If you’re like me, you avoid CliffsNotes with a passion and go out of your way to remember pedantic book details that the slackers salivating over those by-chapter summaries in those hideous yellow pamphlets will never possibly account for. (For example, I still remember almost two decades after I read Animal Farm that Napoleon was a Berkshire boar.) If you’re also like me, you’re probably curious about who this Cliff character was, the man who opened Pandora’s box back in the day.
Fortunately, Ask Yahoo! has some of the details. It seems that the Cliff in question is one Cliff Hillegass. Mr. Hillegass, who died a few years ago at the age of 83, was a disciple of the “self-starter” school of thought. That’s all fine and dandy, until one considers that being a “self-starter” extends into the unfortunate realm of Dale Carnegie.
But no matter. Hillegass, it seems, was a grad student in geology and physics working as a college representative for Long’s College Bookstore. Cliff cultivated contacts, like many a successful businessman. But here’s the interesting thing: the CliffNotes summary idea was actually pilfered from Canadians!
In the golden days before 1958, when one could walk into an American bookstore without being tempted and when one was forced to discern meaning on text alone, it was a man named Jack Cole (not to be confused with the creator of Plastic Man) who had offered Cole’s Notes for Canadian consumption. And it was Cole who planted the seed during a fateful conversation with Cliff that provided the yellow-backed lifeblood, the idea that was unapologetically cribbed, for many an intellectual deviant during the next fifty years.
Hillegass tried to sell the Nebraska Book Company on the idea. They passed. So Cliff borrowed $4,000 from the bank and began unleashing the beasties from his basement in Lincoln. He started with 16 Shakespearian titles, made a bit of money, and the rest is history. Eventually, in 1998, Hillegass sold his enterprise to IDG for more than $14 million.
To be fair to the original Cliff, he did repeatedly point out that his notes “are not a substitute for the text itself…and students who attempt to use them in this way are denying themselves the very education that they are presumably giving their most vital years to achieve.” Cliff did genuinely love literature, gave $250,000 to the University of Nebraska-Lincoln for an English chair and was really into rare lamps and sculpture gardens. But despite Cliff’s quirkiness and generosity, his statement is a bit like telling a pyromaniac with a lighter that he should probably use the disposable Bic in a judicious manner.
Of Jack Cole’s fate, I can find no trace. But I plan to find out what happened to the Cliff before the Cliff. For if he is the true originator and Cliff the mere opportunitist, then we now have another equitable reason to blame Canada.

The Call by Yannick Murphy: The always interesting author of Here They Come and Signed, Mata Hari returns with a novel that whips up a worldview from a rather quirky set of limitations: namely, the call logs that a veterinarian maintains as his son is unexpectedly put into a coma and an unforgiving economy denies him work. What emerges is a surprisingly optimistic, often funny, and very moving account on how one family uses acceptance and forgiveness as a way to atone for hard knocks. (
Birds of Paradise by Diana Abu-Jaber: Forget Franzen and Eugenides. If you're looking for a social novel that counts, Diana Abu-Jaber is the author you're looking for. Building from the free-form exploration of consciousness and identity in Crescent and the gripping procedural structure of Origin, Abu-Jaber's latest novel is her finest, equally fluent with gutterpunk culture and smarmy real estate men. It has been suggested by The Washington Post's Ron Charles that you will likely gain some pounds while reading this novel. This is certainly true. Abu-Jaber's description of food is so precise that it often made me want to do more cooking. But I very much admired the way in which Abu-Jaber presents all her characters as unwitting victims of rough capitalism, which permits them some dignity even as they perform terrible acts.
The Last of the Live Nude Girls by Sheila McClear: This memoir isn't so much about the decline of the Times Square peepshow, as it is about one young woman's efforts to pull herself up by by her bootstraps when presented with few economic options. Filled with self-introspective candor and a quiet dignity, McClear's story is one that might befall any of us in these volatile times. While McClear does get back on her feet, her book leads one contemplating the terrible fates of other young women now moving to New York and falling into deadlier vocations. (