In response to the NBCC’s ethics survey, Quill & Quire‘s Derek Weiler observes that Carlin Romano and company missed out on far more interesting questions like, “Is it ethical to review a book by an author who’s written negatively about you in the past?” But he also points to these reviewing guidelines publicly available to all Quill & Quire readers. I think that Quill & Quire has performed a valuable service here. Quill & Quire readers can see precisely how the publication operates, what is to be expected of its contributors, and can then take up specific charges with Weiler if there are any ethical transgressions. Not even a publication as allegedly august as The New York Times Book Review does this. I suppose that, depending on the editor, ethics are something that you make up as you go along.
But because Quill & Quire has set such a sterling example of transparency, I will be putting up an ethical guidelines page for this blog very soon, so that readers can get a sense of the ethical protocols that I personally adhere to when reporting on a story, conducting an interview, or writing a review. And I certainly hope that other newspapers and blogs will follow in the same spirit.
Being Wrong by Kathryn Schulz: Being wrong, as it turns out, isn't just the other variable in a binary opposition. Indeed, the relationship between our beliefs and the vast body of knowledge is one of humanity's big problems, but, at times, one of its great virtues. This thoughtful volume outlines numerous examples of human folly, from end-of-the-world prophets to ocular misperception, and makes a strong case for becoming more transparent about human fallibility, even when the results can be quite deadly. (
The Invisible Bridge by Julie Orrigner: This sweeping epic, which has been rightly identified in some corners as a "Holocaust page turner," puts to rest any and all rumors that the historical novel is dead. Orringer's great talent for balancing fine Romantic details, a vigorous synthesis of prewar Paris and Magyar strife, and Nazi brutality demonstrates a remarkable evolution from her previous short story collection, How to Breathe Underwater, and makes this a must read. (
If I Loved You, I Would Tell You This by Robin Black: Forget Wells Tower. Robin Black's marvelous short story collection, which has been needlessly ignored by The New York Times and The Washington Post, is very much on the level: far better than anything written by that lumbering Young Turk. These subtle stories have the maturity to avoid belabored metaphors and neat conclusions, revealing numerous nuances about the human condition in its careful use of understated language. (
Check.