Audio Drama: “The First Illusion”

Yesterday morning, we released the latest episode of The Gray Area.

This is the most ambitious story we have ever told. It takes place in two parallel universes and follows numerous characters between 1994 and 2023. “The First Illusion” is the second chapter of an exciting seven part epic that involves parallel universes, lost love, identity, forgiveness, compassion, fate, fortune tellers, mysterious Englishmen, strange interdimensional creatures named Chester, a wildly exuberant alien fond of hot dogs and Tony Danza, and life choices.

You can listen to the first chapter here.

Here are a number of useful links: (The Gray Area website) (the iTunes feed) (the Libsyn RSS feed) (the Podchaser feed)

For listeners who don’t want to wait two weeks for the next chapter, we also have all seven parts (as well as a great deal of behind-the-scenes material) available for Season 2 subscribers at grayareapod.podbean.com.

Here’s the synopsis for Chapter Two:

It’s January 11, 2011. The world is similar, but it is also quite different. Chelsea reconnects with her best friend Alicia and takes the opportunity to correct her past mistakes, including rebuilding her relationship with Maya. But the shadow of her abusive mother and the presence of an eccentric man who is quite keen on hot dogs and the benefits of being obsequious may uproot this hard-won battle to claim a better life. (Running time: 52 minutes, 6 seconds)

Written, produced, and directed by Edward Champion

CAST:

Chelsea: Katrina Clairvoyant
Maya: Tanja Milojevic
Alicia: Elizabeth Rimar
Young Chelsea: Nathalie Kane
Carolyn: Emma Smuyla
The Waiter: Jack Ward
Jill Swanson: Ingeborg Reidmeier
Thomas: Philip O’Gorman
Chelsea’s Mother: M.J. Cogburn
Hysterical Diners: Alexander Bill, Brandon P. Jenkins, and Tal Minear
and Zack Glassman as The Receptionist

Sound design, editing, engineering, and mastering by a bald man in Brooklyn who lost every apple bobbing contest he ever participated in during the last five summers.

The “Paths Not Taken” songs were written and performed by Edward Champion

Incidental music licensed through Neosounds and MusicFox.

Image licensed through Getty.

Behind the Scenes:

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I spent my birthday initiating the first of many recording sessions with the remarkable @katrinaclairvoyant and I honestly can't think of a better way to celebrate one's yearly climb to natural obsolescence than making a ridiculously ambitious audio drama — especially with the lead role in a very epic Season 2 story. Katrina and I, who have had many preproduction conversations to get her wildly dimensional character right, bonded instantly over our mutual love of cornball puns and dressing up like zombies for Halloween and various theatrical endeavors. One funny aspect of our collaboration is that we had such a fun time recording together that I actually had to dial down my joke cracking and cheery demeanor to make sure she landed some of her intense moments. "Stop, Ed," said Katrina frequently. "You're making me happy!" Katrina is not only a great talent with marvelous instincts who seemed to come out of nowhere and absolutely GET what I was trying to do incredibly fast, but she is also a bold playwright. She's recording these sessions even as she's directing her own chance-taking play, "Our Father." Which really tells you how committed she is! But Katrina is also an incredibly kind and easygoing type, which you sort of have to be when you're working on something sui generis. As Flaubert once said, "Be calm and orderly in your life and violent and original in your work." And we were definitely hitting those points today! And honestly I couldn't be more thrilled! This is going to be an incredible story. #audiodrama #acting #happy #character #flaubert #recording #theatre

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Today I began my recording sessions with the marvelous @earimar, who was loads of fun. Liz's character is modeled somewhat on @alisonbechdel — particularly a conversation I had with Bechdel years ago in which the very smart and intuitive Bechdel sized me up and asked (rightly) if I was okay. I never forgot that conversation, which meant a great deal to me and revealed how many of us are looking out for each other in ways we don't often know. From these roots of common empathy many years ago came this slightly punkish autodidact principal role in an epic tale about how we love and understand others and must carry on embracing the humanity we have in common. I loved working with Liz. Really, I lucked out big time with her. Like me, she's a fast-talking ruminative type who is extremely subtle about the many expressive streaks she has inside her. And whenever I saw her instincts veering in that direction, I brought them up in the performance. At one point, I saw that she really wanted to deliver a line in a funny voice but was holding back. And I said, "Okay, try this in a prim, proper British voice." And she did and it was hilarious and soon we made speaking occasionally in a funny voice a subtle part of the character. And it worked! And it didn't get in the way of the character's edge or heart. When you're lucky enough to work with an actor who knows how to riff on AND respect your material, you are a very fortunate director indeed! And I found myself giving Liz a lot of "iceberg theory" notes just to see what she'd come up with. #acting #audiodrama #directing #improv #character #tone #alisonbechdel #empathy #humanity

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I'm now on the road. So pardon me if my thanks to the many cool people I met are delayed. But today I had the honor of recording with the extraordinary Tanja Milojevic — the first lines of a very large role in Season 2. I cannot convey how incredibly nice and amazing she is. (Her dog is a sweetheart too!) Tanja and I worked very closely to get the cadences of a scene just right — and I'm telling you, I got a bit misty-eyed recording it. When two people are committed to very high standards, as Tanja and I both are, they often bring out the best in each other. And this session was so much fun and so layered with vital emotional depth that I really cannot wait to hear how this turns out. Many thanks to Steve Schneider, a wonderful man who generously let us stick around and record in his basement. Also a thank you to all the audio drama producers who accommodated me yesterday for the recording of a dystopian anthem! Now on my way to my next not-in-NYC actor! #recording #acting #audiodrama #character

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This morning, I had the great honor of recording with @emmasymula, a remarkable young actor who was so good that she beat out dozens of people for what turned out to be (much to my surprise) a very popular role and had me travelling all the way to Vermont to get these vital lines in the can. Emma is the first teen actor I've worked with on The Gray Area. And she certainly won't be the last. Apparently I have a decent ear for teen dialogue. I so enjoyed working with Emma that I'm definitely going to try my hand at a YA audio drama story down the line. One of the funniest parts of this session was filling in Emma on a cultural event that happened before her existence! But we watched YouTube videos and I offered modern day parallels (Emma was surprised when I was familiar with her favorite musician). And we were off to the races (in one point, literally running!), with Emma tapping into the character's subtleties (including an instinctive snappy quality she came up with that I weaved into the other lines). Emma is terrific and I urged her when we were done that she needed to take acting classes. Because Emma has wonderful instincts that years of training would transform into something truly formidable! #acting #recording #vermont #audiodrama #character #instinct #performance

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Reccording kids for the park scene.

Recording the cliffhanger (what it looked like for the actors)

The Tragedy of Caroline Flack

Caroline Flack was a bright and bubbly presence on the British television scene. Her North London loquacity landed her into a prominent position as a presenter on such reality shows as Strictly Come Dancing and The Xtra Factor. Then came Love Island, which secured her status as a household name. In 2018, Love Island won a BAFTA award. But Flack, like many figures who entered the dark covenant of a well-paid celebrity resonating with a large audience, was someone who became a target for the tabloid newspapers — most prominently, The Sun, one of Rupert Murdoch’s rags. (After the tragedy that was to come, The Sun was deleting its most savage articles and, with high hypocritical gloss, pretending as if it had always been a Flack booster and that this vulgar meatgrinding outlet actually cared about the mental health and wellbeing of its targets.)

Despite all this, all seemed to be going well for Flack. At least on the surface. Until the police were called during the early morning hours of December 12, 2019. Neighbors had heard shouting and scuffling. And Flack’s boyfriend, a very tall 27-year-old tennis player named Lewis Burton, was believed to be the victim of assault by Flack. The media disseminated images of a bloody bed. Various reports speculated that the dried pools of blood had come from Flack smashing a glass, receiving a deep cut from a major vein. Both Flack and Burton were sent to the hospital to receive treatment.

It’s difficult to know precisely what happened or who was in the wrong, but we do have enough details to draw some conclusions. Burton reportedly shouted, “Bruv, I was normal until I met her,” to the police as he was being escorted to a waiting car. Neighbors reported six police cars and a police van showing up to Flack’s home in Islington. If the 999 tapes are ever released by the Crown, we will have a better idea of the tone. What we do know is that Burton told the emergency dispatcher that Flack was trying to kill him, that he had received a significant blow to the head from a lamp. “She is going mad,” said Burton. “Breaking stuff. I’ve just woken up. She’s cracked my head open.” Flack believed that Burton had been cheating on her. She could be heard screaming, “It’s all your fault! You’ve ruined my life!” Burton told the operator, “She tried to kill me, mate.” We also know that one of Flack’s ex-boyfriends, Andrew Brady, posted an NDA — dated March 14, 2018 — that he had been required to sign, with the hashtag #abusehasnogender. (Brady’s NDA posts have since been scrubbed from Instagram.) We also know that Brady had also called 999 when he grew concerned about Flack threatening to kill herself.

It’s clear that Flack, at the very least, suffered from significant mental health issues and suicidal ideation. In an October 14, 2019 Instagram post, Flack described how she kept many emotions to herself. “When I actually reached out to someone,” wrote Flack, “they said it was draining.” Flack, like many people who suffer from depression, said that “being a burden is my biggest fear.” It’s also clear that the television producers who profited from Flack wanted to keep these treatable problems under wraps, lest their big star be revealed as less than pristine. After all, the quest for money always takes precedence over a troubled person’s wellbeing.

But the alleged assault was enough for Flack to be dumped from Love Island, replaced by Laura Whitmore. Burton, for his part, publicly stated that he did not support prosecuting against Flack, who plead not guilty. The two had only been dating for less than a year, but we also know, from a September 3, 2019 interview with Heat Magazine, that Flack was pining for marriage and kids. The relationship with Burton may have been driven by certain manic qualities from Flack. In the Heat interview, a third party reported that Flack was “moving at 100 miles a minute” and the two were described as having “insane chemistry.”

The press — particularly The Sun — kept ridiculing Flack with impunity as she faced the burden of losing her primary gig and the indomitable attentions of the Crown Prosecution Service, who was set to begin trial on March 4th. It remains unknown if the CPS was motivated by significant evidence that they planned to introduce into court to prosecute against Flack or that the so-called “show trial” represented the bounty of landing a big fish. We do not know if Burton, like Brady before him, was coerced into silence by Flack’s handlers. But the only conclusion that any remotely empathetic person can draw here is that Flack needed significant help and that the intense scrutiny was too much for her to bear, as she posted on Instagram on December 24, 2019, and that this needed to stop — for the sake of Flack herself and all who loved her. Burton and Flack wanted to be together, but Flack was banned from having any contact with her. Burton defied this ban on Valentine’s Day, posting a message on Instagram reading “I love you.”

Two days later, Flack was dead. It was a suicide. She was only 40 years old.

Many celebrities have blamed the British media for contributing to Flack’s incredibly sad decline. I would respectfully suggest that these well-meaning people are thinking too small. This is the third suicide that Love Island is responsible for. Two previous contestants — Sophie Gradon in 2018 and Mike Thalassitis in 2019 — also took their own lives after bloodthirsty attention from the media. It is estimated that at least 38 people have died because of reality television. It’s clear that creator and executive producer Richard Cowles and producer Ellie Brunton showed no compunction as they lined their opportunistic pockets and are also partly to blame for these three deaths. They willingly preyed on the hopes and dreams of presenters and contestants, meticulously designing a television show that would be received by the Fleet Street scavengers with a sociopathic motivation for maximum ridicule. In other words, Cowles and Brunton engineered a show acutely harmful to human life. Love Island should be canceled immediately.

It is also clear that there is something significantly warped and cruel about the Crown Prosecution Service’s process. When you ban two people from having any contact with each other right before the holidays, and one of those people suffers from significant mental health issues and is already under intense scrutiny by News Group jackals, then this is callousness writ large. Even if the CPS had significant evidence to prove that Flack had willfully assaulted Burton, then it certainly had an obligation to ensure that Flack was safe and provided with care and not harmful to herself or others before carrying on with their trial.

One must also ask about the people who Flack surrounded herself with. Flack clearly had a history of erratic behavior. Did they do anything to get her treatment? Did they adjust her schedule so that she could get well? Or were they, like Cowles and Brunton, more driven by the sizable paychecks rather than the common decency of helping a troubled person to get well? Flack was tearing apart her home on December 12th. Was this the most violent she had ever been? How much of this violence could have been stopped if the television industrial complex had considered the greater good of getting a star presenter the treatment she needed?

I am not arguing that Flack’s alleged assault should never have been investigated. But, goddammit, nobody needed to die over this. Our moral obligation for mentally troubled people is to offer compassion and the opportunity to seek treatment so that they can live long, happy, and fruitful lives. But today’s cancel culture advocates are swift and casual in their gleeful zest for vituperation, refusing to comprehend that their targets are flawed human beings capable of contrition and self-examination. The people who have done wrong in the collective eye are truly doing their best to conquer their demons and curb their harmful behavioral patterns. But the media — The Sun and the unchecked harassment, the calls for permanent debasement, and the death threats that profit-motivated sociopaths like Jack Dorsey heartlessly refuse to curb on Twitter — is contributing to a culture where help and forgiveness are increasingly being eroded. How many people have to die before we address the problem? How many lives have to be destroyed before we acknowledge that giving people treatment and a second chance is also an essential and ineluctable part of social justice?

The Black Dog Barks During the Holidays

It was five years ago when I got the news. Weeks after I lost my mind and I became unhinged and I hurt people with words that I remain deeply ashamed of and I attempted to throw myself off the Manhattan Bridge to end my life and I issued numerous heartfelt apologies and I was spending my subsequent time trying to dig my way out of sadness by extending empathy to people who were more damaged than me in a Bellevue psych ward.

Then it happened.

That’s when the psychiatrist took me into a room and gently said the words that startled me: “Ed, you have bipolar disorder.”

I’ve never confessed this to anyone outside of a few of my closest friends. But I’m saying it now. Publicly. Because I want to own who I am.

I have a disability. And I no longer want to feel any shame about my condition.

I know that I can still live a healthy and positive life. I know that I’m usually a great pleasure to be around and that plenty of people who have taken the time to know me are incredibly understanding and see the great good in me. I held down a job for four years before resigning to pursue other opportunities. I put together an audio drama out of my apartment from nothing, one featuring dozens of tremendously talented actors who are all dear to my heart. I went from being homeless and broke to having my own place in Brooklyn within nine months — a far from easy trajectory. I have devoted every day of the last five years to performing a secret good deed to pay back the universe for any hurt that I have caused people. I know that I have changed — and even saved — numerous lives for the better, but I still believe it’s incredibly self-serving to discuss all the good that I have done. So I usually stay silent about all this.

I have learned that I have to let people make the choice to have me in their lives and to see me for who I truly am. You can’t stack the deck when it comes to social bonds. This has made me, on the whole, a lot happier.

Still, I am very sad and hopeless when the holidays come around. Because this is the time of year that represents an anniversary that often stops me in my tracks and leaves me paralyzed in bed for hours, unable to read or write or watch movies or edit audio or even respond in a timely manner to the texts of friends. And the shame is so deep that, as of right now, I somehow cannot even find it within me to accept a friend’s incredibly generous invite to join her family for Christmas dinner. Because the idea of not having a family, and the crazed associative seduction that comes from believing a narrative in which nobody loves or cares for me, is all part of the black dog’s insidious plan to take over my life.

I know that I have to be on heightened alert before December 26th. When that glorious day comes around, I am usually the happiest. Because I am finally at peace. Until the next year rolls around. You see, the black dog likes to come out and bark during the holidays — as it did recently when a man told me that he would beat me to an inch of my life on the subway because he thought that I was looking at him when I wasn’t. And I was so hopped up, so fully prepared to get into a fistfight with the bastard and show him who was boss. Thankfully a kind soul interceded and there was no violence. The black dog kept growling. He was thrilled by the promise of shaking himself loose from the leash and the cage. I challenged a film critic a little too hard on Twitter over the most trifling subject imaginable and I allowed a writer who I had once admired to debase and belittle and disrespect me and I responded to him — stupidly and privately — with four emails (three vituperative, the last an apology for the previous trio but a firm effort to stick up for myself) expressing how much he had hurt me for cavalierly writing me off and dismissing me after all that I had done for him over the years and all that he did not know about me or my life. It was disgraceful. I want to be clear that I’m not proud of any of this. I was so beaten down from all this that I posted a series of gloomy tweets (since deleted), including a poll asking users if the universe was better off without me. Friends became concerned. God damn that black dog. What a selfish asshole. Causing people worry. Upsetting people dear to me. Wanting to strike lexical terror against people who didn’t deserve it. But I’m grateful to my friends beyond words. I am also deeply ashamed of how I fell victim to the black dog. I received texts. Direct messages. Phone calls. One of America’s most trusted newsmen even tracked down my number and called me to make sure that I was okay, gently telling me that I was irreplaceable and listening to me gab for a ridiculously long time, understanding all the while that this was my way of finding humor in a terrible predicament. It was one of the sweetest things anybody could do. I would defend that man with my life.

What all these incredible people were trying to tell me is something I never got to hear five years ago: “Ed, you have bipolar disorder, but it doesn’t mean that you can’t live a life and it doesn’t mean that we don’t see how you’ve turned your life around and it doesn’t mean that we don’t see the love you give out into the universe. You, in turn, are loved by us.”

That’s it. That’s all I needed to hear. It’s simple really. Love. It chases the black dog out of the room. It’s kryptonite against bad feelings. You’d think that people would recognize that love is the very quality that people would cleave to when others are feeling troubled. But in an age of cancel culture, in an epoch in which making sweeping judgments about who a person is based on a few social media snapshots is now the norm, we’re living in a world in which love is either disposable or at a premium.

This is one of the reasons why it’s taken me five years to own up and be up front about my disability. When people you love betray you and belittle you when you’re down and out, it represents a crippling pain that takes many years to reckon with. When people intuitively detect a moment to attack you as you’re doing your damnedest to be your best and truest self — and there’s no room or space for even the smallest screw-up — that’s when the shame sweeps over you. That’s when the charlatan humanists come out of the woodwork and say, “Hey, be a better person, you son of a bitch!” And the level of rage you feel because some mean-spirited and unthinking dope has summarily dismissed all that you’ve done to be better invites the black dog to dart out of the sagebrush with impunity. I don’t know if anybody can understand or sympathize with that. Looking at how my anger was expressed from a more objective perspective, I’m hard-pressed to empathize with the guy who was motivated by the black dog. But empathize I must. Because to not do so is to give into shame that deracinates personal growth.

The shame was planted not long after I was released from Bellevue. By a vicious podcaster who feigned friendship and who kept badgering me for an interview by phone and text and who I begged to leave me alone. I was trying to recover while living in less than ideal conditions: a crowded room in a homeless shelter in which violence was a regular occurrence and one had to be very careful. I finally agreed to talk with him so that his phone calls and his messages would stop. The podcaster kept saying, “People will understand you after this. Trust me.” Did he not know that I was still trying to comprehend myself? The podcaster proceeded to paint me as the greatest scoundrel who ever lived: a villain unwilling of forgiveness or understanding who had planned this strategy for attention-seeking all along. With casual cruelty, the podcaster negated the terrible truth that I was trying to grapple with: that I was deeply unwell and that I needed to adjust the way in which I lived so that I could be a functioning member of society. The look of selfish relish and rampant opportunism on his face. The way he sipped greedily from one cup of coffee and didn’t even offer to buy me one when I had a grand total of thirty-seven cents to my name. The methodical way that he gleefully punched down as I traced the spot on the bridge where I had tried to off myself. It was all shocking conduct. Behavior that I would never, not even in my darkest hour, offer to my worst enemy. And I was powerless. Desperate. Living with pain. All because I wanted to oblige and be understood after a significant share of people had permanently and justifiably departed from my life.

The shame was furthered by my toxic family. They refused to help me, not even offering me a place where I could simply sit for a few weeks and reckon with the pain of losing everything. They actively and enthusiastically left me for dead. I was forced to sever ties for my own emotional and mental health. The shame got hammered further by my ex-partner, who I had pledged in good faith and as I was feeling debilitating despair to leave alone and not bother again. She used the bipolar diagnosis as a weapon, an occasion to seek needless revenge. She sent me a legal letter in which the attorney declared that I was “retarded,” among other misleading legalese that dehumanized me and reduced me to a sobbing ball of nothingness before I could even come to terms with the truth of my revealed life. But I understand why she did this. I hurt her terribly with my crack-up and bear her no ill will. I was forced to show up in court with a court-appointed attorney on the morning after I had been abruptly moved without warning at two in the morning to another homeless shelter in East New York. I was penniless. I begged the staff to borrow a MetroCard and a razor. I somehow managed to arrive at the court fifteen minutes late dressed in the only sportscoat and tie that I had. That dreadful morning, my identity was attacked with relish. Friends were shocked by her behavior. They were shocked by my family. But I still had love from this small but growing cluster who realized the true score.

It’s bad enough being publicly shamed for words and actions that you never actually committed — such as the time last year in which the audio drama “community” bullied me days before Christmas and invented a series of vicious lies and uncorroborated falsehoods about me — ranging from me being a pedophile to living alone with chickens to harassing people who I had sent nothing but benign messages to — after my audio drama, The Gray Area, won a coveted Parsec Award. The holidays are bad enough for me, what with a family that has disowned me and the way in which so many people who need our love are left in the dust due to the selective application of what constitutes “holiday cheer.” But last year’s attacks sent me into a tail spin of heavy drinking and suicidal ideation in which I didn’t know if I was going to make audio drama again. Thank heavens I had the generous support of friends who patiently stayed on the phone with me and selflessly gave their time when they were very busy. Thank heavens I had an incredibly talented and kind cast who saw that I treated them well and who knew I kept things fun and relaxed and who still wanted to work with me. Months later, I was writing and recording again.

If you’re bipolar, you do have to reckon with and be honest about the behavior that you have actually committed. That’s already a hell of a handful. You look back at the past and you don’t recognize yourself. But if you’re bipolar and you’re something of a public figure, then you also have to deal with a set of false narratives on top of the unruly true one that you’re already trying to nail down.

I want to be clear that I’m not asking for your empathy or your pity. Whether you think I deserve it or not is not my business. And it shouldn’t be. Nor do I want to suggest that I’m using my bipolar disorder as a “Get Out of Jail Free” card. I’m simply telling you how it is. If you think I enjoy occasionally lashing out when the black dog is tearing into my leg with his vicious teeth, believe me I don’t. I don’t enjoy it anymore than the depressed person enjoys feeling sad but who is told by others who do not understand mental illness, “Say, why don’t you cheer up?” As if we people afflicted by black dogs haven’t considered these obvious solutions. If it were possible to instantly wake up one day and be permanently rid of the black dog, I’d do it in a heartbeat. The good news is that I’ve made adjustments and this isn’t occurring nearly as often as it used to. Thanks to therapy, I am quicker on the draw when it comes to shutting the black dog down or instantly apologizing on the rare occasions when he does growl and he makes people very afraid. I am tremendously blessed to have people in my life who are understanding of this. Perhaps one day, if I’m lucky, the black dog will permanently disappear. But one never knows with bipolar. It can either last a few years or stay with you over the course of a lifetime. There is no cure for this. But great men, such as Lincoln and as documented in Joshua Wolf Shrenk’s excellent book Lincoln’s Melancholy, did find strength from their despair.

For now, I know the black dog is there. And December seems to be the time when he takes his destructive constitutional.

What I would like to ask of you — as we approach a new year and a new decade and I’ll make the promise as well — is to consider the very real possibility that the person you’re gleefully maligning isn’t the big bad wolf you’ve made him out to be. That he may be actively working on his problems. That he may even be reachable. That responding with hatred may very well perpetuate a vicious cycle that might prevent the person from growing or excelling and that the tragedy of this stifled possibility greatly outweighs your umbrage. That the person is probably more likely to understand his bad conduct if you give him the time and the space. If you show him love.

You can stop an apparent bad apple instantly in his tracks with kindness or a joke. I’ve done it myself many times. Months ago — and this is a story I’ve never told anyone, not even my friends, until now — a man pulled a knife on the 2 line and threatened to cut himself and others. And maybe this was stupid and reckless of me, but I felt overwhelming empathy for him. I started talking with him. And I asked him who he was and what his life was like. And I kept at it. I had somehow entered a zone. A zone of feeling something bigger than myself. A zone of needing to help this man find peace. Because while I have never threatened anyone with a knife, I saw the pain in his eyes and heard the tremble in his voice. And I told the other passengers that I had this, even though I was flying by the seat of my pants and I wasn’t sure how it would turn out. But I kept at it. And I got him to laugh at my jokes.

That’s all the man needed. Love. Laughter. A sense that he belonged.

And do you know what he did? He put down his knife on a spare subway seat. He apologized. I gave him a hug. I slyly confiscated the knife and kept him distracted and made sure he got off on his stop — still talking with him, still hugging him, still doing everything I could to keep reaching him. And he forgot about the knife. I threw the knife in a trash can on my way home.

I have no idea what happened to this man. I certainly hope he is okay. But I knew he had a black dog like me. I knew it was my moral responsibility to help him understand that he was beautiful. Away from the knife. Away from the tough talk. Away from all the terrible pain he was in.

I have long not been a fan of Christmas because love and empathy is selectively applied. Friends have suggested that I can figure out a way to take back the holiday. So I’m doing that right now.

My name is Edward Champion. I write and make audio drama. Despite my flaws, I’m a pretty fun and good guy, but I also suffer from bipolar disorder. It’s bitten me in the ass a number of times. I hope that you can find it within your hearts to forgive me for my black dog, but I fully understand if you can’t. I also hope that, as you approach the holiday season, you can also understand that three million Americans — and that number merely represents the ones who have been diagnosed, not the untold number of people who are suffering right now and who may not be in the position of being able to afford treatment and who are feeling shame about their mental health — are in the same boat as I am. I hope that you can extend empathy and understanding to this considerable cluster of Americans. They are all doing the best that they can. They really don’t want to give into the black dog. But they do need your love. They do need your understanding. They do need your patience. And they need this not just during Christmas, but throughout the entire year.

For my own part, I’m going to resolve to muzzle the black dog faster. I’ve made steady progress, but I still have a long way to go. To anyone who I have ever hurt, my door is open if you need to make amends. If you don’t, that’s fine too. But if you do, please know that I will sincerely extend any and all time to listen with every ounce of earnest patience it takes and to help the two of us reckon with something that never needed to happen. This seems the least I can do.

I wish all of my readers and listeners very happy holidays.

(My considerable gratitude to Rain DeGrey, who said some very kind and necessary words to me which inspired me to own up and find the courage to write this essay. I really needed to write all this years ago. But, hey, better late than never. Peace to everyone.)

The Moral Obligation to Stop and Convert Petty Tyrants

It is nearly impossible to traipse through life without encountering the petty tyrant, that highly annoying passive-aggressive type who carries on through life at such a childish level of emotional maturity that you often have to do everything you can to deny him the power and the attention he so desperately craves. There may be a part of you that very much wants to throttle the petty tyrant, but this is a negative feeling you rightly come to resent because spite and violent fantasies are usually not effective ways to get along with other people. It is a tribute to the petty tyrant’s toxic hold on our culture and his remarkable inflexibility to change that we come to detest tyrants as much as we do. But it really shouldn’t be this way.

We know very well who they are. Petty tyrants often elbow their way into positions of extremely minor authority — such as organizing a group picnic or collecting donations for a beloved peer’s cancer treatment or otherwise setting the tone for how a particular purlieu is perceived — but they can sometimes be so successful and unchecked in their pettiness that they rise to unfathomable power (see Donald Trump, who is now using petty tyranny to bring us closer to the brink of nuclear war). Rather than using their positions to gracefully include everyone, petty tyrants proceed to snub and undermine and exclude within an environment that is often so small that the hurt is somehow both sizeably felt and inconsequential.

Because one often has to endure a petty tyrant’s needlessly exiguous sullies over the course of a sustained period, the petty tyrant’s sting burrows into one’s soul far deeper than it needs to. The petty tyrant’s concatenation of minor slights is not unlike Chinese water torture, matched only by the relentless pings of push notifications purring from one’s phone and the incessant calls to be constantly connected. Small wonder then that the Internet has increasingly become the petty tyrant’s medium of choice. After enduring a petty tyrant’s latest jab, one often has to look in the mirror, take a few deep breaths, remember Eleanor Roosevelt’s cogent maxim, “Nobody can make you feel inferior without your consent,” summon whatever mindfulness there is in the tank, and attempt to assert one’s naturally benign existence as much as possible. Unfortunately, because people tend to believe the word of other people who hold positions of power and we now live in a world in which an altogether different froth rises to the top, the petty tyrant’s influence and sensibilities can swiftly infiltrate a group dynamic, often stubbing out views and opinions that very much need to be considered. (As Margaret Jacobsen observed in Bitch shortly after Trump’s election, “Too often in our society, white women have value while women of color do not.” Let us not forget that white guilt is very much a petty tyranny of its own.)

Petty tyrants are often anti-intellectual. They are almost always convinced that they are infallible and can never be persuaded to change their minds, which is often saturated with a repugnant sense of vague knowingness often misconstrued as expertise. They really believe that their opinion is the only one that matters and are often insufferably absurd figures like the people who host NPR’s Pop Culture Happy Hour, petty tyrants in the midcult mode who truly believe that culture should be made exclusively and only for them. (“I am, by any reasonable measure, a cynical jerk and my taste in pop culture tends to follow that,” revealed Glen Weldon in a recent episode. “But this year, something has changed within me. Something is not the same.” Anyone who has endured Weldon’s narcissistic flippancy for years knows that this is not true. This is a prime example of the petty tyrant who feigns honesty while ultimately practicing an absolutist sensibility that transmutes quite easily into tyranny, a quality not altogether different from a President who will tweet any outlandish and threatening bullshit under the rubric of “blunt honesty” to get people riled up.)

They are usually intolerant of other people for incredibly insignificant reasons and are remarkably petty about it (see, for example, Teresa Nielsen Hayden’s disemvoweling practice from 2008, which has rightly been styled as geek vengeance by Will Shetterly). They can be found on any part of the political spectrum, ranging from the intolerant MAGA booster who will never listen to facts, much less what a progressive has actually said, or the vituperative social justice warrior who would prefer to destroy the life and livelihood of an opponent rather than consider that there may be a peaceful possibility for someone to understand and change. They often have an inflated sense of their own importance, often bolstered through social media, a digital flesh-eating virus that cowardly and unprincipled Quislings like Jack Dorsey and Biz Stone lack the know-how or the gumption to cure. Twitter alone has been responsible for such a colossal wave of petty tyrants that, if one is fortunate enough to not be assailed for one’s vaguely controversial views by a crazed army of trolls, one often has to uninstall Twitter from one’s phone in order to be reminded that face-to-face conversation is not usually like this.

What makes petty tyrants so detestable is the way in which they discourage kindness, peace, understanding, compassion, and forgiveness — in short, the possibility for many different types of people to come together. As Rebecca Solnit smartly observed months before Harvey Weinstein’s exposure ushered in the beginnings of a much needed reckoning, petty tyrants live “in a world without honest mirrors, without others, without gravity…buffered from the consequences of their failures.” Thus, the petty tyrant increasingly operates in a filter bubble of his own making, often clueless about the cruelty and abuse he casually metes out. (Witness Robert Scoble’s remarkably obtuse blog post from last October after he was hit with allegations of sexual harassment. He not only refused to acknowledge his potential complicity, but willfully outed the private details of his victims)

There’s really no easy way that you can win against a petty tyrant. You can be obsequious and you will still be subjected to belittlement. You can politely inform the petty tyrant precisely how you feel about her conduct, but your feelings may never be respected or honored. If you’re a passionate (albeit cautious) idealist with a distinct voice who wants to believe in people like me, the petty tyrant can be the biggest pain in the ass imaginable, an affront against amity and communal possibility causing you to give into the worst aspects of your ego as you take understandable offense and sometimes stop believing in people for a while. Because the tyrant’s offense isn’t just leveled at you, but often a whole category of people who live a particular way or practice relatively benign behavior that the petty tyrant takes inexplicable umbrage against, often because the tyrant subconsciously perceives some of these qualities within herself and doesn’t want to be honest about confronting the pain of recognizing something familiar. And that’s one of the tragedies of petty tyrants. If they weren’t so caught up in tyrannizing other people, they could actually find common ground and evolve and invite more people into their lives. That’s why it’s so important to be as understanding as you can, lest you become a petty tyrant yourself (and I regret to report that I have been a petty tyrant in the past and I am still trying to sort out the differences between emotional sensitivity and unknowing tyranny, both twisted together in a taut double helix that one cannot easily unravel; the hope is that more people can call me on my shit).

But the petty tyrant isn’t all bad. The petty tyrant’s gift is to present you with a perspective about how you are detested, thus giving you a view of flaws you can work on and qualities you may be able to repair so that you may be able to communicate better. Petty tyrants challenge you to love and carry on with your lives, even as it seems the world is burning or it feels as if nobody really cares about the heart or the work that you put out into the universe. If your love tendered towards a petty tyrant can never be reciprocated, there may not be a very compelling reason to invite the petty tyrant into your life. Relationships of any sort must be predicated upon mutual respect, humility, and the ability to listen. There must be true wonder for another that supersedes all egocentric concerns. On the other hand, if you can be in the same room with the petty tyrant and not take offense, perhaps there’s a chance to nullify the tyranny in question.

Still, this is not always possible and it often takes time. You may have to wait many years for the petty tyrant to drop in stature, to be humbled enough through failure and setbacks so that the tyranny becomes thoroughly vanquished from her system. That may very well be the moment when you can offer love and forgiveness. But it’s frustrating. Because what empathetic person doesn’t feel the need for the petty tyrant to change now and become a more wondrous and beautiful person? The greatest problem with tyranny is that it is such a seductive quality, something that can settle and stick inside one’s personality to the point where it becomes almost impossible to disinter it.

Groupthink and the allure of collective humiliation are two qualities that have allowed fascism (and thus petty tyrants) to flourish throughout human history. During the rise of Mussolini, Blackshirts would force enemies to imbibe castor oil, sending them home dripping in their own shit, when not forcing them to defecate upon anything (such as speeches and manifestos) that memorialized their beliefs. The victims were stripped naked, pummeled, and handcuffed to public posts so that all would know how to think. We are not there yet, but we are getting distressingly closer. The recent clamor against vlogger Logan Paul’s insensitivity towards a suicide suggests that we have not yet grown heartless and that the righteous horror that accompanied Lynndie England’s callous photographs from Abu Ghraib has not yet been deracinated from our national conscience.

As such, it is vital for us to remember that petty tyrants in all forms have almost always begetted more sinister tyrants (including Nazis), shimmering quite dangerously into public life. Our unity, which is pivotal if we hope to restore sanity and stability to this country, has become increasingly fractured, its prospects countered by the latest cartoonish developments. Our possibilities as a nation of amazing individuals is being squandered by our insistence that petty tyrants, wherever they may be found, are not that big of a deal. The time has come for us to start becoming more pro-active about stopping petty tyrants, to rightly recognize their behavior as something that is destroying this country. Or maybe we can do better. Why can’t we start making collective attempts to recognize tyrants within our own folds and help those who tyrannize become more aware of how they harm lives, turning their actions into benevolent gestures in which their identities are still respected but the results are more peacefully inclusive? That’s going to require a great deal of patience and strength and commitment from everyone. But what’s the alternative? Letting our nation be subjected to tyranny? Believing the worst in people? Democratic principles have kept America alive, for better or worse, for more than two centuries. It is both a betrayal of our history and our enduring national character to surrender what remains of our unity. Let us believe in and understand and, above all, listen to each other, especially the voices that make us wary. Hope should not merely be a buzz word manufactured by politicians who wish to win elections. It must become a more practiced and truer quality that is more natural to our lives than the easy immolation that comes with accepting and practicing petty tyranny.

5. Compassion Fatigue (The Gray Area)

Emma is a top-notch psychiatrist who can change the lives of the most difficult patients imaginable. But there’s a great personal cost to her formidable talents that she’s not telling anyone about, an internal torment eating away at her inner life that she’s hiding from her patients and her professional peers and that a quiet survivor of an abusive relationship may just have the answer for. (Running time: 25 minutes)

(This story contains intense and emotionally disturbing scenes that may unsettle some listeners. Listener discretion is advised.)

Written and directed by Edward Champion

CAST:

Emma: Colette Thomas
Jenna: Devony DiMattia
Jack: Jack Womack
Gordon: Michael Saldate
Receptionist: Zachary Michael
Subway Preacher: Albert Hastler

Music by Thomas Ragsdale
Houston Person, “As Time Goes By” (courtesy of Free Music Archive, CC)
Sound Design and Editing by Edward Champion

Foley Sources: Edward Champion and nofeedbak (CC).
Subway Sounds Recorded on Location in Brooklyn, New York

Special thanks to Sacha Arnold, Austin Beach, Christopher Byrd, Claudia Berenice Garza, Pam Getchell, Jen Halbert, Gabriella Jiminez, Argyria Kehagias, Pete Lutz, Lauren Nelson, John Osborne, Rina Patel, Marc Anthony Stein, That Podcast Girl, Tim Torre, Georgette Thompson, Jack Ward, and many others I may have inadvertently forgotten for their invaluable help, feedback, kindness, inspiration, and support during the production of this episode. I would also like to thank the psychiatrists and compassion fatigue experts who I spoke with on conditions of anonymity for their considerable assistance with this story.

Thanks for listening!