Author Jane Smiley decided over the weekend to stop writing about horses.

“There’s only so much equestrian prose you can pen before you get sick and tired of it,” said Smiley, who had pledged to write about more humans and leave the horse writing to other professionals.

“I think it’s safe to say that I cornered the horse writing market. It’s really not fair to writers just starting out.”

Smiley’s sudden transition has not been without its problems. Smiley’s current novel-in-progress has featured a human protagonist, named Clive Seabiscuit, spending most of his days grazing upon the grass and frequently muttering theories about four foundations.

“Old habits die hard,” said Smiley. “But at least this is easier than the glue-sniffing habit it took twelve years for me to kick.”

National Book Award-winning writer Richard Powers has been revealed as a ghost writer of books “authored” by Tom Clancy and James Patterson.

“I’m not proud of what I did, but we needed a new porch,” said Powers in a rare interview. “Ever wonder why Dave Wallace picked The Hunt for Red October as one of his top ten books? Well, now you have your answer.”

Powers’ ghost writing career started off quietly under Tom Clancy. Word got around. Powers confessed that he had been approached by James Patterson, because Patterson was writing so many books that he had exhausted his rolodex of contacts.

“It was easy money,” said Powers. “I could put these books together over a weekend, because there wasn’t any neuroscience or VR environments involved. Just bad writing. In fact, writing bad sentences was the hardest part of the job.”

Scholars, sifting through the remainder of philosopher Jean Baudrillard’s papers, have located an essay in which Baudrillard declares:

The end of comics is, alas, also the end of the dustbins of comics. To this, we must add the Jim Davis comic, Garfield, which is not so much a comic as it is an ideology. Garfield is not an ideology that we can accept. It does not exist in the newspapers. It does not exist in our heads, hearts, and stomachs. We must look into the column inches occupied by Garfield and understand that it is not there.

It is unknown whether Baudrillard applied this criteria to all newspaper comics, but scholars are now sifting through notes Baudrillard had on The Family Circus, Marmaduke and Hagar the Horrible, all dismissed as (loosely translated from the French) “sucky comics.” But the general consensus so far is that Garfield, more than any other comic, spawned a deep animosity within Baudrillard.

[UPDATE: In case it wasn’t clear, this post, as was everything else posted on April 1, 2007, was a false report. I have appended this note because humorless representatives of Mr. Scorsese have contacted me.]

Due to a last-minute scheduling conflict, director Sam Mendes has been replaced by director Martin Scorsese for the upcoming film adaptation of Richard Yates’ Revolutionary Road. Stars Leonardo DiCaprio and Kate Winslet are still attached.

“I’m the only guy who can direct Leo,” said Scorsese, who is now working on a new script with Goodfellas screenwriter Nicholas Pileggi. “We’re going to turn this into an unforgettable movie.”

Scorsese and Pileggi plan big things for this star-studded adaption, including a “re-imagining” of the book’s opening community theater scene, which will now end in a violent bloodbath, leaving the Wheelers the only people standing, as well as 40 minutes of two-lane highway footage interspersed throughout the film. The Rolling Stones’ “Gimme Shelter” will once again be used to enhance pivotal dramatic moments.