Reports on the Mailer tribute at Carnegie Hall, the Baker/Julavits/Siegel talk* at the New York Public Library, and a review of the documentary Young@Heart are forthcoming. In the meantime, there are interviews to conduct, panels to attend, deadlines to meet, and taxes to finalize. But there will also be more Segundo podcasts as well. So bear with me while I catch up on the backlog.
In the meantime, as others have noted, please support Tayari Jones’s efforts to provide funds for the Dunbar Village rape victims.
I’ll have more later. A lot more later.
* — To give you a small taste, in one of many of his straw man arguments, Lee Siegel informed the crowd that I wasn’t a writer because I had written the line “Edmund Wilson is a douchebag.” To be clear on this, I wrote “the man was a bit of a douchebag” and offered an argument supporting why I felt this to be the case. Nevertheless, I will inform the editors who hire me on a professional basis that Lee Siegel has insisted that I am not a writer and that they should begin calling me something else. Perhaps something along the lines of “intellectual nigger” because I also happen to write for the blogging medium.
The Call by Yannick Murphy: The always interesting author of Here They Come and Signed, Mata Hari returns with a novel that whips up a worldview from a rather quirky set of limitations: namely, the call logs that a veterinarian maintains as his son is unexpectedly put into a coma and an unforgiving economy denies him work. What emerges is a surprisingly optimistic, often funny, and very moving account on how one family uses acceptance and forgiveness as a way to atone for hard knocks. (
Birds of Paradise by Diana Abu-Jaber: Forget Franzen and Eugenides. If you're looking for a social novel that counts, Diana Abu-Jaber is the author you're looking for. Building from the free-form exploration of consciousness and identity in Crescent and the gripping procedural structure of Origin, Abu-Jaber's latest novel is her finest, equally fluent with gutterpunk culture and smarmy real estate men. It has been suggested by The Washington Post's Ron Charles that you will likely gain some pounds while reading this novel. This is certainly true. Abu-Jaber's description of food is so precise that it often made me want to do more cooking. But I very much admired the way in which Abu-Jaber presents all her characters as unwitting victims of rough capitalism, which permits them some dignity even as they perform terrible acts.
The Last of the Live Nude Girls by Sheila McClear: This memoir isn't so much about the decline of the Times Square peepshow, as it is about one young woman's efforts to pull herself up by by her bootstraps when presented with few economic options. Filled with self-introspective candor and a quiet dignity, McClear's story is one that might befall any of us in these volatile times. While McClear does get back on her feet, her book leads one contemplating the terrible fates of other young women now moving to New York and falling into deadlier vocations. (