Lynn Povich (The Bat Segundo Show)
Lynn Povich is most recently the author of The Good Girls Revolt.
Condition of Mr. Segundo: Wondering why mysterious men are packing him off to Paris.
Author: Lynn Povich
Subjects Discussed: The Henry Luce “tradition” of men working as writers and women working as researchers, well-educated women being exploited in a two-tier system, Janet Flanner, the influence of the Civil Rights Act, the old boys’ network, the contrast between Oz Elliott’s civil rights conscience and Newsweek‘s treatment of women, Anna Quindlen, Otto Freidrich’s 1964 ridicule of the fact checker (and Friedrich’s condescending description of women), “office maidens,” the importance and accountability of fact checkers, how people viewed women reporters in the 1960s, Businessweek hiring women straight out of college, Reader’s Digest‘s paternalistic form of “respect” towards women, Flora Lewis in The New York Times, whether Kay Graham and The Washington Post‘s support of the lawsuit was sufficiently commensurate at the time, women reporters not being invited to lunch meetings, the second Newsweek lawsuit, Gloria Steinem vs. Graham, being a feminist vs. being a businesswoman, Eleanor Holmes Norton and the importance of having the right attorney, Harriet Rabb, Margo Jefferson, black reporters who didn’t organize at Newsweek, inquiry into efforts to unite black and women reporters, income disparity, why the journalism industry is a good medium to examine income inequity, women and education, journalism school, Povich’s editorship at Working Woman, women managers, tryout sessions for women and writer training programs, office affairs and rampant recreational sex within newsrooms, Hanna Rosin’s recent claims about hookup culture being empowering, how women didn’t get ahead even when promiscuous, sexist stereotypes in Aaron Sorkin’s The Newsroom, Sorkin’s “silent bearers of sexism,” the 2011 Global Report on the Status of Women in the News Media, the American inability to consider work vs. family balance, why it’s important to worry about men, and men as stay-at-home dads.
EXCERPT FROM SHOW:
Correspondent: When Oz Elliott, the Newsweek editor-in-chief, initially responded to the lawsuit that you filed against Newsweek — and this is sort of my question to get you to talk about that lawsuit, but let’s go ahead and get the background first — he said in his statement that the reason that most of the researchers at Newsweek were women and virtually all of the writers were men was, in his words, “because of a newsmagazine tradition going back almost fifty years.” Now he said this, despite what you describe later in the book as “a WASPY social conscience.” So why was this tradition, which originated from Henry Luce and Brit Hadden, tolerated for so long? Especially when you had some women who had to settle for this second-tier treatment and often give the best years of their lives? Let’s talk about the origins of this problem.
Povich: Well, yes, in fact, when Henry Luce created this system of all of the researchers being women, and all of the writers and reporters being men, Oz, who worked at Time Magazine at the time, said this was great for women because it got them out of the steno category and they could actually do editorial work. So at that point, which was in ’29 I think, it was considered more liberating than being a secretary. And Newsweek copied Time. However, by 1960, it was pretty clear that well-educated women coming out of the same schools as men with perhaps no prior experience, as many men did not have, and some prior experience, as some men had, were hired into this entry level category and couldn’t be promoted out of it. And women who really wanted to be journalists that young and knew it, like Nora Ephron and Jane Bryant Quinn and Ellen Goodman and Susan Brownmiller, they saw the lay of the land pretty quickly and they left. And the rest of us “good girls,” as I call us, were probably, first, happy to get a job. Especially in a place that was so interesting, about the news, working on the matters that really were important and having this special pipeline to the truth. As one of the writers said, we were all blind in many ways. I mean, the women bought into it. The men certainly bought into it. Until one day we didn’t. And I think the fact that the women’s movement happened as many of us in the mid-’60s were coming into the workforce helped us realized, certainly helped me realize. I was reporting and writing at the time. I was a junior writer. And I started covering the women’s movement. And I suddenly realized this isn’t just about those women. Hey, there’s something wrong with this picture for us at Newsweek. And that’s when a bunch of us started organizing.
Correspondent: Were there any other efforts at organization before yours that fizzled out? That you were aware of when you were organizing with your fellow women reporters or women researchers at Newsweek, aspiring of course to be reporters? I mean, were you aware of any other cues or efforts to rebel against this? I mean, I’m really curious as to why such a “tradition” lasted for so long and why good old Oz actually upheld that for a while, who was eventually forced to turn back. What was the impulse to, number one, cause him to change? And, number two, the other question is is: Why weren’t women revolting against this?
Povich: It’s a good question. Well, first of all, during World War II, there were women writers, as there were in many professions, where women took over men’s jobs. But by the early ’60s, they had all left. And there was one women who managed to get out of research and into writing in the early ’60s and was promoted to being a correspondent in Paris. So she was already writing in Paris when we were back in New York.
Correspondent: This is at Newsweek.
Povich: At Newsweek. There were still no women writing.
Correspondent: It’s interesting. They sent the women from New York. Just like Janet Flanner at the New Yorker.
Povich: (laughs) Right. Exactly. Paris.
Correspondent: Somehow women could understand Paris, right?
Povich: And she was a brilliant write and reporter. She was fabulous. She just didn’t happen to be there when most of us were hired. She had left to go to Paris. So we were presented with this situation of all of us being researchers and the guys being our bosses. It’s interesting. Because even though the Civil Rights Act passed in 1964, when the person who actually first started our revolt, Judy Gingold, who was a Marshall Scholar, who came back from England and could not find a job. Except as a fact checker at Newsweek. When she was talking to a lawyer, who told her that our situation was illegal, she couldn’t believe it. And she said, “Well, you know, I don’t think the guys know it’s illegal. I think we should just tell the guys.” And the lawyer said, “Call the Equal Employment Opportunities Commission and you’ll find out.” And so she called them. They said, “Yes, this is illegal.” And she said, “Well, shouldn’t we just tell the men?” And the women at the other end of the line said, “Are you crazy? People in power don’t want to give up power. If you tell them, they will promote two women, co-opt your movement, and it will be finished. You have a clear-cut case and you have to sue.” So my feeling is that they didn’t know it was illegal or realized it was illegal. Because it had been accepted as a woman’s job for so long. It had been a tradition. And, of course, it benefited men. And their circles were men. I mean, they hired guys right off the Harvard Crimson and the Yale Daily. Because that’s where they were from. And their circle, as we know, in corporate America still — if it’s a boy’s club at the top, your sources are guys.
Correspondent: Do you think these men were conscious of the fact that they were playing into this sexism? Or that this was an automatic power structure that they fell into? I mean, we were talking about Oz Elliott changing his mind. How difficult was it to get other men who were in positions of power to change their mind? Even before you filed a lawsuit. Or was it fairly steeped in the culture?
Povich: I mean, I have to say that many of the men at Newsweek were supporters of ours. Certainly the writers we worked with and who knew how smart and talented many of the women were, they supported us from the very beginning. And Oz Elliott, as you said, got it right away. He told me that Monday he realized we were right. Now this is a man who put Newsweek on the map because of his civil rights coverage. And they were very proud of their progressive views on civil rights and Black Americans.
Correspondent: A great irony.
Povich: Yes. And at the same time, they hadn’t realized that in front of their noses, there was this horrible injustice happening to the women who worked for them. Oz Elliott also has three daughters. And my pet theory is that men with daughters are far more open and respectful of what women can do. But like all organizations, or many organizations, the actual discrimination came in middle management. For us, it was the senior editors and the top couple of editors under Oz. That happens a lot in corporate America. And many of those guys were against affirmative action. Anna Quindlen has a wonderful quote she told me. I always say I’m an affirmative action baby and I’m proud of it. I wouldn’t have gotten where I was without it. And she feels the same way. And she says when people look at her strangely about that, she says, “If you think affirmative action is promoting a second-rate talent just because they’re female or black, you’re looking at one.” And so I do think a lot of people were against affirmative action. They thought that this was not a good idea. And they also didn’t look at women, frankly, as capable professionally. Either because of their own backgrounds, because of power. Whatever it was. But I was told that promoting me was one of the worst decisions that the editor ever took at the time. We were told when we filed the suit — one of the top editor said, “Why don’t we just fire them all? We don’t need them.” It’s complicated. I call it our little Rosa Parks moment. Everybody went to the back of the bus until one day you didn’t. And one day, we didn’t.