RIP Joel Siegel
Written byPosted on June 30, 2007
Filed Under Film
The film critic Joel Siegel died on Friday. Roger Ebert has a valiant tribute to him, pointing out how Siegel persevered as a critic for ten years despite being diagnosed with colon cancer and that he was a better writer than his television appearances gave him credit for. One of the last times Siegel made it into the headlines was when he walked out of a screening of Clerks II, causing the filmmaker Kevin Smith to don him “a dick with a mustache” and go into over-the-top histrionics on a radio show, cutting Siegel no slack whatsoever. Smith’s most recent entry on his blog has him urging you to see Live Free or Die Hard. But there is no mention of Siegel’s passing.
I always felt Siegel to be far more effusive about mediocre movies than he needed to be. But given the choice between a film critic who maintained his cool when a hypersensitive filmmaker tried to sandbag him on a radio show and that same hypersensitive filmmaker urging his audience to fill up Hollywood’s coffers, I’ll choose the former, if only because Siegel kept mostly silent about his personal hangups and had no personal stake in what he did other than expressing his enthusiasm.
[UPDATE: This afternoon, Smith has updated his blog, where he calls out one "George Prager," who left multiple comments on this Hollywood Elsewhere thread, and writes the following: "More than that, I don’t know what was expected of me: Joel and I had a blow-up, it went away, a year later, he died. No reason to write a blog about it, really; I tend to eulogize relatives only."]
Comments
4 Responses to “RIP Joel Siegel”
Leave a Reply
- More on NPR Ombudsman Alicia Shepard's silence from @simonowens here: http://bit.ly/5K6FX 7 mins ago
- NPR bans "torture" to describe interrogation tactics, ombudsman refuses to speak. (Is "torture" the new "genocide"?) http://bit.ly/47jA7h 12 mins ago
- @KateC Are you certain that was the woman's entire story? (And is the policy fair to those who have been looking for work in good faith?) in reply to KateC 15 mins ago
- More updates...
Beyond Heaving Bosoms by Sarah Wendell and Candy Tan. The famed writers behind
Alice Fantastic by Maggie Estep. This wild and highly enjoyable narrative involves two sisters (presumably, the third one was still being rented out by Chekhov), a hippie ex-junkie mother who lives with seventeen dogs, a murder, gambling, and libidinous Hollywood actresses who live in Woodstock. But this is the wonderful Maggie Estep we're talking here. And what seems at first like a quirky yarn becomes something unexpectedly moving about connectivity. What I love about Estep's work is the way that she'll juxtapose an extremely astute observation (now that you mention it, why do cab drivers always have somebody to talk with on the phone past midnight?) with an often outrageous story development.
Generosity by Richard Powers. It doesn't come out until September 29th, but Richard Powers's latest will have anyone committed to books reconsidering their literary fervor. I foresee some animosity from the vanilla critics hostile to idea-driven novels, but book bloggers, YouTube chroniclers, and MFAs would do well to plunge into this chance-taking narrative, which introduces vital questions about what the reader's relationship is with media, scientific dissection, and "creative nonfiction." Are we rats fleeing to happy cities? Or can we find the humanism within the purported plague?
Pieces for the Left Hand by J. Robert Lennon. Lennon is one of the most underrated fiction writers working today. Much as On the Night Plain proved that Lennon had a lot more in the toolbox than heartfelt (and often very funny) suburban satire, this slim but fascinating volume juxtaposes 100 small-town anecdotes -- arranged by category -- in a manner that reads, at times, like Nicholson Baker's passions for minutiae and, at other times, Stewart O'Nan's concern for psychological detail. The result is fiction that makes us wonder about whether one person's subjective view of particulars can entirely be trusted. This book never found a publisher in 2005. But thankfully, Graywolf has released it in the United States, along with Lennon's latest novel, The Castle.
Wonderful World by Javier Calvo. This wonderfully raucous volume has been completely ignored by the Washington Post, the New York Times, and the Los Angeles Times. But it's probably one of the most delightful reading experiences I've had this year. Calvo cavalierly mashes up multiple genres and manages to mix up familial subtext with larger-than-life, almost cartoonish characters. (Indeed, one might argue that one mobster's penis is a character of its own in this sprawling novel.). This is not an easy thing to pull off, but Calvo makes it work. And it's helped immeasurably by Mara Faye Lethem's idiom-specific translation. (
The Means of Reproduction, Michelle Goldberg This thoughtful book tackles the complicated (and little discussed) subject of reproductive rights from numerous angles, which includes a number of unpleasant but necessary ones. The upshot is that there isn't a quick fix solution for declining birth rates and fundamentalist abuses. Just about every political faction has contributed to the friction. But you'll want to read this book anyway to refamiliarize yourself with the topic, but also to understand just what's occurred during the past several decades to get us where we are today. (
That Kevin Smith-Joel Siegel debacle was lame. Ambushing a guy on live radio because he SPEAKS during your movie and storms out—a distraction lasting ten seconds—equals pantywaisted-ness to the nth. So you ambush him on live radio surrounded by your pals and whine like a little baby. All without revealing who you really are. What a puss, and as his website reveals, a SHILL. I never read Joel Siegel’s reviews, unfortunately. I briefly saw a story about him on the news last night but didn’t register its meaning. Sad deal.
P.S. If you read Kevin Smith’s blog entries—I read the series dedicated to Jason Mewes’ heroin troubles—you’ll see that, prose-wise, he’s a truly inept writer. Solid on the dialogue, I suppose, but stick to that, S.B.
At least Smith’s self-aware enough to post on his blog now about the blowup and that he feels like ass over it. And he’s right about the obits; it’s odious to insert a minor incident into a man’s life story because it happened within the last year.
The question is, does that say anything about Siegel’s effectiveness as a critic? If an obit writer decided not to write about the “Clerks II” blowup, what would have replaced it?
Harry Shearer on Joel Siegel
http://www.huffingtonpost.com/harry-shearer/joel-siegel_b_54482.html