3. Fuel to the Fire (The Gray Area)

An artisanal mustard retailer from Astoria finds herself in a strange realm with the ability to set things on fire. Meanwhile, Ed Champion continues his investigation into Miss Gaskell’s disappearance, meeting a woman in mourning who may hold the answer to his own strange curse. (Running time: 19 minutes)

Written and directed by Edward Champion

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CAST:

Maya: Noelle Lake
Fire: Samantha Cooper
The Knight in Several Universes: Austin Beach
The Disgraced Villager: Pete Lutz
The Vengeful Field Hand: Sarah Golding
Villagers: John Xavier Miller III, Michael Charles Foote, Hans Detle Sierck, Tao Yang, Jim Kampfil, Tim Torre, and Kilgore Lehrer
Ed Champion/Johnny: Edward Champion

Edited by Edward Champion

Foley Sources: Edward Champion, the_toilet_guy (CC), Snapper4298 (CC), CGEffex (CC), soundmary (CC), Dynamicell (CC), Huggy13ear ()CC), YleArkisto (CC)

Music: “The Long March Home” by Tim Juliano (licensed through NeoSounds) and “Local Forecast – Elevator Music” by Kevin MacLeod (CC.)

Art: Kyle Nishloka (CC)

Special thanks to Sacha Arnold, Matthew Boudreau, Jason Boog, Richard Brooks, Christopher Byrd, Claudia Berenice Garza, Jen Elyse Feldman, Pam Getchell, Jen Halbert, Gabriella Jiminez, John Osborne, Rina Patel, Scott Phillips, Michael Saldate, Marc Anthony Stein, Fiona Thraille, That Podcast Girl, Georgette Thompson, Jack Ward, and many others I may have inadvertently forgotten for their invaluable help, feedback, kindness, inspiration, and support during the production of this episode.

Please be sure to also listen to LucyD Podcast, a new supernatural audio drama, and Rick Coste’s The Fiona Potts Interview if you enjoy audio dramas about interdimensional portals.

2. Brand Awareness (The Gray Area)

Joanna loves Eclipse Ale. It’s the best beer in the world. She has boxes of Eclipse memorabilia. She regularly wears Eclipse baseball caps. But on one rainy night, Joanna discovers that this happy relationship (along with the relationship with her boyfriend) is not what it seems. Why can’t she remember what her boyfriend gave her on their second anniversary? And why doesn’t anybody know about Eclipse Ale? (Running time: 28 minutes)

Written and directed by Edward Champion

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CAST:

Joanna: Eileen Hanley
Greg: Charlie Harrington
DJ: Peter Coleman
Sam: Marc Eliot Stein
Ignacio: Kilgore Lehrer
Receptionist: Zachary Michael
Leslie Stevens: Lauren Shippen
Bar Background: Hans Detlef Sierck, Jan Jensen, Sam Lowry

Edited by Edward Champion
Foley Sources: Edward Champion, PlooQ (CC), lebcraftlp (CC), Sandermotions (CC), Leandros Ntounis (CC), LG (CC), magnus589 ()CC), GowlerMusic (CC)

Theme Song: Pachyderm, “Never Knew Me at All” (licensed through CC, found at Free Music Archive)

Music: Milton Arias, “Gracias,” Valery & The Greedies, “She-Wolf,” Jahzaar, “Scenes from the Zoo,” Ben Sound, and Kevin MacLeod, “Carpe Diem,” Ben Sound, “Funky Element” (all licensed through CC, found at Free Music Archive, Ben Sound, and Incompetech)

Art: Claudio Sepúlveda Geoffroy (CC)

Special thanks to Sacha Arnold, Austin Beach, Matthew Boudreau, Jason Boog, Christopher Byrd, Kate C., Christian Caminiti, Claudia Berenice Garza, Pam Getchell, Jon Grilz, Jen Halbert, Gabriella Jiminez, Pete Lutz, Philip Merritt, Pacific Obadiah, John Osborne, Rina Patel, Michael Saldate, Raia Savage, Alex Schawrtzberg, That Podcast Girl, Georgette Thompson, Jack Ward, and many others I may have inadvertently forgotten for their invaluable help, feedback, kindness, inspiration, and support during the production of this episode.

Please be sure to also listen to Philip Merritt’s Lost in Williamsburg, which gave me a major editing idea that completely altered the bar scene, Jon Grilz’s Creepy, and Pacific Obadiah’s Lake Clarity.

1.5. Dissociation (The Gray Area)

Greg Sutton, a fidgety young man who is a little too fixated on selling himself, sees his psychiatrist for the first time in months, hoping to find answers about his lost childhood and how to get back the woman he loves. But his own quick fix solution to his problems is not quite what the psychiatrist had in mind. (Running time: 5 minutes)

Written and directed by Edward Champion

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CAST:
Greg: Charlie Harrington
Emma: Colette Thomas

Edited by Edward Champion
Foley: Edward Champion
Art: id-iom (CC)

Special thanks to Sacha Arnold, Austin Beach, Jason Boog, Christopher Byrd, Claudia Berenice Garza, Jen Halbert, Gabriella Jiminez, Pete Lutz, John Osborne, Rina Patel, Michael Saldate, Paul Sating, Marc Stein, Georgette Thompson, Jack Ward, and many others I may have inadvertently forgotten for their invaluable help, feedback, kindness, inspiration, and support during the production of this episode.

1. Hello (The Gray Area)

A man wakes up in his apartment with a hazy memory of the night before. He’s greeted in bed by a mysterious woman who keeps saying, “Hello.” But she seems to know far more about his life than he ever could have told her in one night. And as the rats gnaw mercilessly from within the walls, she has a few bold and shocking answers as to why he’s so afraid. (Running time: 22 minutes)

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Written and directed by Edward Champion

CAST:
He: Tim Torre
She: Emily Carding
Gordon: Michael Saldate

Edited by Edward Champion
The Gray Area Theme by Alex Khaskin (licensed through NeoSounds)
Foley Sources: Edward Champion and erpe (CC license, slight changes).
Cover Image: Jason Lander (CC)

Special thanks to Sacha Arnold, Austin Beach, Jason Boog, Christopher Byrd, Chris Fletcher, Claudia Berenice Garza, Sarah Golding, Jen Halbert, Gabriella Jiminez, Pete Lutz, John Osborne, Rina Patel, Paul Sating, Marc Stein, Georgette Thompson, and many others I may have inadvertently forgotten for their invaluable help, feedback, kindness, inspiration, and support during the production of this emotionally revealing episode.

0. Prologue (The Gray Area)

Virginia Gaskell, an underappreciated 66-year-old cult writer forced into a rest home, contends with mysterious voices summoned from her typewriter and an obscure literary interviewer named Ed Champion. (9 minutes)

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Written and directed by Edward Champion

CAST:
Virginia Gaskell: Chris Smith
Ed Champion: Edward Champion
Orderly: Zachary Michael
Demon #1: Greta Christie
Demon #2: Pete Lutz

Edited by Edward Champion
Foley Sources: Edward Champion, Superex1110 (CC license, slight changes), and nothayama (CC license, slight changes).

Special thanks to Jonathan Ames, Sacha Arnold, Austin Beach, Erin Bennett, Matthew Boudreau, Jason Boog, Christopher Byrd, Emily Carding, Robert Cudmore, Devony DiMattia, Chris Fletcher, Claudia Berenice Garza, Sarah Golding, Daniel Handler, Jen Halbert, Gabriella Jiminez, Fred Kiesche, Matthew MacLean, John Osborne, Rina Patel, Michael Saldate, Paul Sating, Gary Shteyngart, Darin Strauss, Marc Stein, Scarlett Thomas, Georgette Thompson, Tim Torre, and many others I may have inadvertently forgotten for their invaluable help, feedback, kindness, inspiration, and support during the production of this episode.

Introducing The Gray Area

Since 2007, I have dreamed of making a radio drama. While I spent more than a decade of my life making radio and podcasts, I didn’t know how to approach its fictional equivalent. But last year, I began discovering that a number of incredibly talented audio drama producers were actively at work rethinking the medium for the podcasting age (and offering plentiful innovations). And I began listening. The work of people like Return Home‘s Jeff Heimbuch (who recently celebrated the one year anniversary of his fun and often hilarious audio drama), The Bright Sessions‘s Lauren Shippen (who I interviewed here), Small Town Horror‘s Jon Grilz (who I interviewed for the Audio Drama Production Podcast) — to say nothing of the incredible kindness of formidably skilled people like Pete Lutz, Steve Schneider, Jack Ward, Lauren Nelson, Paul Sating, Todd Faulkner, Austin Beach, Matthew Boudreau, Fred Greenhalgh, the entire gang over at the Audio Drama Production Podcast (Fiona, Sarah, Robert, and Matthew are all radio treasures), and really far too many people to list — emboldened me to take a huge plunge.

It started when I was asked to write a script. I was in contact with two affable Scotsmen named Matthew MacLean and Robert Cudmore. These two gents, who I cannot express enough gratitude to, were putting together a fantasy series. I wrote a wild story in about two weeks, had more fun writing this script than I had any right to, and became hooked with the form. While the story itself was never produced (although a version of this script has since folded into my project), I’m terribly grateful to Matthew and Robert for leading me down this road, which has quite literally changed my life for the better. Matthew and Robert, simply by taking a chance on an eccentric Brooklynite, inspired me to go deeper than I ever had before. In late December 2015, I started writing more scripts with the idea that I could perhaps come up with enough stories for an anthology series. What I did not anticipate was such a colossal outpouring of pages over the course of four months that I ended up writing four seasons of material. It was almost as if these stories were caged within me. More important than this prolificity, however, was finally stifling that too clever bastard inside me who had gotten me into so much trouble over the years and writing from a very emotional place, something that I was starting to do in my essays. I finally got in touch of the man I truly was and dared myself to reveal aspects of myself that I had never had the courage to do before. I tapped into parts of me that I had feared. I went into areas that I had never written about before. I often cried as I spilled my heart into these stories. But I would also laugh uproariously. And I started to become calmer and more positive.

I’ve spent the last fourteen months working on what may be the most ambitious creative project I’ve ever attempted. There are close to two hundred characters and some of them are recurring. While each story can be listened to on its own terms, the careful listener will start to detect patterns that emerge over the course of the series. Someone who may appear in a minor role may become a major character later. There are huge storylines. There is fun genre. There are moral questions. I’ve stuck with the hard rule of never having a story exceed thirty minutes in length. The tone is both real and strange and I have absolutely no way of categorizing this. It is basically all genre. (Here is a list of inspiration points that I am aware of, but I am certain there are many more than I’m not coginzant about.) Because I didn’t want to pull a Damon Lindelof, there is a carefully planned ending. The hope is to produce all four seasons, rewriting and honing the drafts as I go. There’s been an improvisational feel that has cropped up in recording the actors and in editing that I’ve deliberately cultivated. I’ve been blessed to work with a calvacade of tremendously accomplished actors, most of them in New York but quite a few from far flung corners of the globe. I’m almost finished editing the first season, which I hope to premiere sometime next month.

The show is called The Gray Area. There is a Twitter account and a Facebook page. There is also a Libsyn page.

And I now have a 90 second trailer for the first season, which you can listen to below.

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I want to again thank the many beta listeners and supportive people who believed in me and my project, especially the ones who knew what I really had in me (and didn’t know).