First off, thanks to those who have pitched in, both with kind words and dollars, to the August pledge drive.
For those who missed out on the Save Segundo Campaign, here’s an update on where we’re at. We’re still working hard to line up advertising for the show and have had a few kind leads and nibbles (nothing firm yet), and we will be stepping up our efforts big time in the next few weeks. We have also scheduled as many interviews as humanly possible during the time we have left, which is roughly around mid-September. (We’ve just released two more shows, and we’re planning on releasing a very special show, which involved a considerable amount of reading and preparation for a forthcoming guest whose time we certainly don’t want to waste, later this week.) The hope is to keep Segundo going uninterrupted for the next few months. However, we’re still facing a shortfall for our pledge drive. And if we can’t raise these funds, which represent a stopgap between the present and a future time in which we will have advertisers in place, then we’ll be forced to abandon Segundo for a month or longer while we scrape together the money to stay afloat. And if that’s what needs to be done, that’s fine.
But we’re hoping that we can continue to keep Segundo on the air without interruption. There are many authors coming through in late September and October who we’d like to devote our energies to. Your continued support of the show through this pledge drive will help us to carry on at the pace of eight shows a month.
So if you’ve enjoyed Segundo, or found any of these conversations valuable, feel free to chip in a few bucks to keep the joint running. If you can’t, no harm, no foul. We’re going to try and keep this operational as long as we can.
Thanks again for listening.
The Call by Yannick Murphy: The always interesting author of Here They Come and Signed, Mata Hari returns with a novel that whips up a worldview from a rather quirky set of limitations: namely, the call logs that a veterinarian maintains as his son is unexpectedly put into a coma and an unforgiving economy denies him work. What emerges is a surprisingly optimistic, often funny, and very moving account on how one family uses acceptance and forgiveness as a way to atone for hard knocks. (
Birds of Paradise by Diana Abu-Jaber: Forget Franzen and Eugenides. If you're looking for a social novel that counts, Diana Abu-Jaber is the author you're looking for. Building from the free-form exploration of consciousness and identity in Crescent and the gripping procedural structure of Origin, Abu-Jaber's latest novel is her finest, equally fluent with gutterpunk culture and smarmy real estate men. It has been suggested by The Washington Post's Ron Charles that you will likely gain some pounds while reading this novel. This is certainly true. Abu-Jaber's description of food is so precise that it often made me want to do more cooking. But I very much admired the way in which Abu-Jaber presents all her characters as unwitting victims of rough capitalism, which permits them some dignity even as they perform terrible acts.
The Last of the Live Nude Girls by Sheila McClear: This memoir isn't so much about the decline of the Times Square peepshow, as it is about one young woman's efforts to pull herself up by by her bootstraps when presented with few economic options. Filled with self-introspective candor and a quiet dignity, McClear's story is one that might befall any of us in these volatile times. While McClear does get back on her feet, her book leads one contemplating the terrible fates of other young women now moving to New York and falling into deadlier vocations. (