Maps

When I was five, there was a gigantic map of Santa Clara County that hung on my bedroom wall. I can’t recall the precise circumstances in which it was placed there – whether I begged or did any number of puerile things to ensure its placement, I cannot say. What I can tell you is that I had a keen interest in the magical clover-leaf intersections, downtown San Jose’s rectilinear makeup (I particularly enjoyed the way West Santa Clara Street turned into the Alameda[1]), and the patterns which shuttled traffic[2] along such an expansive area.

I learned that my parents belonged to AAA (something called auto insurance) and that AAA offered a service to its members: you could order as many free maps as you like and AAA would send these to you by mail. Using this careful subterfuge, I actually telephoned AAA and told the helpful customer representative that my mother was sick and needed maps for an upcoming trip. It was a fib, not one I was fond of making. But to not know the world beyond Santa Clara County was an impossibility.[3] I gave the representative my mother’s AAA card number and, to my amazement, the representative listened. Sure enough, there was a package in the mail a mere four days later.

map.gifThere were maps of Santa Cruz, of Monterey, of Bakersfield, of Modesto – damn near every map that was available was sent to me. The maps, in their own way, were as comforting as chicken soup.[4] Comforting in the sense that they contained bright colors and semiotics which delighted my mind’s eye. It had never occurred to any of the adults that there was something joyfully monastic about all this. It did give me comfort against the violence and upheaval that I heard beyond my bedroom door. But the knowledge of the streets that I carried inside my head got many of the adults out of lost situations in a pinch. I knew the lay of the land, but not the land itself.

The semiotics in particular allowed a portal into another world, which was, at the risk of invoking Derrida or Baudelaire, the world in some sense. For there wasn’t any particular way that this bird’s eye view could be parsed so precisely from a helicopter or a jet. The lines were clean, allowing one to view how people traveled without the clutter of houses. The intersections offered neat notation along the lines of -] [- [5] for the roads, which reflected an aesthetic minimalism that I found more pleasurable than the actual intersections themselves.

So it was no surprise that I experienced a great giddy delight upon discovering the postmodernists and their descendants.[6] They too were concerned with structure and order and creating elaborate systems that reflected the world, but that didn’t approximate it. While the systems themselves may not have been perfect or the ultimate answer, they did nevertheless contain a comfortable place to settle, a world to retreat into when I needed to escape the real world or, more accurately, find a way to recontextualize the real world through another system. It is impossible to state the emotional reaction I have had to such systems, but it was considerable.

Oddly enough, while Google Maps and their ilk are handy, they still cannot equal the joy of an unfolded map. A map sets down the record of the streets at the time that it is published. Thus, it is not the final arbiter of what’s in the real world and there are still great things to discover about it. Google Maps too has this tendency to add little markers of what’s out there. And that’s no fun. I prefer wandering along a street I haven’t known and discovering unexpected things along the way.

Is it healthy for a person to cling to an exact though somewhat abstract view of the world like a port in the storm?[7] My enemies would quibble with this, but I know that it’s healthy for me. My mind works best when hindered by a strange structural occlusion and this often prevents my thoughts and feelings from being understood. Perhaps this is why now, inspired by Danielewski, I cling to this odd format. There is a map here, but you may not understand the territory it charts.

[1] There was a bus route that traversed the entire stretch.

[2] It is important to note that the traffic scuttled in my head.

[3] Even though I learned to read at a very early age, it didn’t occur to me that one could learn about The World Outside.

[4] Dim memories of homemade chicken soup dapple through my parietal lobe, but is such a metaphor necessary? We’ve clearly established Edward Champion’s idiotic nature and many have suggested, quite rightly, that he has no right to poke his nose into certain matters. He is at best a quixotic buffoon. Can one truly imagine how he functions, thinks, and formulates? Or is such a consideration

[5] Not unlike the form I have chosen for these footnotes.

[6] See most recently, the Statement.

[7] Please note that I am not asking for sympathy here. I am merely setting this all down for the record.

Ad Hominem Fiesta!

Heya kids. It’s time to tear Edward Champion a new one! If you have any choice words that you’d like to offer me, I will happily display them on the sidebar for all to see! Feel free to tell me how lame-brained and mentally challenged I am and I’ll proudly add you to the list of luminaries on the sidebar. Go for it, folks. Knock yourself out!

Tanenhaus Will Travel Up a Kurtzian River Very Soon

Vanity Fair: “Not only are the people at the Times aware of their new readers’ likely lack of constancy, they’re paranoid about it. In some sense, it’s the central obsession at the Times, the driver of the place, this very un-Timesian concern with what people are thinking about it, as the paper increasingly becomes a hot topic in the national court of public opinion. And it’s a crazy court. Every politically and emotionally addled information consumer wants to convict the Timesof something.” (via Books Inq.)

Danger Mouse Would Be Proud

Renee at Book of the Day has an intriguing project. If you’ve read Kazuo Ishiguro’s Never Let Me Go, she’s set up a phone number where you can offer your thoughts. From here, the results either go into some catchy hip-hop montage that you’ll hear playing in all the clubs or a podcast — I don’t really know which. But it does sound groovy and experimental. And I direct all interested parties Renee’s way.

Otto Penzler Threatens Me With a Lawsuit

This post is not a joke.

I just received the following message from Otto Penzler:

“If you don’t remove this TODAY, I will sue your ass. I have already discussed this with my lawyer who agrees it is actionable. You may find this humorous–I don’t. I do have your address and you will be served with a cease and desist order, plus a liable suit, copyright infringement suit, and some other stuff as we think of them. NOW, Mr. Champion.”

Mr. Penzler takes apparent umbrage to several recent posts that satirize and parody his New York Sun columns. To prevent any confusion, I have removed the photos of Mr. Penzler and have added a visible disclaimer that these posts are parodies for the uninitiated (which apparently includes Penzler) about a character named “Otto Peltzer,” not Penzler. Other than this, the posts, for the moment, remain unchanged.

K00L DUDEZ!

The Bat Segundo Show, a new weekly podcast, will premiere several times this year at 9 PM. And sometimes at 9:01 PM too!

Seeking new or established fiction novelists, real-life memoirists, comic strip graphic novelists, epidermal skin flick directors, cash-concerned money men, love-centric romance novelists, and other interview subjects that encourage such redundant use of language.

Send me logline summations and visit my kool site at:

http://www.edrants.com/segundo

Looking forward to hearing from you.

Bat
Mr. Segundo

(via TEV)

There’s Also an Raging Middle-Aged Borderline Alcoholic Who Can’t Accept the Fact That He’s No Longer Thirty and Seems to Believe That He’s God’s Gift to Women

Publisher’s Lunch: “David Hasselhoff’s autobiography, MAKING WAKES. written with Peter Thompson, showing “there’s more to The Hoff than great hair and legs that look good while running down a beach,” to Erin Brown at Thomas Dunne Books, for publication in spring 2007, by Kate Hibbert of Hodder & Stoughton UK (NA).”

Watch Out! They’re All Out To Get Amy DeZellar!

In a Spokesman-Review article profiling bloggers who transmuted their twitchy typing into book deals, Amy DeZellar notes, “The bloggers who are giving the rest of us a bad name are those who weren’t really writers in the first place and just sort of became writers by virtue of getting published. A popular blog can get you a book, but not necessarily the talent to write one.”

I’m not certain which bloggers are giving DeZellar and company “a bad name.” And it’s difficult for me to qualify the merits of Dating Amy, seeing as how the book’s only apparent review coverage consists of gushing testimonies from Dating Amy fans on Amazon. But this is the sort of statement one expects not from an emerging author, but from a quarterback fearful of his younger and more robust counterparts — the guys fresh out of college who will inevitably replace him.

Roundup — The Truth Version

  • Harry Crews gets the Gray Lady treatment, motherfuckahs! The man is back in action after an eight year absence with An American Family. I am now convinced that the only way to save the NYTBR is to put Crews in a room with Sammy Boy with the latter skittering away like a soused titmouse. (via Maud)
  • GOB checks out Edinburgh. So does that Rory fellow. All the excitement gets me in a theatrical tizzy, determined at some future point to provide another strange homegrown Fringe entertainment.
  • Foer in Brazil. Hardly the meat and greet you expected.
  • From a Susan Sontag commencement speech: “Do stuff. Be clenched, curious. Not waiting for inspiration’s shove or society’s kiss on your forehead. Pay attention. It’s all about paying attention. Attention is vitality. It connects you with others. It makes you eager. Stay eager.”
  • And speaking of which, let’s get all this Bill Hicks revival bidness out of the way right now. Without a doubt, the man was great. But he’s been dead now for twelve years and I haven’t seen a single standup comic dare to speak the truth to the people. This whole sanctimonious business of “What would Bill Hicks do?” has reached a point where I want to throttle the sycophantic joke slingers who play it safe, who underestimate their audience’s intelligence, and who risk this fear of offending. If these comics do put upon an offensive stance, like Lisa Lampanelli or Bobby Slayton, it’s on the personal insult level, as opposed to comedy that reflects the cruel absurdities and the pernicious sociological factors around us. And don’t give me Margaret Cho or Chris Rock, both “brash” comic talents who, nevertheless, play it safe and who, as a result, stand forever in the long shadow of Bruce, early Carlin, Pryor and Hicks. Have we really reached the point where standup comedy can no longer present us with fresh insight? Have we really reached a point where we must look more than a decade backwards to find some fucking shred of truth hurled into the crowd?
  • RIP Madman Moskowitz.
  • The Epoch Times talks with Gao Zhisheng days before his arrest. More on Gao’s efforts to fight oppression here.
  • Elizabeth Gaskell’s Manchester home is crumbling away and efforts are being made to save it.
  • There’s an interesting marketing campaign for Orwell’s 1984 referred to as “literary littering.”

“Partial Concealment”: The New Buzzword If You’re Hiding the Fact That You Were an Accomplice to Genocide

BBC: “In a BBC radio interview Rushdie said that he was ‘extremely shocked’ to hear the news that Grass had served with the Waffen-SS at the end of the second world war, but argued that the revelation made little difference to his literary reputation. It was ‘wrong’ to accuse Grass of ‘a huge act of hypocrisy’, he said, calling it ‘a partial concealment’.”

The Bat Segundo Show #56: Daniel Green and Michael Martone

segundo56.jpg

Guests: Daniel Green and Michael Martone (LBC finalist, Summer 2006)

Condition of Mr. Segundo: Avoiding his own Contributor’s Note.

Subjects Discussed: The entertaining components of experimental fiction, the genesis of contributor’s notes, Edith Hamilton, mythology, the “Michael Martones of the universe,” cultural influence, Hugh Kenner’s The Counterfeiters, how the origin of the word “fact” influences contemporary fiction, Dan Quayle, Donald Barthelmie, collage, John Barth’s Letters, the limits of invention, cultural anxiety and art, how universities affect writer-professors, hypoxic training, and the virtues of bad writing.

A Guest Column by Kristin Tillotson

Fiction is dead. It dies and resurfaces, dies and resurfaces. It is Jason from Friday the 13th. It is an unwelcome call from your mother-in-law nagging you about bringing the quesadillas to the family picnic. It is that dentist who says, “This won’t hurt a bit,” when of course it hurts more than a bit.

Fiction! You bastard! Die fiction die! Why won’t you die? Why won’t you transform into a corporeal form like a piñata so that we can all beat you senseless and watch your innards spill onto the floor? Why can’t we wipe the lino clean with your blood? Why can’t we eat you for breakfast?

I want to ignore the fact that humanity thrives on stories for a moment and remind you that fiction is dead DEAD dead. If fiction will not die, then I will make it die. I am on a mission from God. If I catch you reading a novel, I will snatch it from your hands and tell you that you are wrong and that you too will die. And then I will beat you senseless and watch you die. I will laugh at you, foolish fiction reader, you who cannot acknowledge inevitability. I will use Astroglide and a cudgel, if necessary.

I will quote you troubling statistics about John Updike and ignore the 100,000 copies that Terrorist sold.

Fiction, I will bust your chops. Fiction, you are nothing. You emobdy entropy. And I will tell you again that you are dead, even when you pounce on my shoulders and perform an exuberant tap dance.

The UK Airport Authorities Still Resemble the Keystone Cops, But At Least You Can Read Again

International Herald Tribune: “The British authorities removed a ban on carry-on luggage Monday, allowing airline passengers to carry a single, briefcase-sized bag on flights leaving British airports. Books, laptop computers and iPods can also be taken on board again. But airline officials said it remained unclear whether the new rules would ease the long delays at security checkpoints that have forced airlines to cancel some flights. The British transportation secretary, Douglas Alexander, warned at a news conference that “present difficulties at airports may continue for some time.”

Walter Benjamin: Arcades and Hashish

The New Yorker: “Over the next seven years, Benjamin participated in drug sessions as either subject or observer at least nine times, but his attitude toward drugs remained vigilantly experimental. He seldom took them when he was alone, and he never had his own supplier, relying on doctor friends to procure hashish, opium, and, on one occasion, mescaline. The sessions were recorded in ‘protocols,’ furnishing raw material for what Benjamin intended to be a major book on the philosophical and psychological implications of drug use. When, in a letter to Gershom Scholem, his best friend from the age of twenty-three, Benjamin, then forty, listed four unwritten books that he considered ‘large-scale defeats’—evidence of the “ruin or catastrophe” that his career had become—the last was a ‘truly exceptional book about hashish.'”

Statement of Intentions

B, the hardest working man in blog business, returns to the scene with Cleaning Las Vegas: “Let me state up front that, number one, I am recording my observations as a complete beginner to dry cleaning, not as a pro, so I make no claims of accuracy for anything I say about the business. I can just see dry cleaning motherfuckers getting all up in my grill about how I’m using the tamping brush wrong or how I’m supposed to use a 60/40 solution of neutral lubricant to water instead of 50/50.”