HST: The River is Still Running

thompson-h.jpgI haven’t read the obituaries. I haven’t read anything. Hunter S. Thompson is gone and his unexpected suicide hit me hard. I was reduced to a blank, morose expression while sitting in a passenger seat in a moving car heading south for some fun. What fun could be had when America’s foremost nihilist and partygoer had decided that enough was enough? It took me about twenty minutes of explaining why Hunter S. Thompson was important and why his work mattered before I could go about my day.

Friends have often noted that I have an older man’s concern with the notable folks who die. But my concerns rest not with mortality, which is inevitable, but the more troubling question of enduring legacy. Who will replace these voices? What other tangible creative things die in the process?

Because Thompson, like all the others, was needed and irreplaceable. The landscape of American letters can never equal the strange mix of chaos and wisdom that Thompson threw into his work with inebriated gusto. It should be noted that Thompson repeatedly read the works of H.L. Mencken and the Book of Revelations in Gideon Bibles when holed up in hotels. Thompson was a man committed to a subjective form of journalism that he believed in with religious fervor, but he never lost sight of the number of the beast painted around Washington.

His work was as shoot-from-the-hip and as inconsistent as any prolific hack. His writings varied from incoherent screeds to astute examinations of American hypocrisy. But at his best (whch was often), he mattered. Thompson stood alone as a courageous voice, and he got people to listen.

A few years ago, Hunter S. Thompson stated repeatedly in interviews, “No one is more astonished than I am that I’m still alive.” I always chalked this up to the Good Doctor defiantly drinking Wild Turkey, imbibing drugs, firing guns into the night, blaring televisions and banging out political diatribes (even howling like a banshee on the commentary track for Fear and Loathing in Las Vegas), maintaining the same life that he had built his career upon. Here was a man who had openly settled for Clinton in his collection, Better than Sex, hoping that some spark of true progressivism would endure. Yet two years later, he was the only writer with the balls to eviscerate Nixon upon his death.

In his autumn years, Thompson had settled into a comfortable routine of writing a sports column for ESPN. He had recently married and was keeping busy. But no one can keep a good political junkie down. And it was no surprise when Thompson came out with high hopes for Kerry in Rolling Stone. His essay concluded:

We were angry and righteous in those days, and there were millions of us. We kicked two chief executives out of the White House because they were stupid warmongers. We conquered Lyndon Johnson and we stomped on Richard Nixon — which wise people said was impossible, but so what? It was fun. We were warriors then, and our tribe was strong like a river.

That river is still running. All we have to do is get out and vote, while it’s still legal, and we will wash those crooked warmongers out of the White House.

Thompson must have taken the results in November hard. Harder than anyone. For as much as any of us stupored around for days, feeling as if our last hopes were defeated when four more years of Bush were upon us, Thompson had to feel the pendulum swinging to the right more viscerally than any Poe character.

There’s the famous passage in Fear and Loathing in Las Vegas in which Thompson describes the death of 1960s idealism:

There was madness in any direction, at any hour. If not across the Bay, then up the Golden Gate or down 101 to Los Altos or La Honda….You could strike sparks anywhere. There was a fantastic universal sense that whatever we were doing was right, that we were winning….

And that, I think, was the handle — that sense of inevitable victory over the forces of Old and Evil. Not in any mean or military sense; we didn’t need that. Our energy would simply prevail. There was no point in fighting — on our side or theirs. We had all the momentum; we were riding the crest of a high and beautiful wave….

So now, less than five years later, you can go up on a steep hill in Las Vegas and look West, and with the right kind of eyes you can almost see the high-water mark — that place where the wave finally broke and rolled back.

I always figured Thompson had found a way to go on and accept the hard realities of a nation thumping to a reactionary beat. And maybe he did for a while.

But make no mistake: despite Thompson’s ultimate answer to the predicament, that river is still very much running. And Thompson’s work will endure. The question now is this: Who has the courage to pick up the slack?

Gray Lady Last to Discover That Willow Gets Around Outside of Sweeps Week

New York Times Corrections: “A picture in The Arts yesterday with a chart listing television shows that portray women kissing, to increase ratings during sweeps weeks, misidentified the actress being kissed by Alyson Hannigan in ‘Buffy the Vampire Slayer.’ She was Iyari Limon; Amber Benson is another actress kissed by Ms. Hannigan in the series.”

It’s Good to Know the Experts Are Pooling Their Resources Together for the Hard Issues

Press Telegram: “The online ‘Onion’ once reported that Brad Pitt was bored with Jennifer Aniston’s naked body, a claim that virtually every male of any age and almost any species recognized to be insane or an underhanded insult directed at Pitt. The notion now has been debunked by Peter Castro, executive editor of People magazine the publication that broke the story of the Pitt-Anistan separation.”

Who Wants to Be a Literary Billionaire?

J.K. Rowling joins the billionaires club. Unfortunately, since writing the Harry Potter series has largely involved the act of one, there has been nobody for Rowling to downsize. So Rowling, in an effort to turn the maximum profit from her stories, has made it a habit of regularly firing and rehiring herself for 17 cents an hour, only to resell her labor for the greatest price.

The Daily News has more on the Jayson Blair tell-all: “Zuza [my girlfriend] took pictures of me prancing around the newsroom wearing a Persian head wrap that covered my face, Kermit the Frog on my shoulders and a giant fake fur coat. I did a full tour de newsroom in this ?peculiar uniform. It is hard to know what I was feeling, other than it was exhilarating to shock everyone. Perhaps I was crying out for attention.” Crying out for attention? Nah, Jayce, sounds like you were trying to recall some obscure Polynesiasn ceremony that involved Kermit the Frog. But anyone trying to invent horrible euphemisms like “tour de newsroom” needed to be stopped.

Hemingway’s favorite daiquiri bar, the Floridita, is being recreated in London. The original Floridita created a double-strength daiquiri bar for Papa. And it was not far from the original bar that Hemingway began work on For Whom the Bell Tolls. The London managers, however, have planned to throw out all soused writers from the new place. Unless, of course, they demonstrate that they can pay their tab.

The Guardian confirms that Richard and Judy are the Oprah of the UK. Literary champions are hoping to replace Richard with Punch, just to “spice things up.”

Rynn Berry is obsessed with Hitler’s diet, believing that Hilter wasn’t the vegetarian everyone claims him to be.

Brian Greene: The Bill Bryson of physics?

Anne Tyler: Unwavering Instigator of Irritation

Michiko on Joe Ezterhas: “As for the rest of this ridiculously padded, absurdly self-indulgent book, the reader can only cry: T.M.I.! Too Much Information! And: Get an editor A.S.A.P.!” What the F.U.C.K. is up with the A.C.R.O.N.Y.M.S.?

A new book will explain the seven most important unsolved math problems. One of them involves working out the probability ratio for the Democrats in November.

How the hell did the Washington Times snag a review copy of the $3,000 Ali book? Did the reviewer have to fill out a loan application and submit a credit report?

The new issue of the resurrected Argosy is out. It’s the first issue since 1943, with work by Jeffrey Ford, Michael Moorcock, Ann Cummins and Benjamin Rosenbaum. Each issue will be packaged in two volumes: one the main magazine, the other a novella. The magazine is printed bimonthly and has an affordable subsciption rate. The Moorcock story is the return of metatemporal detective Sir Seaton Begg.

The Age weighs in on the legacy of long novels, but cites Tolkien and Patrick O’Brian instead of David Foster Wallace and Rising Up and Rising Down.

Bookslut has posted the standard response the Times is issuing.

Christopher Paolini: the next J.W. Rowling?

A.S. Byatt weighs in on the Grossman translation.

The Globe and Mail reports that Tyler “hasn’t a boring or irritating word in her vocabulary.” Of course. You can find the boredom and the irritation in the Caucasian malaise and the treacle.

And Radosh and Slate are looking into the reliability of that Times sex slave story.

Quick Quickies

Since it is book-related, Paul O’Neill fesses up that the Iraq plan was in place well before 9/11. The first major blow from an insider.

Updike’s first short story: “The moment his car touched the boulevard heading home, Ace flicked on the radio.”

Anybody have any clues on the Key West Literary Seminar fracas? Moorish Girl (and all of us) wants to know.

Six Bay Area ladies talk mystery writing.

A big Blair-like blowup at USA Today. Jack Kelley has resigned.

The Times gives a lot of space to the image.

And an engineer attempts to deconstruct postmodern literary criticism.

The Cincinnati Enquirer is a Purveyor of Filth

Cincinnati Enquirer: “And for those outraged that the low-rated Doonesbury survived while Boondocks didn’t, we made the decision to drop Boondocks because we did not want to keep publishing a comic that we regularly needed to censor. During the past year, Boondocks was substituted a number of times because it was deemed inappropriate for a family newspaper. And not just this family newspaper. Editors across the country were making the same decisions.”

Well, you have to give the Enquirer credit for a creative excuse. Some folks have caled Boondocks unpatriotic or racist. But this is the first time I’ve heard of it being “inappropriate for a family newspaper.”

But is the Enquirer really a family newspaper?

August 5, 2001: This expose trying to demystify the N-word, mentioning “nigger” ten times and “nigga” ten times.

Peggy O’Farrell, April 9, 2003: “Dr. Safwat Zaki, a urologist with UC Physicians at University Pointe, says products purported to enlarge the penis don’t work. Some surgical options are available: Pumps can be implanted into the penis, and fat can be injected to increase its girth. But the injections don’t last, and the implants carry the risk of infection and scarring.” The Enquirer informing its readers on how to increase penis size? Indecent!

Margaret A. McGurk, Boogie Nights review: “Mr. Anderson handles the porn-making scenes with restraint; by focusing on the onlookers rather than the actors, he achieves an almost romantic mood. A few other sex scenes are hard to watch, particularly one that ends with a savage beating. Yes, there is some nudity, including a brief, display of Eddie’s claim to fame.” Reporting sex scenes! What is this? Adult Movie Guide? Indecent!

Jane Prednergast, March 25, 2000: “The Fort Thomas suspect used a condom, leaving detectives without semen to identify in the first home-invasion rape Fort Thomas has seen in years. That’s one aspect of the case that makes it different from the serial rapes being studied by investigators in Mason, Mont gomery and Colerain Township.” You don’t talk about semen or condoms in a family newspaper. Indecent!

Mike Boyer, September 29, 2002: “Pedro’s is planning a semen collection facility serving the entire Midwest on its farm, with Wisconsin-based Genex Cooperative Inc.” Indecent!

Tom Loftus, November 8, 2003: “Seelye said his jail’s procedure is to search new inmates ‘down to their undergarments’ in most cases. A thorough strip search was not done in Hawks’ case because such searches are done only when there is some suspicion that an inmate is bringing contraband into the jail, he said.” Groping inmates! Beyond indecent!

The Starr Report on the Enquirer servers: Colorful langauge all over the place.

Indecent, I say! Why stop with Boondocks? Why not shitcan all the writers?

(via Old Hag)

I Love You Too, Irvine (Sort Of)

To his supreme credit, Alexander McCall Smith claims that his remarks about Irvine Welsh have been “misinterpreted.” Welsh’s status has been downgraded to “a partially indecent hooligan whom I’ll never buy a drink for.”

A new Michigan law requires publications that depict “explicit content” to be covered up. Booksellers and reading groups are furious. And they’ve filed a lawsuit. In the meantime, they may want to consider covering up Ann Coulter’s books. Pretty explicit stuff, given that she’s advocated blowing up the New York Times building, as well as suggesting, “We should invade their countries, kill their leaders and convert them to Christianity.” (via Sarah)

Catherine Kennan has a very juicy piece on highbrow personals. It doesn’t get any closer to understanding the phenomenon (who can?), but it does feature a very amusing exchange between Kennan and one of the guys behind a personal ad. And it’s impossible to resist this ad: “Find the 10th coefficient in the expansion of the binomial (1+x) to the 20th power. Then love me some more. Mathematical Ms, Cambridge.” (via Chica)

The latest culprit behind declining book sales? USA Today suggests it’s the DVD.

Sarah Waters has turned down a Who’s Who entry because she’s not sure how relevant the directory is to today’s world.

Columbia Journalism Review has a piece on former New Republic editor Gregg Easterbrook. It’s another guy fired because of blog story, but the cause here is far more nefarious (and strangely immediate).

And more on Norr from the Daily Planet. Efforts to track down settlement terms are nice from an outside source, but there are few conditional questions revealed.

Slow Fade to Black

Jan Wong has some great tips on how to kill your journalistic career. “Try to come across as sympathetic, nice and non-threatening,” she says to aspiring journalists. Wong apparently reads through hundreds of articles, looking for contradictions. That kind of preparatory work is fine. But Wong isn’t applying her bum rush approach to sacred cows. Instead of going after potential contradictions within the story of a breast cancer survivor performing self-biopsies in Antarctica, Wong asked her subject about her troubled marital woes. And when a Beijing University student approached Wong for help in fleeing to the West, Wong turned the student over to the Communist Party.

And that’s not all. After putting away her tape recorder and paper, Royal Bank CEO John Cleghorn confessed to Wong off the record that his wife had, at one point, left him. Wong used the quote anyway.

It’s one thing to be a muckraker, asking the tough questions and exposing the hypocrisies within a subject. Rattling the chains is what good honest journalism is all about. But when trust means nothing, when one cannot distinguish between the interview environment and the off-the-record comments that subjects confess sotto voce (I’ve heard more than a few in my on-again, off-again work and, no, I ain’t fessin’), then what’s the point of journalism? In the long run, as more subjects catch whiff of Jan Wong’s style, they’ll be less likely to reveal anything or even present themselves for an interview.

This is exactly what happened to Rex Reed. Reed made a name for himself in the 1960s with frank, confessional pieces (if you can find it, the now out-of-print Do You Sleep in the Nude? includes some of these career-building interviews), even earning Tom Wolfe’s seal of approval, before he humiliated Warren Beatty in Esquire. The Beatty interview (in name only) involved Reed writing a lengthy profile about trying to interview Beatty, using hearsay and unsubstantiated facts in an effort to sabotage him as a has-been, just as Bonnie & Clyde was to be released to the American public. It didn’t work. Predictably, Reed’s career drifted away from profiles, towards uneducated and flamboyant film reviews (case in point: read the end of this Roger Ebert Jurassic Park 3 review) — all best avoided, unless you think the vapidity of People Magazine is sui generis. The Reed-Beatty “interview” is now regarded as a textbook example of dishonest journalism.

Of course, Wong’s hypocrisy has had a few side effects. The article also notes that Wong can be found cowering from Margaret Atwood and Allan Fotheringham at Toronto writer functions. My guess is that in ten years’ time, we’ll find Wong replacing some major critic on a Canadian movie reviews program, before writing a column that nobody reads in a major Toronto newspaper.

The Golden Scam

I don’t have cable. Hell, aside from a DVD every now and then, I barely turn my television on. But Gary Dretzka’s TV Barn column makes me wish I did have cable, if only for an hour. It seems that Trio’s got sixty salacious minutes making the rounds. A modest tell-all ditty from When We Were Kings director Vikram Jayanti called The Golden Globes: Hollywood’s Dirty Little Secret. The doc goes into length on how the Hollywood Foreign Press Association, the junket whores behind the Golden Globes, is granted endless loot and, well beyond the shameful nod to Pia Zidora in 1982 and other dubious merits, the awards ceremony is inclined to favor young, dumb, and full of come mythos.

Jeffrey Wells has more on the subject: “With relatively few exceptions, the HFPA members are a bunch of eager-beaver pseudo-journalists (a fair portion of them write for publications in Germany and Japan) who smile much too broadly and get far too excited when celebrities are in the room. They’re not ardent admirers of the art of motion pictures as much as people who appreciate huge bowls of tasty shrimp sitting on studio-supplied buffet tables. They’re pigs who squeal on cue in order to flatter Hollywood and keep themselves feeding at the trough.”

It’s not unlike what seems to be going down in the literary world of late, at least as Choire Sicha reports it.

(It looks like there was some serendipity in finding the links, but Greencine Daily led me to Wells.)