Posts by Edward Champion

Edward Champion is the Managing Editor of Reluctant Habits.

New Essay: Philip José Farmer

In this morning’s Barnes and Noble Review, you’ll find my extended appreciation of Philip José Farmer — the wildly imaginative fantasy writer who died back in February. Farmer wrote relentlessly and created numerous books, and there was no conceivable way to dwell on them all. In the interest of providing an entry point for the Farmer neophyte, I have focused mainly on the five Riverworld books.

It’s worth pointing out that the critic Leslie Fiedler held Farmer in high regard and wrote a piece entitled “Getting Into the Task of Now Pornographer” for the Los Angeles Times in April 23, 1972. (Interesting how, even in 1972, one had to go to a West Coast outlet to sing the proper praises for a genre writer.)

Personally, I have never seen invention or yarn-spinning as literary liabilities. They are qualities just as noble and as praiseworthy as the lifeless highbrow qualities fawned over and heralded by the Bookforum snobs and the Granta dilettantes; in Farmer’s case, even more so.

The Vorpal Blade Went Snicker-Snack

She tucked the makeshift blue comforter inside the large wooden bowl, pondering the many hundred corpses she’d gnaw on in the next ten minutes. She insisted on canola oil and an old-school pot that once belonged to a neighbor who had died down the hall. She named each and every one of them, so that she could familiarize herself with their agonies on a first-name basis. The finer mastications were named after the men who had hurt her or who had broken their promises and never called her back. She’d found a kernel specialist in SoHo who was starting to harvest a new crop once more with feeling and who could quote Sade while hanging upside down with a group of tops prodding him with pliers. She paid extra with the money she’d inherited from her dead dad, who had never once taken her to the movie theater. The specialist only had so much space and was paying a good deal of money to use up a parking spot for his agricultural innovation. The specialist, who had often seen business pick up with specific clients right before they were about to die, had told her not to use his name under any circumstances. And while she was tempted to break the rules, she found greater pleasure from the high-pitched screams that came from the magma-like flow of melted butter. She looked into the bowl and saw that some of them were twitching. A nice designer touch. They. Now her only social connections were the oily bits of shrieking popcorn she shoved into her mouth. The specialist certainly hadn’t been surprised when the genealogists traced her ancestors to Bavaria.

An Alarming Discovery In One of the Dead Tree Outlets

This afternoon, as I was counting the twenty-two badly oxidized pennies in my piggy bank over the last three months and flipping through a five-dollar newspaper that I had stolen from a Starbucks, I was especially alarmed to find the following article, located on the inside back page of the newspaper’s renowned Sunday magazine. (I have scanned the newspaper article. Click on the image to enlarge.)

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I am not certain if Ms. Krapp’s article represents an effort to “spice up” the magazine, which I noticed was a mere 54 pages this week, or if it was a candid outreach campaign to the newspaper’s not-so-secret affluent demographic. I only knew that I did not quite relate to Ms. Krapp’s homicidal tendencies. But if this article is true, it appears that the so-called “safe” side of Central Park hardly lives up to the modifier casually tossed around by various convention bureaus.

The Bat Segundo Show: Esther Rots & Dan Geesin

Esther Rots and Dan Geesin appeared on The Bat Segundo Show #278.

Esther Rots is the writer, director, editor, and producer of is most recently the director of Can Go Through Skin. Dan Geesin is the sound designer and music composer of the film. The film is presently playing at the New Directors/New Films series, which is running between March 25 and April 5 at MOMA and the Film Society of Lincoln Center.

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Condition of Mr. Segundo: Eschewing intuitive sensibilities.

Guests: Esther Rots and Dan Geesin

Subjects Discussed: [List forthcoming]

cango

Correspondent: This leads me to wonder then how the house was located. Did you, in fact, try to find a house that had the stinkiest possible odor? Or something that was possibly in disuse? And the rat. How did you wrangle the rat in the course of the shower scene? It could not have been easy to do. Since it is vermin, you know.

Rots: It’s a shame this is radio. I’m poking out my thumb now and it’s got white lines all over it. That was directing the rat.

Correspondent: Really?

Rots: He nibbled the middle bit of my thumb. It was hanging there for quite some time and biting away.

Correspondent: Wow.

Rots: That was me directing a rat. I’m not good. (laughs)

Correspondent: Did you have to see a doctor? Get shots?

Rots: Yeah, yeah, yeah. It was too chewed up.

Geesin: Tetanus jab.

Rots: No, rats are not directable. They just do their own way. But that might be a natural talent as well.

Correspondent: They say that kids and animals are the toughest to direct.

Rots: Yeah.

Correspondent: But you would say that a rat is even tougher.

Rots: Yeah. And boats. Boats are also a cliche.

BSS #278: Esther Rots & Dan Geesin (Download MP3)

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