Thou Art Mortal

They drop. One by one. Not like flies. No, these vital spirits soared so high above the earth that it is tragically inconceivable when you learn that they are gone. Permanently. And as they disappear, their flesh rotting ignobly inside the cinnabar chambers of the dead and the veracity of their former vivacity powering mighty metropolises you didn’t know they constructed inside your mind, you are reminded of how increasingly invisible and vulnerable you are. You are not dead like them. Not yet at least. But you will be dead sooner than you think. You are not quite forgotten although the texts and the calls and the emails and the social invites attenuate as you become a more exclusive and less desirable prospect with age. It is harder to plant new hitches with the other mischief-makers. You know the ebullient minds are out there, but they have become lost in the insufferable noise of who’s the best. It’s not who is the best. It’s who feels and thinks the most. It’s who has the stones to be completely truthful, though gently and lovingly so. It’s who does the most solids without consideration of reciprocity. And as your truth burgeons into one of complexity and nuance as you rack up more life experience than even the most exactingly tabulating mind can track, the quest for who remains among your ilk grows harder.

You feel more disposable somehow, but more giving. More loving. More present. And you wish that this feeling had been actualized much earlier in your life, even though it was always there and it only required the secret sad ingredient of loss to bake the ironclad bonds that endure.

You wished that you could have tamed whatever solipsistic beasts had roared before they buckled out of the gate. You’ve seen how others succumbed to late age narcissism you didn’t quite possess. And now you know, as the minutes become evermore precious, that they did so because they had no other way of coping or behaving. We all delude ourselves in one way or another. Most of the time, it’s that constant navelgazing, that incessant self-interrogation and self-immolation that backfires upon you years later like some aging car incapable of passing the yearly smog check.

But the self is overrated. Nobody cares about the preening anxieties and the careening fears that keep you stirring in a cold sweat beyond midnight. Even when you express these to others in the clearest and most vulnerable and most mindful terms, they simply won’t perceive it or practice it the way you do. But that also goes for loving and giving and being present. Nobody sees the world the way you do. Maybe centuries from now, some genius will crack the social code so that there isn’t so much of a divide. That is, if the robots, who are now honing martial arts skills, don’t destroy us first.

But sometimes you get lucky and you meet a soul of limitless depth who is on a similar journey. If you’re really lucky, they stick with you for life.

But what if they don’t make it while your engine still has a good deal of mileage? What if you’re minding your own business, dipping your morning spoon into a granola bed shrouded with yogurt, and you get the text that they passed? Then what? Well, unspeakable grief for a start. And the sense that your world is becoming much smaller soon after.

Before fifty, these alerts happened every once in a while and it made you sad. But what if two people you know drop dead on the same day? That had never happened to me until yesterday. And I was ill-equipped to contend with all the sorrow and the feelings of unbearable loss that mopped up every last ounce of my usually robust and exuberant energy and that caused me to sleep for an obscene number of hours. I put up a good front, as I always do, when I entered into the world. But, oh, I was crying behind closed doors. Remembering a wonderful evening with my now dead ex, one of the first women to call me sexy and truly mean it, as the two of us fooled around to She Wants Revenge’s first album playing on repeat and watched the sun rise and talked about how awesome Emma Goldman was. And I recalled how smart and witty and beautiful she was. I remembered her full punkish splendor. Perhaps that memory will die with me. That’s the other great tragedy. So much human experience lost to time.

What’s happened with me is that I have grown angrier and less tolerant of those who eschew compassion and empathy. Of those who are conveniently selective towards those outside their myopic sphere, almost always out of spite and bitterness and almost always functioning with that supercilious streak that often walks hand in hand with stupidity.

Technology has given us the power to connect with each other, to find our fellow weirdos, and yet I feel that most people understand each other with less acumen than they did before the invention of Netscape Navigator.

It’s strange to me that the most expensive human rituals are weddings, funerals, and bar mitzvahs. What of everything in between? Life should be defined by more than coming of age, death, and who we decided to marry. This is stuff for the census takers, not for the celebration of life.

Human beings are more than mere insects. And the loss of someone you know is hardly on the level of a fly being swatted.

We only start to understand mortality when we’re in our last decades. Herman Melville once called mortal greatness a disease. And when even the great 19th century Bard of New York is uneasy about this state of affairs, you have to wonder on some level if you’re as crazy as Ahab to care and feel so much about the friends, family, and lovers you lose. Well, I’d rather be sick with sorrow than to feel nothing at all.

Tell Them While They’re Still Around

You don’t know her name. You’re not going to get her name from me. But she was dear to me in ways that I cannot fully convey and I loved her hard. And I also know that she loved me hard.

I got the call tonight when I was taking notes on Gnostic scholars in a bar while nursing a pint. This is what now constitutes a wild Saturday night for me.

I knew that the news was grave.

I ran outside into 28 degree weather so that I could offer my full attention. I forgot to put on my coat. Somehow that didn’t matter.

She was eighty-three years old. And now she was gone.

She liked mystery novels. She had a brilliantly dry sense of humor. She saw through all forms of bullshit — including mine, for I am a first-class bullshit artist when I want to be — in a way that made you always tell her the truth. And then she would tell you her truth.

I suspect that, had I never met her, I wouldn’t have been so committed to emotional honesty in all that I do.

My job during that moment outside was simple: keep the grieving party laughing. This is what I’m very good at. And sure enough he was doubled over on the phone when I delivered some dependable jokes. This is what I do. Later I alerted a mutual friend to call him and do the same. My friend said he would do so. My friend is also a jokester. We jokesters have the backs of our friends in ways that are more loyal than you could ever imagine.

She knew that I had defied the odds and climbed out of the abyss and improbably done something with my life after my breakdown ten years before. She saw pictures of me with my girlfriend and her kids. Most importantly, she knew that I had patched things up with her son and that we were speaking regularly again. We have known each other for a very long time and I still love him as much as I loved her.

Decades before, she gave me a place to stay when my own family declared me dead. Decades before, she saw just how fucked up my family dynamic was and she valiantly stepped in, knowing that it was a losing battle.

“My God,” I said, “she really didn’t need to do that.”

“I know,” said her son.

“That’s how amazing your mother was.”

“I know,” he said, crying.

And then I got him laughing again. Because I had to alleviate my friend’s pain. He’s done the same for me so many times.

She was so smart and so kind. The kind of mother I should have had but didn’t. Because I lost big at the family lottery. And she knew that.

And the greatest regret I have right now is not reminding her of that in her final days. That’s what is causing me to cry. I really should have talked to her more when I patched things up with her son.

But at least she knew that I ended up okay. She heard about the many adventures that her son and I had. And we kept her smiling and living in our own modest ways.

But I still regret not telling her directly. I regret not giving her the full epic theatrical storytelling treatment that gets me invited to parties.

And all I have to say is this. If you love someone, tell them how amazing they are while they’re still around.

It is a mistake that I keep making. But I’m going to do better.

Tell them how much you love them, how much their actions and gestures meant to you, while they’re still around.

Yes, she knew. I know she knew. But some things are better uttered. For you and the other person.

Tell them while they’re still around. Because if you don’t, the great void that they leave in their wake will feel even vaster. And you’ll have more regrets to add to the tab of life.

Tell them while they’re still around.

My Grandmother

Yesterday my grandmother died. I got the news this morning by email from my uncle. I didn’t get to say goodbye to my grandmother because my family didn’t tell me that she was near death and they haven’t informed me where or when the funeral services are. And I’m too shellshocked and grief stricken right now to find out. The one thing I can say is that my tears of rage are greatly diminished by a relentless sobbing that flows with the rhythm of the rain now pattering against my window. There is a fierce peace to these stronger tears, which mourn not only the majestic woman who my grandmother was and who I now celebrate and who I have also memorialized as the character Virignia Gaskell in my audio drama, but for the beauty of the human spirit. Despite coming from monstrous and unloving stock, my grandmother gave me the hope and the guidance I needed to live my life in defiance of meanness, especially in the last four years. She gave generously on all fronts. She checked in on people. She quietly helped others, whether they were people close to her or total strangers. And because of that, people remembered her. She believed in people and possibility. And despite all the hell I have been through, I still do too. I cannot seem to sour on life or the marvelous world around me. And I will always be grateful beyond words to my grandmother for imbuing me with this resilience.

I wish I could say that I was tough. But I’m not. Right now is a very raw place to be, especially when I consider my grandmother’s openness against the vile way the rest of my family left me for dead. My grandmother was the only member of my family who loved me for my totality when everybody else viewed me as evil and irredeemable. My grandmother saw benevolent qualities in me that I was too afraid to acknowledge until only recently. She taught me how to be kind and positive to others. She also taught me to be responsible. I am pretty sure that my ridiculous work ethic comes from her. I do know that my sense of the absurd springs in part from her.

I remember one time in my youth in which I didn’t have enough money to go to school. Despite being inexplicably pegged as a very smart and talented person, my education options were limited because I grew up poor and starved: a fragile kid coping with the residue of accrued abuse and trying to do the best he could. But I still went to school and I made up for any deficiencies by reading every book I could get my hands on and throwing myself into everything with all the natural exuberance I had. That scrappy and casual ability to roll with the punches despite all odds came from my grandmother. She did, after all, make her wedding dress from a parachute during the Depression. She was determined to celebrate life even when there weren’t a lot of options.

My grandmother was always baffled by the ways in which my mother neglected me and she said that I could borrow money from her. And I did, paying back the small sum each month. And when I did this regularly after about nine months, my grandmother said to me, “You don’t have to pay the rest back. I wanted you to learn something.” And I did.

People who come to know me understand that I am one of the most loyal advocates you can have. And this was because I learned from my grandmother that it was vital to be giving and not expect anything in return, even when there’s nobody in your life to give anything to you. Because of my grandmother, I do a secret good deed every day. Because of my grandmother, I have learned to love and take care of myself. Because of my grandmother, I give to others, often more than I have, when I have nothing. My grandmother would take the time to listen to everyone and she would always reframe every serious problem in a way in which it was never all that big of a deal. Had I not had my grandmother, and now I don’t have her and that not having her seems unfathomable but it is now regrettably and painfully true, I would never have landed back on my feet with a sanguine faith after a sustained period of homelessness and a series of baleful setbacks that I would never wish on anyone. My grandmother, in her own inimitable way, showed me that there was a benign way to not give a fuck and to devote yourself to living.

My grandmother always saw the good in people, even when they had severely wronged her. And she was always good for a devilish and very funny quip, which she would often mutter in a sneaky stage whisper in the kitchen, often with a glass of wine. When I lived in San Francisco, she would ask if I wanted to come up to her home in Marin County to celebrate the holidays. She was the only family member who seemed to understand that love didn’t involve a ledger, but amounted to being there for others and letting life work its strange magic.

This is the most staggering loss I’ve ever experienced. God, it hurts. My grandmother was really the only family I had. But I’m going to be kind and brave and I think that, in remembering my grandmother, I’m going to have to be more true to myself, true to the promising young man that my grandmother always saw. The rest of my family has wished me dead, but I am here, a feeling and caring and flawed and open and honest and quietly kind person who is quite happily alive, and I am now very much on my own. While my abusive and vituperative family would undoubtedly relish seeing their untrue and cartoonish vision of me confirmed, reveling in gossip and backtallk rather than listening and being present for other people and knowing that nearly every putative sully can be forgiven with enough time, I’m not going to give them that pleasure. Because that is not the way you live and love in this often hard world. And that was not the way of my grandmother.

In her own way, I think my grandmother was trying to tell me that I was her and that she was me. There was a great love and a beauty in that. There was also a great ease in the way my grandmother managed it. And I’ve been crying all morning thinking about it. And if I am her, if my heart is even one half as mighty as hers was, if that’s what she was trying to get me to see all these years, then maybe there’s some hope for me after all.

5. Compassion Fatigue (The Gray Area)

Emma is a top-notch psychiatrist who can change the lives of the most difficult patients imaginable. But there’s a great personal cost to her formidable talents that she’s not telling anyone about, an internal torment eating away at her inner life that she’s hiding from her patients and her professional peers and that a quiet survivor of an abusive relationship may just have the answer for. (Running time: 25 minutes)

(This story contains intense and emotionally disturbing scenes that may unsettle some listeners. Listener discretion is advised.)

Written and directed by Edward Champion

CAST:

Emma: Colette Thomas
Jenna: Devony DiMattia
Jack: Jack Womack
Gordon: Michael Saldate
Receptionist: Zachary Michael
Subway Preacher: Albert Hastler

Music by Thomas Ragsdale
Houston Person, “As Time Goes By” (courtesy of Free Music Archive, CC)
Sound Design and Editing by Edward Champion

Foley Sources: Edward Champion and nofeedbak (CC).
Subway Sounds Recorded on Location in Brooklyn, New York

Special thanks to Sacha Arnold, Austin Beach, Christopher Byrd, Claudia Berenice Garza, Pam Getchell, Jen Halbert, Gabriella Jiminez, Argyria Kehagias, Pete Lutz, Lauren Nelson, John Osborne, Rina Patel, Marc Anthony Stein, That Podcast Girl, Tim Torre, Georgette Thompson, Jack Ward, and many others I may have inadvertently forgotten for their invaluable help, feedback, kindness, inspiration, and support during the production of this episode. I would also like to thank the psychiatrists and compassion fatigue experts who I spoke with on conditions of anonymity for their considerable assistance with this story.

Thanks for listening!

3. Fuel to the Fire (The Gray Area)

An artisanal mustard retailer from Astoria finds herself in a strange realm with the ability to set things on fire. Meanwhile, Ed Champion continues his investigation into Miss Gaskell’s disappearance, meeting a woman in mourning who may hold the answer to his own strange curse. (Running time: 19 minutes)

Written and directed by Edward Champion

CAST:

Maya: Noelle Lake
Fire: Samantha Cooper
The Knight in Several Universes: Austin Beach
The Disgraced Villager: Pete Lutz
The Vengeful Field Hand: Sarah Golding
Villagers: John Xavier Miller III, Michael Charles Foote, Hans Detle Sierck, Tao Yang, Jim Kampfil, Tim Torre, and Kilgore Lehrer
Ed Champion/Johnny: Edward Champion

Edited by Edward Champion

Foley Sources: Edward Champion, the_toilet_guy (CC), Snapper4298 (CC), CGEffex (CC), soundmary (CC), Dynamicell (CC), Huggy13ear ()CC), YleArkisto (CC)

Music: “The Long March Home” by Tim Juliano (licensed through NeoSounds) and “Local Forecast – Elevator Music” by Kevin MacLeod (CC.)

Art: Kyle Nishloka (CC)

Special thanks to Sacha Arnold, Matthew Boudreau, Jason Boog, Richard Brooks, Christopher Byrd, Claudia Berenice Garza, Jen Elyse Feldman, Pam Getchell, Jen Halbert, Gabriella Jiminez, John Osborne, Rina Patel, Scott Phillips, Michael Saldate, Marc Anthony Stein, Fiona Thraille, That Podcast Girl, Georgette Thompson, Jack Ward, and many others I may have inadvertently forgotten for their invaluable help, feedback, kindness, inspiration, and support during the production of this episode.

Please be sure to also listen to LucyD Podcast, a new supernatural audio drama, and Rick Coste’s The Fiona Potts Interview if you enjoy audio dramas about interdimensional portals.