Of Vollmann’s Imperial
Written by Edward ChampionPosted on August 22, 2009
Filed Under Vollmann, William
Many reviewers have kvetched a good deal about the page count and weight of William T. Vollmann’s Imperial, and this is probably because they have been forced to read the book in a swift period of time. (But if a reviewer possesses such an innate incuriosity, why on earth would she take on the assignment? There are many possible answers to this, and most of them involve snobbery.) For my own part, I am now past the halfway point of Wild Bill’s journey and I don’t feel the need to finish it immediately. By way of its eclectic material, this is not a book to be wolfed down. It is best enjoyed in spurts or between other books, largely because the tone and emphasis can shift from page to page. This is not to suggest that the book is unreadable (far from it: the prose is often quite breezy, entertaining, and fascinating) or that it doesn’t possess its share of problems. (My complete thoughts on the book will be posted here once I cross the finish line.) But in light of a statement I made last year, having now sampled the goods, I believe it is probably an important book worth the price. Although I have never been cheated out of a dollar in my life.
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Beyond Heaving Bosoms by Sarah Wendell and Candy Tan. The famed writers behind
Alice Fantastic by Maggie Estep. This wild and highly enjoyable narrative involves two sisters (presumably, the third one was still being rented out by Chekhov), a hippie ex-junkie mother who lives with seventeen dogs, a murder, gambling, and libidinous Hollywood actresses who live in Woodstock. But this is the wonderful Maggie Estep we're talking here. And what seems at first like a quirky yarn becomes something unexpectedly moving about connectivity. What I love about Estep's work is the way that she'll juxtapose an extremely astute observation (now that you mention it, why do cab drivers always have somebody to talk with on the phone past midnight?) with an often outrageous story development.
Generosity by Richard Powers. It doesn't come out until September 29th, but Richard Powers's latest will have anyone committed to books reconsidering their literary fervor. I foresee some animosity from the vanilla critics hostile to idea-driven novels, but book bloggers, YouTube chroniclers, and MFAs would do well to plunge into this chance-taking narrative, which introduces vital questions about what the reader's relationship is with media, scientific dissection, and "creative nonfiction." Are we rats fleeing to happy cities? Or can we find the humanism within the purported plague?
Pieces for the Left Hand by J. Robert Lennon. Lennon is one of the most underrated fiction writers working today. Much as On the Night Plain proved that Lennon had a lot more in the toolbox than heartfelt (and often very funny) suburban satire, this slim but fascinating volume juxtaposes 100 small-town anecdotes -- arranged by category -- in a manner that reads, at times, like Nicholson Baker's passions for minutiae and, at other times, Stewart O'Nan's concern for psychological detail. The result is fiction that makes us wonder about whether one person's subjective view of particulars can entirely be trusted. This book never found a publisher in 2005. But thankfully, Graywolf has released it in the United States, along with Lennon's latest novel, The Castle.
Wonderful World by Javier Calvo. This wonderfully raucous volume has been completely ignored by the Washington Post, the New York Times, and the Los Angeles Times. But it's probably one of the most delightful reading experiences I've had this year. Calvo cavalierly mashes up multiple genres and manages to mix up familial subtext with larger-than-life, almost cartoonish characters. (Indeed, one might argue that one mobster's penis is a character of its own in this sprawling novel.). This is not an easy thing to pull off, but Calvo makes it work. And it's helped immeasurably by Mara Faye Lethem's idiom-specific translation. (
The Means of Reproduction, Michelle Goldberg This thoughtful book tackles the complicated (and little discussed) subject of reproductive rights from numerous angles, which includes a number of unpleasant but necessary ones. The upshot is that there isn't a quick fix solution for declining birth rates and fundamentalist abuses. Just about every political faction has contributed to the friction. But you'll want to read this book anyway to refamiliarize yourself with the topic, but also to understand just what's occurred during the past several decades to get us where we are today. (
I’m a bit over halfway in — been munching on IMPERIAL for almost two weeks. I find it quicker, easier reading than I expected. Yeah, there are longeurs and repetitions that become annoying tics after awhile — such as the line above — but it’s, well, epic. I’m in the middle of a section about efforts to organize farm workers, and it’s riveting. As is much of it.
I’m an editor. Given free rein, I’d dump some of the short chapters and tighten a few longer ones, but, my Lord, the research and the sweat that Vollmann has poured into it. I can see why he wants it all.
If you’re interested in what America really is and how it got that way, IMPERIAL’s worth your time.
PS: IMPERIAL functions on one level as a pendant to Vollmann’s so-far-incomplete SEVEN DREAMS sequence.
ETC: The book, as a book, is almost too large and heavy to read. It’s hard to find a reading position that’s comfortable for long. Perhaps it should have been released in a multi-volume paperback set, like 2666.
Or released as an ebook!
You know, a good exacto knife can trim Imperial into four easy to carry and read sections.
I’m middle way through the second quarter.
The thought of cutting up a book makes me sad.
It is available on Kindle, for $26.40.
I agree to that approach Ed. It’s a study of the human condition in a contentious modern desert, or war reporting. I’m about 3/4 of the way through and still engaged. The photo book adjunct is pretty good stuff too–nice 8×10 negs.