Reality is a toxic oxidant that we inhale at least eight hours a day. We take in the redolent whiff of the shit-stained social contract that we never got a chance to revise or look over. Learn the language and you get lost in clauses, becoming one of the lawdogs barking a sweet song in court just after spooning oodles of corn-based sugar in a rushed breakfast of dry cereal. It is hard to dwell on this nightmare without sounding like a strident agitator. They’ve taken our passions and transmuted them into cliches. Those great quotidian moments are corrupted by the sharp clacks of harsh teeth clasping upon a small shred of meat that has to be chewed up to go around six times. The portions are wrong. The plates are big. The eyes are bigger. The stomachs grow. And any decent gesture is declared a collective and contrarian sully upon all the agents pumping savagely into the air.
Reality. Confess it and you’ll be deemed pathetic. Sing true only in code. Don’t mention the pennies you’re collecting from the insides of the couch. Don’t mention the finite nature of this sad copper supply. Bring up the Socratic method and you’ll see your queries misconstrued as endorsement. Your options are the limp pose of reason and the unsettling truth of passion, but never anything in between. The eccentric’s teeth is a bit crooked. Never mind all the good ideas she’s had. Throw her out on her ass. She’ll be homeless in six weeks. Then maybe she’ll change.
Can’t handle that? There’s plenty of fantasies and parallel universes to choose from. Take your pick. If you don’t have cash to nurse a beer in a bar or you can’t trust anybody, there’s always the men confessing their private griefs to strangers over the microphones during a first-person shooter. Be careful with what you disseminate though. It could be picked up later. They haven’t quite put a microphone on every street light. But that camera wasn’t there last year. That’s not paranoia. It’s reality. Or is that fantasy? Open your eyes long enough and you’ll believe they’ve stayed closed.
Simulacra are dangerous. But several realities run atop and intertwine with each other. There are cities within cities. People within people. Nobility within nobility. Boxes within boxes. It’s just a question of how far you want to dig, and most people are getting a bit tired with the shovel.
Effects of nitrous oxide: dizziness, depersonalization, analgesia. We could all use a little analgesia right now, right? But who will narc on the narcotics? When the rubber bullets send you to a rubber room, the linguistic symmetry becomes a discordant shock to the system. We talked of the Bush Doctrine, but nobody knows the Obama Doctrine. They raise their voices with hysteria and the truth gets confused with lunacy. Hold the line. Love isn’t always on time. Freedom’s just another word for nothing left to lose, but that was forty years ago. When nouns were customizable shoes rather than rigid marketing terms. Hope. Just do it. Dance your ass off. Who wants to be a millionaire? Who really can be a millionaire?
The Call by Yannick Murphy: The always interesting author of Here They Come and Signed, Mata Hari returns with a novel that whips up a worldview from a rather quirky set of limitations: namely, the call logs that a veterinarian maintains as his son is unexpectedly put into a coma and an unforgiving economy denies him work. What emerges is a surprisingly optimistic, often funny, and very moving account on how one family uses acceptance and forgiveness as a way to atone for hard knocks. (
Birds of Paradise by Diana Abu-Jaber: Forget Franzen and Eugenides. If you're looking for a social novel that counts, Diana Abu-Jaber is the author you're looking for. Building from the free-form exploration of consciousness and identity in Crescent and the gripping procedural structure of Origin, Abu-Jaber's latest novel is her finest, equally fluent with gutterpunk culture and smarmy real estate men. It has been suggested by The Washington Post's Ron Charles that you will likely gain some pounds while reading this novel. This is certainly true. Abu-Jaber's description of food is so precise that it often made me want to do more cooking. But I very much admired the way in which Abu-Jaber presents all her characters as unwitting victims of rough capitalism, which permits them some dignity even as they perform terrible acts.
The Last of the Live Nude Girls by Sheila McClear: This memoir isn't so much about the decline of the Times Square peepshow, as it is about one young woman's efforts to pull herself up by by her bootstraps when presented with few economic options. Filled with self-introspective candor and a quiet dignity, McClear's story is one that might befall any of us in these volatile times. While McClear does get back on her feet, her book leads one contemplating the terrible fates of other young women now moving to New York and falling into deadlier vocations. (
Tell it! “Open your eyes long enough and you’ll believe they’ve stayed closed.” Reality is infuriating and exhausting and multifarious and should be more up to us than it seems to be. It is up to *somebody! The whole thing is crashing and burning and we can see the inner skeleton but it’s still going, the crash isn’t over. Help! But we’re all inside.
Beautiful. I have been using Nitrous Oxide to hack my reality for many many years. My mom is a dental assistant an when I was young I used to go to the dentist office when she was cleaning it and sit on a tank and watch cartoons. Now I am older and still love it. I hate reality, it sucks, but trust me you can mold it to your will. Force it to behave sister. Life’s a bitch and I’m her pimp!