I’d initially posted some ballyhoo about taking a break. But announcing yet another hiatus strikes me as not only repetitious, but vaguely dishonest. This blog has always served as a beacon for truth. A skewered truth, a truth restricted by my own blinders, sometimes a downright ugly honesty. But truth nonetheless. I’d be doing my readers a disservice if I didn’t explain why my appearances here will be less frequent.
William Gaddis once described it as “the rush for second place” and composed an essay on the subject in 1981. He dared to chart how a certain spirit of rebellion in American culture was often spawned by a gnawing sense of failure, a long and frustrated nose cantilevered against a morose and pockmarked face that frowned long into the deepest shadows of yesteryear. The feeling that one’s efforts weren’t worth much in the long run. The successful person in our society, the hard-liner who plays by the rules and makes partner or vice president after a decade or two of thankless labor, is in so deep that it would never occur to him that there are others who starve and scrape for an altogether different success. These lower-end feeders are often derided as failures. Their needs don’t meet the basic burden. But what would our world be without these non-conformists who perform unspoken deeds in the dead of night?
Whatever measure of success one finds, there are hard choices. Passion flaring over common sense. And when a bottom-end straggler reaches a certain age, when the hair falls out and the crow’s feet form around the eyes, there comes a point where one wonders why it continues. Because persistence pays off? Sometimes. Because no man is an island? Definitely.
The duty remains, the steadfast flow follows. But it requires rumination and rest and unseen labor and barely any sleep. I’ll be back, but right now I’m reoiling the wheels. And I’m smiling as I dance in the dark.
[UPDATE: In response to certain socipathic nitwits who clearly have more time than I do (and whose currency is so inflated that they feel the need to goad some A-1 folks), I quote Carl Sandburg: "Time is the coin of your life. It is the only coin you have, and only you can determine how it will be spent. Be careful lest you let other people spend it for you."]
[UPDATE THE SECOND: Publisher's Lunch reports this item: "Separately, the NYT Book Review has announced that next Sunday's issue will present a considerably slimmed-down 100 Notable Books of the Year. They will publish their list of top 10 books of the year on December 12. Editor Sam Tanenhaus says of the 'more selective' list, 'In general, we favored strong narratives. This happens to be a year when some of the best books, fiction and nonfiction, were about or set in the past.'"
[I can't tell you how sad this makes me feel. One of the great annual joys is seeing the NYTBR present a crazed list that backs up their credentials as a book review source for one of the nation's major newspapers. It essentially communicates to the reader that, love or hate their selections, the NYTBR is doing its job. But more importantly, much like the recent joys of the IMPAC longlist, the sheer number of books is something to cheer about, an annual occurrence that offers a friendly nod to reading. The reader finds the morsels he may have forgotten about and a few titles he didn't know about. It's a win-win situation between reader and listmaker.
[That Tanenhaus would scale this down to a piddly selection of ten (no doubt with Leon "Scummy Little Reviewer" Wieseltier's involvement) proves that, despite his recent poetry issue and the inclusion of James Wood prominently on his pages, he still remains an asshat who is, in all likelihood, Bill Keller's corporate handmaiden. That he would dispense with such a proud tradition in favor of audience-friendly "10 Sexiest Books Alive" homages to People convinces me that, unless he offers a compelling alternative, he's not going to get any brownies on my watch.
[NO BROWNIES FOR YOU, MR. TANENHAUS!
[UPDATE TO SECOND UPDATE: The good Dr. Jones, fresh from his excavations in Nepal, informs me that we can't withhold baked goods until the final tally. To uphold the brownie fairness doctrine, I renege on my brownie decision until we see what happens over the next two weeks. Tanenhaus shall salivate at his own peril.]

The Call by Yannick Murphy: The always interesting author of Here They Come and Signed, Mata Hari returns with a novel that whips up a worldview from a rather quirky set of limitations: namely, the call logs that a veterinarian maintains as his son is unexpectedly put into a coma and an unforgiving economy denies him work. What emerges is a surprisingly optimistic, often funny, and very moving account on how one family uses acceptance and forgiveness as a way to atone for hard knocks. (
Birds of Paradise by Diana Abu-Jaber: Forget Franzen and Eugenides. If you're looking for a social novel that counts, Diana Abu-Jaber is the author you're looking for. Building from the free-form exploration of consciousness and identity in Crescent and the gripping procedural structure of Origin, Abu-Jaber's latest novel is her finest, equally fluent with gutterpunk culture and smarmy real estate men. It has been suggested by The Washington Post's Ron Charles that you will likely gain some pounds while reading this novel. This is certainly true. Abu-Jaber's description of food is so precise that it often made me want to do more cooking. But I very much admired the way in which Abu-Jaber presents all her characters as unwitting victims of rough capitalism, which permits them some dignity even as they perform terrible acts.
The Last of the Live Nude Girls by Sheila McClear: This memoir isn't so much about the decline of the Times Square peepshow, as it is about one young woman's efforts to pull herself up by by her bootstraps when presented with few economic options. Filled with self-introspective candor and a quiet dignity, McClear's story is one that might befall any of us in these volatile times. While McClear does get back on her feet, her book leads one contemplating the terrible fates of other young women now moving to New York and falling into deadlier vocations. (
I’ve come to think of your hiatus announcements as a signal you’re gaining a second wind
Oh, man. Now I want to know who you’re talking about.
Take care of yourself and work hard.
We’ll be here when you get back …
Hold on there. I read the PW piece to say the 100 notable books issue comes out “this Sunday” (12/5), and 10 best books on 12/12. Meaning, perhaps, they haven’t gone from 100 to 10. At any rate, my copy of the rulebook says you must have the numbers to hand before withholding any baked goods.
I’ve received my copy, and it’s what Sam says: 100 picks on 12/5, narrowed to 10 on 12/12.
I will say that the fiction selection is strange: For example, The News From Paraguay isn’t included. The selections were culled, the report says, from the review’s own coverage. Given that their coverage of fiction has been spotty — it’s not surprising that their idea of “the year’s best” would have significant gaps.
I agree with Charles above — when you go on hiatus, it’s actually a good sign, so I too will be waiting for your comeback.