Linda: Nothing wrong whatsoever in dwelling upon or lusting over chairs. To evoke the words of MFK Fisher (who once defended her culinary exactitude by pointing out just how much time one spends over a lifetime eating), if one works a sedentary profession, a chair is most certainly important. My own writing chair is not the most ideal. The leather on the right arm has started to fray and light green (hopefully noncarcinogenic) fluff now bulges outward. I suspect this is because I accidentally spilled a beverage on this particular spot about two months ago. But I do have a strange emotional attachment to this chair, even though I know that it will crumble to dust eventually. I suspect I would have an emotional attachment to any chair I spent happy moments writing in, even if it caused one too many trips to a chiropractor. Of course, the Barcelona chair is not really made for writing. At least not the way we know it today. But perhaps you dwell upon this exemplar because you are having some doubts about your present furniture. Doubts about furniture are to be expected in life, and reveries do help assuage certain feelings. Or perhaps you are currently thinking that you need to sit lower to the ground. The buttocks to floor distance is certainly diminished through Mies van der Rohe’s design. And yet the famed German did not live in a world of computers and laptops. I’m wondering now how much computers and laptops have permanently altered the forward-thinking low-leaning furniture aspirations of today’s visionaries, and whether it might be resisted through living without this technology for a period of six months.
Responding to Richards: August 14
– August 14, 2008Posted in: Furniture
The Call by Yannick Murphy: The always interesting author of Here They Come and Signed, Mata Hari returns with a novel that whips up a worldview from a rather quirky set of limitations: namely, the call logs that a veterinarian maintains as his son is unexpectedly put into a coma and an unforgiving economy denies him work. What emerges is a surprisingly optimistic, often funny, and very moving account on how one family uses acceptance and forgiveness as a way to atone for hard knocks. (
Birds of Paradise by Diana Abu-Jaber: Forget Franzen and Eugenides. If you're looking for a social novel that counts, Diana Abu-Jaber is the author you're looking for. Building from the free-form exploration of consciousness and identity in Crescent and the gripping procedural structure of Origin, Abu-Jaber's latest novel is her finest, equally fluent with gutterpunk culture and smarmy real estate men. It has been suggested by The Washington Post's Ron Charles that you will likely gain some pounds while reading this novel. This is certainly true. Abu-Jaber's description of food is so precise that it often made me want to do more cooking. But I very much admired the way in which Abu-Jaber presents all her characters as unwitting victims of rough capitalism, which permits them some dignity even as they perform terrible acts.
The Last of the Live Nude Girls by Sheila McClear: This memoir isn't so much about the decline of the Times Square peepshow, as it is about one young woman's efforts to pull herself up by by her bootstraps when presented with few economic options. Filled with self-introspective candor and a quiet dignity, McClear's story is one that might befall any of us in these volatile times. While McClear does get back on her feet, her book leads one contemplating the terrible fates of other young women now moving to New York and falling into deadlier vocations. (
Aw, I thought “Responding to Richards” was Dr Doom’s job.
Hey! Keep Dr. Doom out of it. That’s one response I truly don’t need.
And I haven’t broken down and gotten those Barcelona chairs yet, Ed. But I *totally* have a spot in my livingroom scouted for them. Totally.
.sigh
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Frank Sun
Export Manager
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add:Dakang henggang Town. Shenzhen city china
Tel:+86-755-84261867
Fax:+86-755-84261789
Cell:+86-13418977521
MSN:mj_furniture@hotmail.com