Skipping the Super Bowl
Several individuals have reminded me that today is the Super Bowl. A thuggish “working-class” team will be duking it out with a Red State team. Bruce Springsteen has either been enlisted for a halftime negotiation between the two sides, or will be performing some music which suggests that, despite the millions of dollars he has reaped from his fans, he is still somehow “working-class,” “a man of the people,” and that he understands what it means to live from yesterday’s flimsy paycheck to tomorrow’s nonexistent one. And the millions of people who will watch this football match will swallow such illusory class roles without question, because that is what they have been trained to do for so many years. Pundits will be examining the many commercials for their apparent artistic and entertainment merits, but they won’t consider the possibility that drawing attention to a commercial is, in a considerable sense, serving the commercial’s purpose: to sell products and to get a specific brand name discussed among the “rabble.” It will not occur to the Super Bowl crowds that perhaps they are being manipulated, viewed with condescension by those who have put up the money, and that the painted faces of fans serving as B-roll aren’t so much celebrated, as they are ridiculed. Plus, the anchoring amalgam of Al Michaels and John Madden is more dowdy than innovative. (Love or hate Dennis Miller, it took some chutzpah to have him tossing around esoteric references during Monday Night Football some years ago. The anchoring choice was so idiosyncratic that I was then a regular watcher.)
I’m certainly not against the shared television experience. I was there for the 2008 presidential elections and the Obama inauguration. I’ll likely be there for the Oscars. I’ll even be there for future Super Bowls and likely the World Series.
But this year, I will be sitting out the Super Bowl. At this time of this year, it seems more trivial than anni previous, particularly with so many phony working-class labels attached. There’s the practical concern of not having any money on the game and therefore possessing no pecuniary incentive to watch. But there’s something fickle here that goes beyond mere money: how can anyone enjoy a game of football while this nation faces a rising unemployment rate, an economy that may not correct itself for some time, various international skirmishes with no resolution in sight, and the like? I’m not suggesting that the Super Bowl should transform into a political forum. It is, when it works, a rousing form of entertainment. And I have often gotten involved in all this, bellowing at the screen in favor of a team I have either (a) followed through the year, (b) selected at the last minute without thought, or (c) selected the contrarian choice because everybody else in the room has hedged their ballyhoos with a particular favorite. There’s something wonderfully primitive in shouting at the top of your lungs, blaming the quarterback for blowing a snap or faulting a head linesman for a failed call.
I approve of all this. I just wonder why, in a time of national crisis, this nation can’t direct the same energies towards more pressing concerns. If they could do that, there might be a televised event that’s more entertaining, more meaningful, and certainly more historical.
[UPDATE: I'm as much of a sucker for a good football game as anyone. And I ended up getting sucked into the fourth quarter after catching a fire-like flicker of the 100 yard TD while on the street and hearing later reports of a potential Cards comeback. If, as some of the commenters suggested, this game was a healthy diversion, well, given how crazy the game was (even crazier than last year's), I'd have to agree. In fact, if you didn't catch this game, then you missed out on one of the best Super Bowls in recent memory. So I stand partially corrected, while likewise repeating my concern over why these energies aren't also directed towards more substantive issues.]
Books To Jump Up and Down Over
Beyond Heaving Bosoms by Sarah Wendell and Candy Tan. The famed writers behind Smart Bitches, Trashy Books have written a very funny and thoughtful volume about romances, both Old Skool and New Skool. Here is a book that any smug and humorless literary manboy beating his flabby passive chest over Banville or Bolano should probably read pronto, if only for the distant possibility that he might get over himself. While the Choose Your Own Adventure segment at the end caused me to have a very disturbing dream involving Shelley Long (don't ask), Sarah and Candy did have me rethinking many of my own misperceptions when I wasn't busy laughing. They're not afraid to take on the New York Times Bok Review or even the groupthink within certain sectors of the romance community.
Alice Fantastic by Maggie Estep. This wild and highly enjoyable narrative involves two sisters (presumably, the third one was still being rented out by Chekhov), a hippie ex-junkie mother who lives with seventeen dogs, a murder, gambling, and libidinous Hollywood actresses who live in Woodstock. But this is the wonderful Maggie Estep we're talking here. And what seems at first like a quirky yarn becomes something unexpectedly moving about connectivity. What I love about Estep's work is the way that she'll juxtapose an extremely astute observation (now that you mention it, why do cab drivers always have somebody to talk with on the phone past midnight?) with an often outrageous story development.
Generosity by Richard Powers. It doesn't come out until September 29th, but Richard Powers's latest will have anyone committed to books reconsidering their literary fervor. I foresee some animosity from the vanilla critics hostile to idea-driven novels, but book bloggers, YouTube chroniclers, and MFAs would do well to plunge into this chance-taking narrative, which introduces vital questions about what the reader's relationship is with media, scientific dissection, and "creative nonfiction." Are we rats fleeing to happy cities? Or can we find the humanism within the purported plague?
Pieces for the Left Hand by J. Robert Lennon. Lennon is one of the most underrated fiction writers working today. Much as On the Night Plain proved that Lennon had a lot more in the toolbox than heartfelt (and often very funny) suburban satire, this slim but fascinating volume juxtaposes 100 small-town anecdotes -- arranged by category -- in a manner that reads, at times, like Nicholson Baker's passions for minutiae and, at other times, Stewart O'Nan's concern for psychological detail. The result is fiction that makes us wonder about whether one person's subjective view of particulars can entirely be trusted. This book never found a publisher in 2005. But thankfully, Graywolf has released it in the United States, along with Lennon's latest novel, The Castle.
Wonderful World by Javier Calvo. This wonderfully raucous volume has been completely ignored by the Washington Post, the New York Times, and the Los Angeles Times. But it's probably one of the most delightful reading experiences I've had this year. Calvo cavalierly mashes up multiple genres and manages to mix up familial subtext with larger-than-life, almost cartoonish characters. (Indeed, one might argue that one mobster's penis is a character of its own in this sprawling novel.). This is not an easy thing to pull off, but Calvo makes it work. And it's helped immeasurably by Mara Faye Lethem's idiom-specific translation. (See longer post.)
The Means of Reproduction, Michelle Goldberg This thoughtful book tackles the complicated (and little discussed) subject of reproductive rights from numerous angles, which includes a number of unpleasant but necessary ones. The upshot is that there isn't a quick fix solution for declining birth rates and fundamentalist abuses. Just about every political faction has contributed to the friction. But you'll want to read this book anyway to refamiliarize yourself with the topic, but also to understand just what's occurred during the past several decades to get us where we are today. (See also podcast interview with Goldberg.)
