- Steinbeck’s hometown will lose its public library system because of a financial crisis. Locals have placed a black armband onto a six foot bronze Steinbeck statue.
- Salon interviews Jerry Stahl: “I’ve pretty much been pegged for life as ‘that junkie who wrote ALF.’”
- Sylvia Plath’s Ariiel has been read in its entirety for the first time. Several effigies of Ted Hughes were burned, but not enough of them had been created to last throughout the duration.
- Hemingway’s secretary has penned a memoir. The book will be part of a new Modern Library series called For Whom the Staff Tolls, which will include memoirs from Papa’s accountant, cook, and masseuse.
- A secret staircase reported to be the inspiration for Mrs. Rochester has been rediscovered in North Yorkshire. Several actors in the area have offered to fill in for the mad woman in the attic, but none of them have proved convincing enough for the local historical society.
- Nick Hornby addresses the “no snark” policy at The Beleiver: “And of course, there’s no consensus on what is an ‘egregiously bad’ book.” Apparently, he hasn’t read I Am Charlotte Simmons.
- Ian McEwan reveals some dirt about his new novel: “a British neurosurgeon, Henry Perowne, leaves his central London house to pick up his car – a sleek, silver Mercedes 500 – to drive to his regular game of squash.” Not much, but at a recent reading, McEwan also read a passage about Perowne overcoming his shame in owning a car. McEwan also assures the Times that he isn’t taking any kickbacks from BMW.
- The upcoming Barbara Boxer novel (which, along with Mark, I must express my apologies for) gets some press at the Contra Costa Times. Giving new meaning to the mantra “Write about what you know,” its protagonist is “an activist senator who does battle with right-wing ideologues.” It remains my firm hope that Boxer spends more time doing battle in real life rather than fiction over the next four years.
Weekend Watch
– December 5, 2004Posted in: Uncategorized
The Call by Yannick Murphy: The always interesting author of Here They Come and Signed, Mata Hari returns with a novel that whips up a worldview from a rather quirky set of limitations: namely, the call logs that a veterinarian maintains as his son is unexpectedly put into a coma and an unforgiving economy denies him work. What emerges is a surprisingly optimistic, often funny, and very moving account on how one family uses acceptance and forgiveness as a way to atone for hard knocks. (
Birds of Paradise by Diana Abu-Jaber: Forget Franzen and Eugenides. If you're looking for a social novel that counts, Diana Abu-Jaber is the author you're looking for. Building from the free-form exploration of consciousness and identity in Crescent and the gripping procedural structure of Origin, Abu-Jaber's latest novel is her finest, equally fluent with gutterpunk culture and smarmy real estate men. It has been suggested by The Washington Post's Ron Charles that you will likely gain some pounds while reading this novel. This is certainly true. Abu-Jaber's description of food is so precise that it often made me want to do more cooking. But I very much admired the way in which Abu-Jaber presents all her characters as unwitting victims of rough capitalism, which permits them some dignity even as they perform terrible acts.
The Last of the Live Nude Girls by Sheila McClear: This memoir isn't so much about the decline of the Times Square peepshow, as it is about one young woman's efforts to pull herself up by by her bootstraps when presented with few economic options. Filled with self-introspective candor and a quiet dignity, McClear's story is one that might befall any of us in these volatile times. While McClear does get back on her feet, her book leads one contemplating the terrible fates of other young women now moving to New York and falling into deadlier vocations. (