Headspace hijacked by entirely unanticipated events. A slight reconfiguration of the brain, a sudden impulse to stop here and start there. Whittling down distractions. The very thing keeping so many others mired in pathetic fixations and unhealthy obsessions and desperate gropes at credibility as the whole operation burns into oblivion, with the remaining gaunt wolves sniping about at the remaining scraps. One need not be a depressive to survive, although miserable people sure do love their company. They are already starting to turn on each other, and it’s sad to watch. Particularly when one isn’t involved and one is powerless to intercede. One need not surrender to fear and complacency. It is reality which one must face. Not dwelling on a job you hate. Or the constant mining of personal experience and invading other people’s existences in lieu of therapy. Or the childish failure to be yourself. Or the reliance upon a fabricated identity you can’t believe in. Or the inability to be true.
No, I’m not writing about me. I’m writing to you. Not you, that guy who has his shit together. Yeah, keep it up and give me a high five. Let me buy you a beer when I have some money and you’re next in New York. And not you, the guy who gets what’s going on here. And not you, the dude who doesn’t quite grok, but isn’t afraid to flaunt it. Process of elimination. Yeah, that pack. See them? Yeah. They’re fucking terrified. I know. Man, I wish I had a job or some happiness to give them, but you know the old proverb about horses and water.
Well, where does that leave us, kiddo? I mean, we’re all busy fighting our own wars to stay alive. But can we spare a few minutes? We may not have dimes, brother, but when they take away your job, the new commodity is time. And that’s a unit you can budget. So how bout paying some of it forward? Nothing public, mind you. Off the radar. Collective savings. An invisible Federal Reserve trading in an untapped currency.
The Call by Yannick Murphy: The always interesting author of Here They Come and Signed, Mata Hari returns with a novel that whips up a worldview from a rather quirky set of limitations: namely, the call logs that a veterinarian maintains as his son is unexpectedly put into a coma and an unforgiving economy denies him work. What emerges is a surprisingly optimistic, often funny, and very moving account on how one family uses acceptance and forgiveness as a way to atone for hard knocks. (
Birds of Paradise by Diana Abu-Jaber: Forget Franzen and Eugenides. If you're looking for a social novel that counts, Diana Abu-Jaber is the author you're looking for. Building from the free-form exploration of consciousness and identity in Crescent and the gripping procedural structure of Origin, Abu-Jaber's latest novel is her finest, equally fluent with gutterpunk culture and smarmy real estate men. It has been suggested by The Washington Post's Ron Charles that you will likely gain some pounds while reading this novel. This is certainly true. Abu-Jaber's description of food is so precise that it often made me want to do more cooking. But I very much admired the way in which Abu-Jaber presents all her characters as unwitting victims of rough capitalism, which permits them some dignity even as they perform terrible acts.
The Last of the Live Nude Girls by Sheila McClear: This memoir isn't so much about the decline of the Times Square peepshow, as it is about one young woman's efforts to pull herself up by by her bootstraps when presented with few economic options. Filled with self-introspective candor and a quiet dignity, McClear's story is one that might befall any of us in these volatile times. While McClear does get back on her feet, her book leads one contemplating the terrible fates of other young women now moving to New York and falling into deadlier vocations. (
Take therefore no thought for the morrow: for the morrow shall take thought for the things of itself. Sufficient unto the day IS the evil thereof. I don’t know how to italicize.