by Edward Champion

Dossier

Subject, thirty-three, contemplated writing a confessional post that pointed to certain emotions established by (a) two phone calls, one currently unreturned, (b) the ontological isthmus from one apartment to another that must be crossed in the next two weeks, and (c) watching a late-period Woody Allen film, flawed but interesting, on Tuesday night, accompanied by aperitif but no meal. Subject did not consider (d) a lengthy book he was reading which was both profoundly moving and profoundly disturbing, a book he was rereading with what he assumed was greater wisdom and the troubling dilemma that his own age was closer to that of the protagonist. Book susceptibility hit him again, had him thinking of his own life in the third person, just as this book depicted a fictional character’s life in the third person. Subject has since shifted over to an enjoyable space opera book to improve mood. But subject now ponders precisely why the book in question caused him to momentarily consider breaking that personal threshold between himself and readers. Not that subject would reveal everything exactly. And not that subject is depressed. But subject is currently wondering why some books hit him just as hard in the heart as real-life encounters. Subject does not feel a particular sense of shame at being moved by fictional characters, but he does find the emotional crossover to be more than a bit goddam peculiar. Perhaps this is why subject had contemplated spilling emotions in some sense. Or perhaps subject is susceptible to text because he is currently proceeding forth with his own novel, in which he feels very deeply about his characters, even as he shifts them into terrible scenarios and must hear their cries of pain and anguish. But if subject felt sufficiently empathetic, why then did he do this? Because it was true, subject rationalizes. Even though this being the terrain of fiction, it is decidedly not true. Sure, subject has lifted a few ideas from personal experience, subverted and obverted many of them, modified them, found some surprising parallels and differences between self and subjects. So why then the sudden empathy overload that subject customarily feels for humans being transposed into fiction, both penned by subject and read by subject? Subject does not feel that he is retreating into this narrative, but he does sometimes feel that he is occupying this textual territory a bit longer than he feels comfortable. Subject carries on because he must perform his daily duty. But subject wonders why he decided to continue anew with this text while shifting residences and trying to extinguish sundry fires. No wonder subject has been taking more naps and feeling more exhausted. Subject now understands why novel writing is “difficult.” The hypocrisies of making characters miserable while likewise empathizing with them has subject wondering whether there are similar hypocrisies in his day-to-day dealings with everyday people, who are not invented and who have considerably more complex feelings than anything he could possibly set down on paper. It occurs to subject that the novelists he admires are those who tend to feel this moral conflict, and that those who do not are probably not doing their job. Then again, subject does not have a shitload of novels behind him. So perhaps this is all naivete on his part.

by Edward Champion

A Hack of a Different Stripe

I always dreamed of being like Jackie Collins or Danielle Steele. Of writing novels devoid of character or intelligence or truth. Of multiple marriages that the tabloids could gloss over. Of a hack career that had nothing to do with my color, but everything to do with my narcissism and my execrable prose. I would be the center of attention! It would all be about me, me, ME!

I dreamed of appealing to the lowest common denominator. Maybe I, too, would sell over 400 to 500 million novels. Nay, two billion novels! I’d sell novels the same way that Atari once put out twelve million cartridges of Pac-Man with only ten million Atari 2600 units in circulation. There’d be more novels than readers! And all of them would have “Great” in the title. If there was one thing I was good for, it was writing novels with the word “Great” in the title. I’d even write a novel called The Great Gatsby so that the racist author F. Scott Fitzgerald would be forgotten. Maybe we could hold a book burning and incinerate all Caucasian scum.

If they wouldn’t buy my books or respect my delusions of grandeur, well, I could always play the race card without bothering to include an indispensible party. Never mind the other authors who had seen their work thrive for the very reasons that I would sue over.

I’d hide behind a pseudonym and recruit a bunch of rabid dittoheads to shout “Injustice!” at the top of their lungs without any of them bothering to investigate the claims.

For I am an American. And like many Americans, I am prone to litigious hysteria.

Anybody who disagreed with me or who questioned my claims would be declared a racist. Who knew that a white guy like George Bush would give me such inspiration? And the scum Ed Champion would at long last be revealed to be the Grand Wizard we all know him to be, together with that craven white supremacist Lynne Scanlon.

Sometimes, it’s good to be living the dream.

I’m very pleased to share that the matter has now been resolved to my financial and narcissistic satisfaction through an agreement, the terms of which can never be discussed. The details of my claims can never be completely checked out. Yes, other African-Americans will continue to see their work marginalized. And even though they may have more legitimate claims, cemented upon hard paths of contracts and documents memorializing conversations and developments, their important fight has now received a setback thanks to my solipsistic pursuits.

Who really needs to consider the bigger picture? I knew all along that Penguin would settle this suit privately so that they could get rid of it. I knew all along that my claims would never be verified. And I knew that my followers would carry on drinking the Kool-Aid.

Only in America can you have a dream sooooooooo bright; as bright as the sun itself. Now if you’ll excuse me, I’m blowing the first installment of the settlement money on a two week vacation to Maui, where I will begin work on my next novel, The Great Prevaricator.

by Edward Champion

Infrequent Posting

Due to many pleasant events over the next few weeks, posting will be less regular, less frequent, with a possibility of intermittent showers and random madness here as the monsters use my brain. There is considerable output right now on the novel. (Somehow, a great anger in relation to current events has created an unanticipated rush.) But the energies I’m now committing to fiction have forced me to slow down a bit on other fronts.

I’m not attending BEA this year because I’m moving that weekend (within New York: same mailing address applicable). Bat Segundo interviews will continue, but at a somewhat reduced rate of production. (May is booked. June and July pitches are welcome.)

There are a number of pieces I’ve written that are floating around out there and I will link to them when they are made available. In the meantime, you can check out a podcast interview with David Hajdu, a podcast interview with Sarah Hall (the 70 minute conversation covers all three books and a lengthy article on Hall’s three books is forthcoming), a review of Stephen Greenhouse’s The Big Squeeze, a review of Martin Millar’s Lonely Werewolf Girl, and some hasty thoughts on Act II in Hamlet.

More very soon, I hope!

In the interim, here’s a running list of links of interest:

5/12/08:

5/14/08:

by Edward Champion

“Am I Being Detained?”

The Fourth Amendment of the U.S. Constitution: “The right of the people to be secure in their persons, houses, papers, and effects, against unreasonable searches and seizures, shall not be violated, and no Warrants shall issue, but upon probable cause, supported by Oath or affirmation, and particularly describing the place to be searched, and the persons or things to be seized.”

by Edward Champion

We Regress the Error

Dear Peter:

I write to impress my most profound apologies for our recent disservice to your book, Cup in the Hole: My Year Puncturing Baltimore’s Yeastern District. Had we been aware just how much these typographical errors had infected your work, we most certainly would have cleansed up the mess earlier. But we did not catch this problem until it was too late, and we were near the end of our reproduction cycle. We have suffered as much as you have. There are no excuses, but I assure you that our offices have been both labiarus and pro-active in preventing such grafts in the future. We funged up. I can’t tell you of the pain and embarassment that this mistook has caused us. I wish to assure you that we are now committed to reprinting your grate book in a cleaner and more hygienic light so that readers will at long last know how vulvid your account is.

Please also be advised that the entire stuff in our orifice have been undergoing remedial Anguish courses to insure that this will not happen again. We have plunged deeply into this matter to clean things up, so that a redouche will not occur. The main copy auditor for your book has been told that his services are no longer required. It was a tough decision, but we cannot afford to be tax about such matters. We have looked into our books to ensure that there are no additional errors.

I hope that you can accept our deepest apoplexies. We take these matters very serially and we will be doing everything in our powers to ensure that future additions of your book will not be butchered. But if you have any questions, please do not hesitate to call my direct wine. I’m alway happy to clear everything up over a lengthy phone fermentation.

Deeply and sincerely bores,

DICTATED BUT NOT READ

Peter Doughboy
Director
PRINCETON UNIVERSITY PRESS