE TIME TO AT LEAST DO THE MATH??? B OF A SHOULD HAVE RELEASED A STATEMENT IN MY DEFENSE OR DONE THIS FOR ME BUT SINCE THEY HAVEN’T LET’S BREAK DOWN THE WALLS ON THIS WALL STREET BOILER ROOM AND LET YOU KNOW WHAT REALLY OCCURRED!!! FOR OVER A MONTH WE WENT BACK AND FORTH ON WETHER OR NOT WE COULD SET UP AN ACCOUNT AND EVEN FIT MY EGO INTO THE BANK OF AMERICA. ONE DAY THEY WOULD SAY YES… CHECKING ACCOUNT NO PROBLEM KANYE, WE’D SEND THEM OUR MONEY THEN THEY THEY’D SAY OK… THEN THEY WOULD SEND MONEY BACK AFTER CHECKING KANYE’S CREDIT, OFFERING AN ACCOUNT THAT DIDN’T COME WITH A DEBIT CARD. THE BANK OF AMERICA AND GEORGE BUSH DOESN’T CARE ABOUT BLACK PEOPLE. WE WERE OBVIOUSLY DEALING WITH FUCKING IDIOTS WHO DIDN’T REALLY HAVE THE CAPACITY TO UNDERSTAND THAT KANYE DON’T NEED CREDIT CHECK. THEY TRIED 2 GIVE ME COMMON MAN’S ACCOUNT … I HAVE A FUCKING LIGHT CASH FLOW DUMB ASS, BUT THE RESIDUALS ARE COMING IT’S NOT CALLED DROPOUT BEAR FOR NO REASON SQUID BRAINS! MY PEOPLE WORKED OUT A COMPROMISED CHECKING ACCOUNT AND I AGREED. FAST FOWARD TO ME AT AN ATM. MY PERSONAL ASSISTANT TRIED TO USE MY DEBIT CARD FOR 24 HOURS BUT THE BANK WOULDN’T ALLOW US TO WITHDRAW FUNDS. SOMETHING ABOUT A $300 DAILY WITHDRAWAL LIMIT. LIMIT!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! AT THAT POINT WE NEEDED MORE BREAD!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! I SAY I HAVE TO GET EXTRA TWENTIES AS SOON AS POSSIBLE. I HIT THE BANK AND THE CLERK SAY I HAVE 2 WAIT IN LINE. I SAY I KANYE, BUT NO MONEY. ACCOUNT OVERDRAWN. BY WHO? WHEN I GOT 2 MY BANK STATEMENT I SAW CHARGE FOR MARGARITAS IN MY NAME. I HAD TO ADJUST MY WHOLE LIFESTYLE BECAUSE OF IT, BUY A LOAF OF WONDER BREAD AT THE BODEGA TO GET BY ON SANDWICHES FOR THE NEXT 12 HOURS. A FEW MORE HOURS IN AND STILL NO TWENTIES I CAN WITHDRAW. I ATE A FEW SLICES FROM THE LOAF BECAUSE I HUNGRY WANTED STOMACH 2 STOP GRUMBLING WHILE THERE WAS STILL SOME FOOD TO FEED IT WITH. BY THE TIME I GOT TO THE NEXT DAY, STILL NO TWENTIES TO WITHDRAW, STILL UNBALANCED CHECKBOOK AND IT BROKE MY HEART. I’M SORRY TO MY STOMACH THAT I DIDN’T HAVE THE ABILITY 2 GIVE THE SANDWICHES I WANTED TO. I’M SORRY… SOMETIMES I GO 2, 3 DAYS W/O MONEY… CAUSE I CAN’T BALANCE MY CHECKBOOK…HAVING AN EXPENSIVE STAGE MAKES DEPOSITS REAL HARD…COME ON, BANK OF AMERICA…CALL ME WHAT YOU WANT BUT NEVER SAY I DIDN’T GIVE MY ALL!!!

Roundup

  • Dwight Garner and Sam Tanenhaus, the two spineless editors who insult the intelligence of their audience every Sunday at the New York Times Book Review, seem to think that Jay McInerney is somehow a big name. Which is a bit like believing that Robert Palmer is not only still alive, but remains a major fixture on the pop music circuit. Perhaps this strange assignment represents the duo’s dormant adolescent longing to raise spoons to noses and make up for the lost time in which they failed to live. Whatever their motivations, they have enlisted this third-rate oenophile to offer his thoughts about Andre Dubus III’s latest novel. They are under the mistaken impression that McInerney — a smug man so ass-backwards in acumen that he threw in more than two grand to support Giuliani for President — actually has penetrating insight. Alas, McInerney seems less concerned with offering a reasonable assessment, pro or con, of The Garden of Last Days and more fixated upon the novel’s concern for flesh. But any man who writes the sort of laughable sex scenes that Louis Menand rightly ridiculed (“Strange pleas, cries like those of a wounded creature, sounded within her and possibly escaped her lips.”) has no business quibbling with another novelist’s portrayal of carnality. If you’re looking for a sterling example that demonstrates why newspapers are losing readers, look no further than the wizened wizards, no doubt suffering both erectile and phantasmagorical dysfunction, behind the curtain.
  • Thankfully, the Washington Post has shown more class. They’ve sent a correspondent to visit Detroit and concluded that it’s all “gritty and romantic.” But there’s no mention of the decayed Michigan Central Station, which leads me to believe that Ms. McCarthy didn’t venture very far. So I’m not sure if Ms. McCarthy truly investigated the real Motortown, much less the seamier side of life. There is perhaps more space devoted to the Frenchmen who discovered the place, as well as its Motown origins. But as mainstream articles go, Ms. McCarthy’s piece represents a slightly unexpected philanthropic nod to Detroit realtors. Let us hope that the next journalistic excursion represents more of the truth. (via The Tomorrow Museum)
  • Like Stephen Mitchelmore, I too was astonished to see James Wood begin his Atmospheric Disturbances with a reference to Georg Büchner’s “Lenz.” But it’s the kind of unexpected association that does make Wood a critic that one cannot easily discount. Particularly when Wood has also name-checked Dostoevsky, Knut Hamsun, and Thomas Bernhard.
  • Richard Nash points to several video streams of author readings from Bookcourt, including Toby Barlow and Samantha Hunt. To my knowledge, this is the first independent bookstore that has done this. But I hope all bookstores do this, if only so that we can see just how much boilerplate material authors carry on tour.
  • J.G. Ballard’s “The Enormous Space” has been adapted by BBC4. (via Splinters)
  • Slushpile raises several important questions concerning a new Vince Neil book, but fails to consider why this has-been singer would be given more than $500,000 to “write” a book after the harrowing account known as The Dirt, which opened with the following lacrimal-sensitive sentences, “Her name was Bullwinkle. We called her that because she had a face like a moose. But Tommy, even though he could get any girl he wanted on the Sunset Strip, would not break up with her.” Yes, it’s true that Motley Crue grossed an unfathomable $39.9 million in 2005 concerts (although Neil Diamond grossed $7 million more; the capitalist world is just too cruel). But just how many of these concertgoers, who might have spent their hard-earned money on pleasurable skank weed but opted instead for another silly performance of “Dr. Feelgood,” are pining for a redux? Your faithful correspondent does not possess a Bookscan account, but he beseeches all prospective buyers to truly consider just what they might be wasting their hard-earned dollars upon.
  • Has erotica jumped the shark? I don’t believe that anal sex and ménage à trois were ever particularly shocking to me, but then I lived in San Francisco for thirteen years. Nevertheless, Ellora’s Cave publisher Raelene Gorlinsky seems to believe that these two sexual practices have become vanilla, that readers have become acclimated to these forms of titillation, and that the human body can “only do so many things.” While the hunt is now on for more crazed positions and more taboos to be punctured, I find myself more concerned with Ms. Gorlinsky’s dire pronouncements about the body’s apparent limitations. If I am averring these premonitions correctly, this means that I will never have sex again. But since this is perfectly timed with the decline of the American empire (and its Roman comparisons), there is some small solace in knowing that we’ll begin seeing more eunuchs to serve the pleasures of the upper class. (via Smart Bitches)
  • A grammarian has died. They’ll be carving tildes into his tombstone and swastikas upon his corpse’s forehead. (via Books, Inq.)
  • Splice Today interviews Gaddis expert Steven Moore.
  • And I think it’s safe to say that The Atlantic is almost certainly making us stupid. Given contributions from Nicholas Carr, Lori Gottlieb, and B.R. Myers, this is a magazine that has, in the year of our load, 2008, suggested that being sodomized is a more bearable substitute than these insipid articles. I used to be a subscriber. But no more. Scott has more on this.