Does The End of Washington Post Book World Mean the End of Books Coverage?
Written by Edward ChampionPosted on January 28, 2009
Filed Under NBCC Campaign, Washington Post
Even though there has yet to be an official announcement, the NBCC is once again unofficially “reporting” “unofficial” and unsourced news that Washington Post Book World will print its last issue on February 15, 2009. Efforts to reach Marcus Brauchli to clarify answers have been unsuccessful (the man does not want to talk, even though it is claimed that he’s the only one who can answer), but perhaps a clue to Washington Post Book World’s possible demise might be found in this blog entry at Short Stack, whereby specific links to “hard times” and “good news” suggest a tenable connection.
Conjecture, however, is hardly journalism. It still strikes me as journalistically irresponsible to report unconfirmed and unofficial rumors, particularly after Maureen McLane’s embarrassing array of bread pudding posts over the weekend. While this approach may work for Harry Knowles or Perez Hilton, it’s a bit dismaying but not particularly surprising to see that it likewise works for Jane Ciabattari.
[UPDATE: Thankfully, Motoko Rich has done some reporting, getting some interesting quotes from David Ulin, Steve Wasserman, and Douglas Brinkley, and talking with sources inside the paper. As Ulin notes, the death of a Sunday stand-alone section does not necessarily translate into an end for robust book coverage. It apparently hasn't occurred to some of the NBCC's inflexible fulminators that merging books coverage into general cultural sections may actually get more people reading books coverage. Is not such an approach better for the long-term health of literary journalism? And does it not attract a broader readership who otherwise may not have known about a specific book or author?]
[UPDATE 2: Terry Teachout also has thoughts, adding, "Why tear your hair because the Washington Post has decided to bow to the inevitable? The point is that the Post is still covering books, and the paper's decision to continue to publish an online version of Book World strikes me as enlightened, so long as the online "magazine" is edited and designed in such a way as to retain a visual and stylistic identity of its own."]
[UPDATE 3: Sarah Weinman notes, "Instead of passive intake, this is a world of active consumption and discussion, where people seek out what they want, when they want it at their own discretion. Looking for guidance and seeking things out aren't mutually exclusive, but readers should be - and are - suspicious of entitlement and suspicion that comes with books coverage being wholly separate from the larger world."]
[UPDATE 4: To jump off from Terry and Sarah's thoughts, one advantage that a print-based newspaper has over a blog is the manner in which a reader can discover an article adjacent to another, much like the way in which you discover an unexpected book next to another in a library or a bookstore. Given this exploratory reading tendency, does it even make sense for any newspaper today to maintain a stand-alone books section? I'm wondering if the time has come for newspapers to stop segregating books coverage. A naturally curious reader, interested in the many pressing issues of her day, might very well find a newspaper book review to be of value. Hell, the reader may not even know that the newspaper features books coverage. Maybe the time has come for newspapers to stop considering how a newspaper's house style dictates the tone, and think more about how individual voices bring life, passion, and informed arguments to a newspaper. The gatekeeper may no longer be the outlet; it may very well be the individual reporter herself. Authority may now arise from an individual's reputation and voice, rather than the trappings of institutional newspaper culture. And given how rigid, gaffe-ridden, and humorless many of these institutions are, this development may not necessarily be a bad thing.]
[UPDATE 5: A contrarian print-partisan take from Lizzie Skurnick, whose mind is in the toilet.]
[UPDATE 6: The Post itself offers a report, with quotes from Brauchli. According to Rachel Shea, three quarters of the roughly 900 reviews each year will be shifted over to the Style section. Shea herself invites comments from readers.
Carolyn Kellogg: "A lot of effort has gone into bemoaning book review changes and it’s hard for me not to think that, coming from book critics, it’s both self-serving and a little cheesy. And it’s certainly less interesting than engaging with books." Meanwhile, Scott Esposito calls out newspapers for not getting "with the 21st century and [figuring] out how to sell bookpage adspace to entities other than publishers and bookstores.”
Orthofer: “[M]an, do we miss paper coverage.” And to address the print sentiments of Elizabeth Foxwell and Joe Flood, it’s worth observing again that there will still be a print section that you can curl up to. It’s just going to be merged into the rest of the newspaper. Flood observes that the review was “printed on the cheapest paper available – the CVS coupons are on much better stock.” Maybe the time has come for newspapers to adopt POD as a viable curling up option.]
[UPDATE 7: I've located an article from 1973 depicting the then closing of Book World. The pertinent parallels and details can be found here.]
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Books To Jump Up and Down Over
Beyond Heaving Bosoms by Sarah Wendell and Candy Tan. The famed writers behind Smart Bitches, Trashy Books have written a very funny and thoughtful volume about romances, both Old Skool and New Skool. Here is a book that any smug and humorless literary manboy beating his flabby passive chest over Banville or Bolano should probably read pronto, if only for the distant possibility that he might get over himself. While the Choose Your Own Adventure segment at the end caused me to have a very disturbing dream involving Shelley Long (don't ask), Sarah and Candy did have me rethinking many of my own misperceptions when I wasn't busy laughing. They're not afraid to take on the New York Times Bok Review or even the groupthink within certain sectors of the romance community.
Alice Fantastic by Maggie Estep. This wild and highly enjoyable narrative involves two sisters (presumably, the third one was still being rented out by Chekhov), a hippie ex-junkie mother who lives with seventeen dogs, a murder, gambling, and libidinous Hollywood actresses who live in Woodstock. But this is the wonderful Maggie Estep we're talking here. And what seems at first like a quirky yarn becomes something unexpectedly moving about connectivity. What I love about Estep's work is the way that she'll juxtapose an extremely astute observation (now that you mention it, why do cab drivers always have somebody to talk with on the phone past midnight?) with an often outrageous story development.
Generosity by Richard Powers. It doesn't come out until September 29th, but Richard Powers's latest will have anyone committed to books reconsidering their literary fervor. I foresee some animosity from the vanilla critics hostile to idea-driven novels, but book bloggers, YouTube chroniclers, and MFAs would do well to plunge into this chance-taking narrative, which introduces vital questions about what the reader's relationship is with media, scientific dissection, and "creative nonfiction." Are we rats fleeing to happy cities? Or can we find the humanism within the purported plague?
Pieces for the Left Hand by J. Robert Lennon. Lennon is one of the most underrated fiction writers working today. Much as On the Night Plain proved that Lennon had a lot more in the toolbox than heartfelt (and often very funny) suburban satire, this slim but fascinating volume juxtaposes 100 small-town anecdotes -- arranged by category -- in a manner that reads, at times, like Nicholson Baker's passions for minutiae and, at other times, Stewart O'Nan's concern for psychological detail. The result is fiction that makes us wonder about whether one person's subjective view of particulars can entirely be trusted. This book never found a publisher in 2005. But thankfully, Graywolf has released it in the United States, along with Lennon's latest novel, The Castle.
Wonderful World by Javier Calvo. This wonderfully raucous volume has been completely ignored by the Washington Post, the New York Times, and the Los Angeles Times. But it's probably one of the most delightful reading experiences I've had this year. Calvo cavalierly mashes up multiple genres and manages to mix up familial subtext with larger-than-life, almost cartoonish characters. (Indeed, one might argue that one mobster's penis is a character of its own in this sprawling novel.). This is not an easy thing to pull off, but Calvo makes it work. And it's helped immeasurably by Mara Faye Lethem's idiom-specific translation. (See longer post.)
The Means of Reproduction, Michelle Goldberg This thoughtful book tackles the complicated (and little discussed) subject of reproductive rights from numerous angles, which includes a number of unpleasant but necessary ones. The upshot is that there isn't a quick fix solution for declining birth rates and fundamentalist abuses. Just about every political faction has contributed to the friction. But you'll want to read this book anyway to refamiliarize yourself with the topic, but also to understand just what's occurred during the past several decades to get us where we are today. (See also podcast interview with Goldberg.)
The only congratulations here go to Critical Mass for breaking the story and having a great scoop.
In today’s business climate, I’d paraphrase the line from Liberty Valence: Print the rumor.
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