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Nikil Saval (The Bat Segundo Show #544)

Nikil Saval is the author of Cubed and an editor at n+1.

Author: Nikil Saval

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Subjects Discussed: Karen Nussbaum and the Nine to Five movement, 9 to 5 as the template for the office comedy, whether the office workplace is permanently stacked against the worker (and attempts to find hope), the beginnings of human resources, the Hawthorne effect, efforts to control workers through close supervision, attention to light and the beginnings of office architecture, the National Labor Relations Act, attempts to organize office workers in the 1930s, anti-immigrant sentiments and racism among white collar workers, unions and white collar workers, why workers feel empowered when they have nothing, the rise of freelancing culture, Richard Greenwald, how office work creates the illusion of giving the worker mastery over his fate, the Bürolandschaft ideal, Robert Propst, Action Office, the historical beginnings of the cubicle, attempts to track down the guy who first closed partitions into the cubicle, Norbert Wiener and cybernetics, King Vidor’s The Crowd, Jacques Tati’s Play Time, futile attempts to photograph “action” in offices, sitting up and standing down, healthy activities in the workplace, Propst’s failed three wall ideal, Herman Miller propaganda and Action Office possibilities, when George Nelson was jilted from the office furniture plans, how changes in the broader culture influenced changes in office culture, managers pulled from offices and deposited in cubes, Barry Lyndon, the impact of mass layoffs, the recession of the 1980s and its impact on white collar culture, when the cubicle became associated with transience, the lack of privacy in the workplace, why European countries revolted against office layout while Americans stayed silent, Frederick Taylor and Taylorism, Taylorism’s rise and fall and second rise, Louis Brandeis’s popularization of Taylorism through “scientific management” (used in his argument of the Eastern Rate Case of 1910), Taylorized families, Harry Braverman, the beginnings of human resources, Taylorism vs. eugenics, Stephen Jay Gould’s The Mismeasure of Man, Douglas McGregor’s The Human Side of Enterprise as an anti-Taylorist tract, Andy Grove’s Only the Paranoid Survive as a return to Taylorism, Robert Waterman’s In Search of Excellence, perpetuating familial attitudes in the workplace, advertising and irony (and parallels to Taylorism), Taylorism vs. Taylor in Planet of the Apes, Frank Lloyd Wright’s Larkin Building, natural light and the early forms of air conditioning, surveillance by overseers that is perpetuated in workplace architecture, zombie-like accountants, the ethical question of happy workers, the beginnings of glass buildings, Le Corbusier and urban planning, the Lever House, when glass curtains won over Lewis Mumford, Vico cycles, how offices may be returning to their original counting house forms, the Sony Tower’s transformation from work units to residential units in the next few years, the question of workplace architecture becoming an ineluctable and oppressive threat on the way we live, mistaken impressions of Marxism spouted by philosophers, companies spending less on office space, developments in living space and workspace, laptops in cafes, freelancers and co-working facilities, the upward presumptions of clerks, and how once stable labor conditions have become a fantasy.

EXCERPT FROM SHOW:

Correspondent: We are, in fact, talking in an office. So I’m not sure what that does to this conversation. But we’ll, I suppose, make amends.

Saval: I know. Well, at least it’s a private office and not a cubicle. Because that could be a…

Correspondent: Or an open office for that matter.

Saval: Or an open office. God.

Correspondent: Well, let’s get right into it. Back in the late 1970s, Jane Fonda met Karen Nussbaum, a remarkable figure who organized women clerical workers in this Nine to Five movement. And Fonda and a screenwriter spent an entire evening talking with 40 office workers. This became the basis for the wildly popular movie 9 to 5, which arguably set the template, comic wise, for Office Space, The Office, and, of course, most recently Silicon Valley. As you point out in the book, some of the proposed remedies at the end of that film — plants, rearranged desks, flextime, day care at work — they actually reflect what’s know as the Bürolandschaft ideal. And we’ll get to that in a bit. But, you know, this has me wondering if there is something permanently broken about the office. Is it possible that any attempt to remedy it or improve it is almost this kind of neoliberal trap? What hopes do we have for the worker? Or is the deck permanently stacked against her?

Saval: (laughs)

Correspondent: Just to start off here.

Saval: So softball.

Correspondent: It was such a wonderfully bleak book that I had to have a vivaciously bleak opener.

Saval: Gosh. I wish I could just say, “No no no. The story’s happy. It has a happy ending.” You know, I don’t really mean to say that the workplace is permanently broken. I guess I do want to say that the kind of repeated — as you pointed out, there’s a repeated attempt to make work better, usually through design but also through other kind of arrangements in the workplace. Architecturally and what have you. And a lot of these go wrong. And some of them go spectacularly wrong; the most famous being the office cubicle. And I think the point there is not just that the office seems to be broken, but that there is some sense of an idea of how work might be better and there is an idea of somehow you might be able to organize it better, somehow work might be more free, workers might have more control over their work. Things like that. And usually these are sort of fatally disabled by — I mean, it’s not always the case, but usually, roughly, it’s a presumption that these designers or planners know what’s best for an office worker. And there’s usually something imposed on an office worker. Or there’s a plan that starts out really well and then when it’s replicated ad nauseam, it goes wrong or it doesn’t even strike at the heart of what’s wrong at work and they try to design a way things are more fundamental to the issue of the workplace.

Correspondent: But as you also point out in the book, there is this brief moment for the worker — and perhaps it’s an illusional one or a delusional one — where you have a situation when suddenly there is care about what the worker thinks and how the worker can behave, as opposed to how the worker should behave. And I’ll get into Mr. [Frederick] Taylor in a bit. But what accounted for that particular moment, which was roughly around 1929 and up through about the 1950s, before yet another ideologue came in and had ideas about what to do for the worker and for the workplace?

Saval: Well, yeah, that’s, I guess you could call it, the human relations movement. That was the idea that…

Correspondent: That’s the 1960s of the office. (laughs)

Saval: Exactly.

Correspondent: That’s the hippie idealism, I suppose. That period.

Saval: Yeah. And it comes out of a lot of different sources. And one was just the office, but it was also the workplace. It took hold on factory floors as well. And the idea was just that workers needed to be in corporations that somehow ostensibly cared for them. It came out of what was known as the Hawthorne experiments, which are a famous social science experiment where they tried in the Hawthorne Works to experiment with different lighting levels and to see how this affected the way people worked. And what they realized was that actually there wasn’t a direct connection. It wasn’t that the light got better and workers worked better or got worse and workers worked better. It was just that when workers thought they were being watched — at least this was the conclusion — they felt like the company cared about them. And therefore they worked better. And so, especially at a time — this was not so true in the ’20s, but certainly in the ’30s this was true — when there were union movements, when there were the high points of the American labor movement, corporations and companies just felt that things were not going their way and they did not want unions in their workplaces. And so they thought, “Well, we just need to become more familial. We need to care more. We need to manage more lightly. We need to think of our workers’ psychology, not just their efficiency and their productivity.” And I think this results in all kinds of changes in the workplace. I sort of argue that even the architecture of the workplace somehow reflects this desire to make work better, to make workers feel more at home. Maybe with the mid-century corporation, I think I suggest that with things like the Lever House, the Seagram Building, the attention to light and to design and the explosion of design at that time in the workplace — even the idea that a workplace interior should be thoroughly planned and designed — I think reflects this attempt to make workers happy.

Correspondent: Do you think that many of the behavioral psychologists and these people who were looking into lighting were thinking very much about unions? I mean, we often forget from our — well, to get into the decline of labor in the 21st century is another can of worms, but we often forget from our vantage point now how much pull labor had in the early 20th century. And I’m wondering, in the attempt to determine how workers were feeling, how much was that a presence? How much was that a motivation? Or was it simply just innate curiosity? Or the kind of touchy-feely vibe we were implying earlier?

Saval: You know, certainly with industrial workplaces, it was definitely, absolutely a fear. Partly because union organizing, it just spiked, especially after the passage of the Wagner Act, the National Labor Relations Act. With the office, I don’t think there was a huge worry about it. I did some, to me, very fascinating but probably to other people very tedious archival work where I looked into the proceedings of the International Association of Office Managers, or rather I think it’s the National Association, and there’s a point in the ’30s when they really express worries about this and they think, “Well, it’s really taken a hold on factories and even some offices are starting to unionize.” And there actually is, more than there used to be, in certain publishing houses. The New Republic organizes at the time, with something affiliated with the Communist Party. And so you have people talking about how the last redoubt of capitalism, the place where individualism thrives. The office. Even this is under threat. And so we really need it. I mean, once this goes, I think there’s a little bit of a sense that — and again it was not so widespread, but they were definitely afraid, I think.

Correspondent: Well, you do in fact quote the possibly apocryphal Samuel Gompers line, “Show me two white collar workers on a picket line and I’ll organize the entire working class.” Why didn’t office workers latch onto labor? You suggest that there is this assumption that their talents and their skills could in fact give them an independent shot. And I suppose, I guess we see the natural offshoots of this kind of libertarian impulse with some of the tech entrepreneurs that came later. But I’m wondering. Why couldn’t there be some sort of confluence here? Because it seems to me that everybody here had the same interests in mind.

Saval: Yeah. This is sort of the central contradiction of the white collar workplace. I mean, it’s just that there is, on the one hand, you have this ideal of this perfect meritocracy, that certainly the managers talk about this in their association, that you can rise — and this was true in the early antebellum offices especially. And it made more sense then. If you were a clerk, you would become the partner of that firm. And that lasted even past the point that that was true. When some offices became much larger, business became bigger and there were only so many places at the top and many more places at the bottom. So it was just less and less likely.

Correspondent: Toil long enough at the firm and you will ascend to heaven when you’re dead.

Saval: (laughs) Right.

Correspondent: It’s a very familiar promise.

Saval: Right. Exactly. So the way that persists is partly that there’s just a lot of — that it makes sense. It was true for some people. And that had some effect. It made people think that it was true in the office. There’s something about the prestige and status of white collar work that has made it different from blue collar work, especially in the U.S. politically. It just seems like it’s cleaner. The work often required a high command of English. So when there were a lot of high waves of immigration into the United States, there weren’t a lot of immigrants working in white collar workplaces. So there was a kind of homogeneity. And then, of course, also it was very male up to a point. And then when women entered the office, they often entered into the steno pool, a typing pool, to jobs that didn’t have high levels of prestige so that men could feel themselves above in a way, could still feel like they were middle class even when they maybe weren’t. And the other thing — and I talk about this a little bit in a chapter about the skyscrapers — was that there were not a lot of appeals on the part of unions or political parties in the U.S. to white collar workers. It was not clear how to organize them.

Correspondent: It was not clear how to get through to them.

Saval: Yeah. Exactly. The whole model was predicated on industrial organizing. And this doesn’t mean that it didn’t work in a number of cases, a can of worms which I don’t deal with which is the public sector. Because I think it’s a different animal. Can of worms. Animal. Anyway.

Correspondent: Let’s mix as many metaphors as you like. (laughs) But this leads me to wonder. Why couldn’t these very dedicated labor unions get through to the white collar worker? I mean, they had — and again I cannot understate this — they had incredible power at the time.

Saval: Right.

Correspondent: How could they not actually have the communication skills or the fortitude or even the ability to massage their message? Why couldn’t they get through? I mean, they did try. There’s an AFL magazine article you quote, addressed to the white collar workers, where essentially the author says, “Hey. Look after yourselves. You want to think about the future.” But it seems to me that they needed to go further. I mean, what was the disconnect here?

Saval: You know, it just seems like a number of things. One was just the persistence of the idea that upward mobility was a given. And in periods where there are high levels, it’s mainly growth. I think of times like the 1920s, even when inequality widens, union influence starts to dip after a kind of high point in the late 1910s. And then in the ’30s, the union influence in the office increases. Because white collar unemployment becomes a real thing. But then it dips again in the ’50s and then it starts to spike up in the ’70s. And then actually in the ’80s, when things really actually go wrong for a little bit.

Correspondent: With Reagan and the air traffic controllers.

Saval: Yeah. And then it hasn’t really — I mean, you would think that and you would think now in the last four years that it would increase. I feel like I’ve read of isolated cases. But it’s not a trend. There’s a union organizer who I quote, writing in Harper’s in the ’50s — he’s an anonymous organizer — about why white collar workers can’t be organized. And he seems to think that there’s a way in which white collar workers see themselves, even though they are exploited. He says they are the most exploited workers in a certain way. But they see themselves as possessing certain skills, whereas an assembly line worker will talk about the industry that he works in. “I work in the auto industry.” Whereas a white collar worker will refer to his or her profession. “I’m a stenographer” or “I’m a typist.” “I’m a bookkeeper.” And that way of talking indicates that you’re able to move. That you have a skill that other people prize. And I don’t know if that’s a sufficient reason for people not to organize. But it sort of means that you need to talk about different things. And it’s not always the case. People do organize. It has happened. But this was his reason anyway.

Correspondent: In other words, with this particular notion, the suggestion is that one had a kind of linguistic independent identity. One had a label to hold as his own, whereas the organized worker would relate to an industry. This leads me to wonder why that notion of independence was, number one, so appealing to the worker and, number two, why they didn’t see, especially after toiling for many decades and not getting anywhere, that it was all a sham.

Saval: Yeah. It remains a sort of intractable question. But the notion of independence is powerful. And you even see that now in the rise of freelancing or contract work, which I do not want to attribute that too much to people choosing to do that all the time. I mean, there is a lot of it.

Correspondent: The sexiness of having to go ahead and pay for your own health care. Having to look for pennies under the couch. It’s just such a remarkably romantic ideal, isn’t it?

Saval: It’s so freeing. It’s liberating. But on the other hand, there are people who choose to do it. And what they’re seeking is a certain kind of freedom and autonomy over their work.

(Loops for this program provided by Martin Minor, MaxJC, danke, ozzi, 40a, ebaby8119, and Dokfraktal. )

The Bat Segundo Show #544: Nikil Saval (Download MP3)

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